i like that .... sounds like you need a hook and some definition between the verse bridge chours parts .... if you like send me the stems (full length audio parts with no effects on them) & midifiles ill see what i can do for you ...
Yeah this was pretty much an attempt at capturing a riff and vibe. Definitely needs a change or two. I will look for the master and render the stems this weekend and send them to you. Thanks for checking it out.
Thanks, let me know how it goes. Appreciate your review as it seems I won't get many on this one. It is always funny how most of the tracks I like and put the most effort into seem to be the least commented on. Sometimes it makes me think about quiting but I never do.
To adjust velocity of your drum parts, should be just that you open up the MIDI part on your sequencer's timeline. Under all the notes, you'll find parameter data and 'velocity' is probably the default one you're shown (though you can choose to see others too eg pitch). You should be able to select a bunch of notes and increase them all by a certain number of points (the range is 0-127) or do things such as specify maximum and minimum levels, which can be useful when you want to keep their relative levels to each other intact. I hope that makes sense, though I guess if it doesn't you'll probably just discover it for yourself anyway.
One way to view the addition of a second kit is that it's just a bit like saying 'add more physical drums to your one, single kit' a bit like someone such as Neil Peart of Rush does (his kit has loads and loads of toms and cymbals). Having two snares can be cool, for the obvious technique of using one for one section, one for another (eg verse/chorus).
I use multiple kits on pretty much all my tracks. For a hard rocking track that might suit you, check out Debt Black Hole as it has 4 kits on it and a lot of complex, layered drumming in styles ranging from jazz to extreme metal.
Good luck with vocals. I would also love to find vocalists but would much prefer to work with some in person rather than do online collaboration. If I'm going to collaborate, I don't want it to be via sending emails back and forth, needs to be together in the same room.
I am going to play with adding kits this weekend and see how it goes. I like the idea of switching kits for different parts. Never thought to do that. Great idea, thanks.
That's an awesome sounding guitar dude. It would make Ace Frehley jealous. Is it a Lessy?
Critique: Dude, you gotta get rid of the drum machine and get acquainted with drum loops. Machines sound like machines. Loops are actually musicians recorded so they are far more organic than machines. And really when you play against a loop some high quality musician recorded, you are in fact jamming with that human being across space and time.
Plus actually using loops is WAY easier than fussing w a drum machine.
Anyways the human stuff sounds hot. A couple good loops would light your beat right up. :-)
Thanks brosef, I appreciate the kind words and the critique.
The drums are actually not a "drum machine" but a drum sequencer called JamStix 3. I will be the first to say I don't do them justice. I have not a clue on how to get the best sound out of them. I have heard others who have and the program is really good at giving that "live drummer" sound and vibe. I started out using nothing but samples but got lots of criticism at how stale and monotonous they sound. I am currently working with Addictive drums for all my new tracks. I have been playing guitar for many years but the whole producing and engineering is brand new to me and I am still learning everyday. I do plan on going back in and seeing if I can rework the whole drum part. Might try using a loop and Addictive Drums.
Thanks again for taking the time to listen and leave a comment.
Good to see you're using Addictive Drums - something you said you would a couple of months ago. I was thinking about this just the other day.
Instantly I would recommend lowering the velocity of that kick. Maybe turn it down but I think the problem is more that it's playing at pretty much the top velocity. Ask if you're not sure what I mean.
Your drums could do a bit more as they're a bit simplistic and you might think about having a second kit for variety ( I do it a lot).
The rest of the playing is good (and my kind of thing)though maybe you should go with just the one guitar at certain points as maybe it's a bit too intense doubling the pair up. You do do this (drop one of them) but I think it might help to do it more often in this track.
Are you looking for a vocal for this?
If so and you get a good and distinctive one, it could be a really classic track.
