bringerofDOOM

Thanks for listening and commenting.

Thanks for listening and commenting.

I'll take it, thanks for listening and commenting.

Dude did it with half is fretting hand missing (got burnt up in a fire). Still a contemporary great.

Thanks for listening and commenting.

Thanks. It's a real sack full of swing.

Know who this guy is:
https://www.youtube.com/watch?v=ANArGmr74u4&ab_channel=NewOrleanJazz-Pub

He is in my top 2 guitarists (with Segovia)

Thanks. Classical and Jazz history is more important than people realize. You should start with the Ken Burns Jazz documentary (PBS). It will open your world up to a whole new place to sample from.

Thanks for listening. Most of my lead is improv takes, I don't really "write" the parts.

Thanks again for listening and commenting.

see previous

? explain

Thanks, for some reason this one became the most popular... I'm terrible at marketing.

TTYL.

This one exceeded FLStudios 128 track limitation. Glad you liked it.

Thanks for the listen and comment.

Thanks. This one ended having the most faves out of the various lofi I've made.

Thanks for listening and commenting.

I'm down for whatever, all I have is time for a while. Email me and we will line something out.

And thanks for the listen and fave, TTYL.

Thanks for listening. When you have time to chill, check out the whole album, 70+ min of songs within songs... enjoy.

https://youtube.com/playlist?list=PLi-nOMZibSPsJEuOmTpdYfcT2x4wXzCsc

Thanks for the listen, comment, and fave.

Pitter Patter...

Make sure to check out the entire album when you have the time (dinner or something):
https://youtube.com/playlist?list=PLi-nOMZibSPsJEuOmTpdYfcT2x4wXzCsc

Thanks for the listen, comment, and fave.

Thanks for listening.

I test sounds against the rest of the mix. If I can't hear them, I don't use them. This helps me to keep things in relatively separate frequency ranges, without much mixing. Much of the ethereal stuff never repeats, which takes a lot of samples for a 5:45 track, especially when they are layered.

I also tend to use loops and samples that are already in the correct tempo or key, rather than having to do too much stretching and pitching. This is more for economy than sound quality, though sometimes you want that "stretched," or "contracted" sound.

Anyway food for thought. Thanks again. More to come.

Gracias por escuchar y comentar. Esta pista utiliza la mayor cantidad de sonidos totales de cualquier pista que haya hecho (más de 150).

Tengo nuevos procesos que llevarán ese número mucho más lejos. Pronto me encontraré con las limitaciones de la PC, ya veremos.

Gracias de nuevo. Más por venir.

Thanks for listen, comment, and fave.

My stuff to come will be more like a science project than a song... but it should sound like something that was almost written, almost free jam.

We will see.

Thanks again, TTYL.

This response is the result of OCD.

:D

Thanks for listening and commenting. This is the largest track I've done so far as far as number of mixer tracks and total samples, loops, and sounds. I definitely learned some things.

Thanks for the fave.

If I can get an involuntary emotive or imaginative response than I'm done my job.

Thanks for listening and commenting.

PS, I am open to collaboration.

Thanks. This one got so complex I almost broke it, but I came up with several workarounds as a result.

My powers have been growing, thanks for noticing. Feel free to throw ideas my way.

Thanks for the fave, TTYL.

Thanks for commenting. I made a lo-fi album, to think more subtractive and "white space," and now I've decided to test my maximum complexity level.

Stay tuned, the stuff coming in the future will be a mixture of written content, improvised instrumentation, and parameter limited random generation (with possible randomized FX controls).

I've been feeling more like a scientist lately.

Thanks for the fave.