Thanks for the pointers bro. I will try and lower the kicks velocity, I am pretty sure I know how to. I also will tinker with adding a second kit to the mix. I was considering dropping the one guitar for a couple small parts so right on with that as well. Just wanted to get some feedback before putting in any more time on this. As for vocals, I am always looking for them. Just don't ever seem to find them. Got lots of ideas in my head but singing them is another story.
Thanks again for all the help.
Blues is close to home territory for me TV so you gotta know I liked this one....blues and your rock style go together like they were meant to....reminds me of some good times...(I think good-time blues are legal now)....Right on....Ed
Thanks Ed, love getting feedback, especially positive feedback. I appreciate your taking the time to listen and leave a comment. I am a huge fan of the blues, especially The Black Keys. Thanks again for the kind words.
Thanks for taking the time to give it a listen and for your honest opinion on the plus and negatives of the track. I will track down the master and see if I can improve the mix in the ways you mentioned. I am guilty of being a guitarist first and a producer last.:) Hence the over the top levels on the guitars, lol. I am not sure if I should take the live band part as a compliment or not, but it is what it is. I have had zero experience mixing and producing before this so I am not sure how else to go about recording and not getting that "live band" sound. Hopefully my skills will improve in the future. Thanks again for the listen and for taking the time to give some constructive criticism.
Wow! This felt like time travelling... the spirit of the 70s is all around this track.
I liked everything. Probably it could work well with a good vocal part.
The solo-guitar parts are perfect: not a single rough edge. Good!
The rhythmic part is solid and pleasant. I liked the chord progression.
Overall, a really good song.
Ciao, Domenico
Thanks for the kind words Domenico, they are appreciated. I feel that this is probably my best track to date and one of the few that are done. It could use vocals but even without them it feels complete. Thanks for taking the time to listen and leave a comment. It helps to get feedback.
down n dirty this sound is. I could see you expanding this tune. By kicking ##### like this tune does, then bring the verse down to just drums and a bass line (like the pixies used to do) then blast us in the chorus with this guitar sound, all along with a stone roses like vocal, then you would have one hell of a song!
Thanks bro... Appreciate the kind words. I agree with your ideas and when I track down the master I am going to try and implement them. If I can't find them I will re-record this and work them in. Thanks again for listening and leaving a comment.
Thanks for the feedback. This is a rough mix so yeah I will bring down the Guitar level a bit and boost or hopefully replace the drums. Thanks for taking the time to give it a listen and for leaing a comment.
Thanks Paulo, I appreciate the kind words of support and your taking the time to check it out. This is one of my more mellow tracks. Most of my stuff is a lot harder than this.
Reminds me of some Govt Mule. Your guitar riffs seem very set and not an off the cuff attempt. Sounds weird, but I appreciate a guitarist who can play the same thing 8 times and not change it. Diggin it.
Funny you say that, I have to try real hard to repeat a riff over and over again. I tend to get bored easily and wind up with a more off the cuff take. I appreciate the kind words and your taking the time to listen.
Thanks again.
Thanks bro...I appreciate the kind words, especially on the guitar work. Always nice to know if something works or not. I wish i could do some vocals but I have yet to have much success. Thanks for taking the time to give it a listen and for leaving a comment.
Thanks a lot Domenico, I appreciate the support. I wish I could sing better, just not there yet. Probably won't ever be able to sing well enough. Maybe someone will get an idea and drop some vocals.
I enjoy this style of yours man. The sounds revolve around my head, from left to the right front to back as I sit here still. Dig them grooves. The hip hop rock flavor is a favorite of mine and you did a fine job here, even though it's old it still remains fresh. Gives that 'don't mess with me, I'm jammin' feel ha. This holds well on its own, vocals would add to the flavor but what I like about this idea is already here! Thank you for the share. Fun jam. Peace.
Thanks for the very kind words bro...it's nice to know something you are so passionate about resonates with others. I love a good Hip Hop flavor in my Rock from time to time. I just look for inspiring drum beats to work with. Sometimes they are leaning this way. :)
Thanks for taking the time to give it a listen, it is appreciated.
Thanks bro, I think I owe the BOC influence to my wife, she loves them. I am a big ZZ Top fan and think Billy Gibbons is a master of guitar tone. Appreciate you giving it a listen and taking the time to comment.
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on Cant keep a Good Man down by topvega
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One way to view the addition of a second kit is that it's just a bit like saying 'add more physical drums to your one, single kit' a bit like someone such as Neil Peart of Rush does (his kit has loads and loads of toms and cymbals). Having two snares can be cool, for the obvious technique of using one for one section, one for another (eg verse/chorus).
I use multiple kits on pretty much all my tracks. For a hard rocking track that might suit you, check out Debt Black Hole as it has 4 kits on it and a lot of complex, layered drumming in styles ranging from jazz to extreme metal.
Good luck with vocals. I would also love to find vocalists but would much prefer to work with some in person rather than do online collaboration. If I'm going to collaborate, I don't want it to be via sending emails back and forth, needs to be together in the same room.
Thanks for the help, it's appreciated.
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on When the Queens Come Marching Home by topvega
Critique: Dude, you gotta get rid of the drum machine and get acquainted with drum loops. Machines sound like machines. Loops are actually musicians recorded so they are far more organic than machines. And really when you play against a loop some high quality musician recorded, you are in fact jamming with that human being across space and time.
Plus actually using loops is WAY easier than fussing w a drum machine.
Anyways the human stuff sounds hot. A couple good loops would light your beat right up. :-)
The drums are actually not a "drum machine" but a drum sequencer called JamStix 3. I will be the first to say I don't do them justice. I have not a clue on how to get the best sound out of them. I have heard others who have and the program is really good at giving that "live drummer" sound and vibe. I started out using nothing but samples but got lots of criticism at how stale and monotonous they sound. I am currently working with Addictive drums for all my new tracks. I have been playing guitar for many years but the whole producing and engineering is brand new to me and I am still learning everyday. I do plan on going back in and seeing if I can rework the whole drum part. Might try using a loop and Addictive Drums.
Thanks again for taking the time to listen and leave a comment.
tv
on When the Queens Come Marching Home by topvega
on Cant keep a Good Man down by topvega
Instantly I would recommend lowering the velocity of that kick. Maybe turn it down but I think the problem is more that it's playing at pretty much the top velocity. Ask if you're not sure what I mean.
Your drums could do a bit more as they're a bit simplistic and you might think about having a second kit for variety ( I do it a lot).
The rest of the playing is good (and my kind of thing)though maybe you should go with just the one guitar at certain points as maybe it's a bit too intense doubling the pair up. You do do this (drop one of them) but I think it might help to do it more often in this track.
Are you looking for a vocal for this?
If so and you get a good and distinctive one, it could be a really classic track.
Thanks again for all the help.
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on Cant keep a Good Man down by topvega
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on When the Queens Come Marching Home by topvega
But this is cool - fairly relentless rocking, really. Loads of good lead work, though I think some of it's probably too loud.
This would be really classic in a live situation - the kind of stuff people love to move to.
It also pretty much sounds like a live band rather than one guy doing each part separately in a studio.
Excellent playing but you could make the mix better.
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on When the Queens Come Marching Home by topvega
I liked everything. Probably it could work well with a good vocal part.
The solo-guitar parts are perfect: not a single rough edge. Good!
The rhythmic part is solid and pleasant. I liked the chord progression.
Overall, a really good song.
Ciao, Domenico
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Good guitars and rythm.
Nice work
Paulo
Thanks again.
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on Have No Regrets by topvega
i hope to hear some vocals on this....
stellar guitar work as always
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I like it a lot and the sound quality is very good!
Definitely you need to find somebody to sing on this!
Very good
Domenico
Thanks again.
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on Roll Them Bones by topvega
Thanks for taking the time to give it a listen, it is appreciated.
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I appreciate you taking the time to give it a listen.
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