bringerofDOOM

Thanks, shaky black and white soundtrack at that...

Thanks for the listen and comment.

Yeah the bass in the strings part is pretty intense. I figured the frequencies in those ranged are often overlooked, shelved, or avoided in some way. It's unfortunate. There are no rules. It's what classical would've sounded like if they had amps.

Thanks for the listen and comment.

I definitely exploited the low midrange in this project as much as possible, on the whole.

Speaking of which, the whole album is done, you can hear it from the youtube link in my profile.

Thanks for the many listens, comment, and faves.

Gracias una vez más por toda la escucha.

Todo el álbum ya está hecho. Todavía estoy determinando el orden de las canciones. Pensé en hacer un solo video que sea una reproducción sólida, pero no creo que valga la pena el tiempo invertido, ya que ya existe una lista de reproducción de las canciones del álbum.

De todos modos. Eso es todo para el lo-fi por un tiempo, es hora de extenderse a otros géneros (nuevamente).

Gracias por los comentarios de youtube también. Más por venir (tengo una acumulación de pistas colaborativas).

Thanks. I'm kinda mixing it up.

Thanks. It's a bit over the top in parts, but who cares... I do what I want :D

Thanks for listening.

Thanks. Flattered.

I'm used to writing far more complex stuff like this:
https://www.looperman.com/tracks/detail/229783

I was the low man on the totem pole, even though I wrote it, and had to really step it up on sax and guitar.

I've been forcing myself to simplify, focusing on timbre and white space, which has dramatically increased my production speed (this project took maybe 6 hrs total).

Try the "Rick Rubin" approach for yourself, you may end up with more gratification than the long projects that have to be "perfect."

You were beat out by Zootman, but thanks for the listen, comment, and fav.

:D

The Giants part was perfect. I went with "Valley of Giants."

Thanks for the suggestions.

gracias por escuchar y comentar

If you have a tighter version I should probably upload it, just let me know.

Thanks, was a pleasure as well, glad youare here to help "class up" the place :D

I wrote you a small book.

:D

Happy to help. If you even want a second opinion, just message me.

Thanks for listening and commenting.

If you want to use any of my stuff for any reason, just steal it... I do not care.

I know all about "bonkers." I'm not going to get into the details, but lets just say when someone asks me to not be so analytical, or logical, or "smart," I say "OK just tell me where to put the scalpel." I tried to break my mind as a teenager with chemicals, unsuccessfully.

If only I had addictive tendencies, alcoholism would solve all of this.

So, it's either musician or mad scientist super villain. We will let society decide... how convenient for me.

:D

It's all loops, all from here.

The trick is to level all the loops to about -6dB, otherwise the loops clip like crazy and ruin the master (this is a good rule for any loop really). Then I do a bunch of "wiring."

I tuned them all to the same relative keys as well (or a similar key variant), which can be tricky, and stretched them to time.

I can do sound design, but not in a time efficient manner. I'm a far better arranger/composer than anything else.

Thanks for the listen, the comment, and the fav.

Gracias por las amables palabras. La mejor forma es estar sin forma, para que todos sean formas ...

gracias por escuchar y comentar

Yeah, like crucethus said, I got bored :P

Thanks really to the loops on this site (about 30 or so). Just search "drum" or "bass" as the keyword and "dubstep" as the genre. Tune, stretch, manipulate, chop, layer. I use my ear for key.

The mixing looks like a circulatory system, each capillary a loop chunk with its own fx chain (but really pretty systematic), each major intersection (bus) with its own FX chain, and multiband compression/saturation and chained compression on the master.

I've been experimenting with multiband compression and cabinet emulation quite a bit. My next two tracks (already done) will be long but very pleasant journeys (lofi/ambient influenced, with a hint of modern industrial); the antithesis of this.

thanks for the listen and comment, rather than worry about whether or not I am in my "comfort zone," I'm removing the concept from my mind altogether :D

Thanks, I usually don't make dubstep, I just kinda felt like it.

You have an interesting array of loops. I've downloaded a few. Don't think I've used one yet but I will eventually.

Thanks for the listen, comment, and fav.

"You must really be bored to toy with us with this masterpiece..."

Nailed it.

I like "Artistic semi- Bro-Step." Yeah the sane arpeggios is a teaser. The US interpretation of the genre is generally a couple risers, a couple impacts, and the "drop" happens twice over a two min period in a predictable manner, without much variance.

I wanted to make something that had a little more variety, even if it is dubstep as hell.

I'm basically bouncing from genre to genre right now.

Thanks for the listen, comment, and fav.

Pixel planet
Terragrind
8 bit gwowly wubs...

something like that, thanks for the listen and the fav.

Thanks, it's all about 30 loops from right here. I just used some filters in my search and downloaded the first page or so of loops, tuned em all, leveled and arranged them, and mixed them with some experimental (to me) routing and mastering choices.

Thanks for the listen and fav.

Lo siento, me debo haber perdido este comentario hace un tiempo. Peculiar es una buena palabra descriptiva para usar. Cada vez que trabajo con JYNXZ hay un cierto nivel de psicodelia.

Me alegro de que te guste. Gracias por escuchar y comentar. Esta pista, junto con muchas otras, ahora está en YouTube, revisa el enlace de la lista de reproducción en mi perfil.

I'm pretty sure your ears are better than mine.

You are correct, I took "tiny jam," "slices of funk," and three of jynxz's incomplete tracks' (with and without stems) and transposed/arranged them into this, adding a bunch of things of course.

Some of my older stuff (more last year) is actually intentional song structure avoidance (lots of key/tempo/instrumentation change), or two or three movements with their own motifs, within a 3-5 min framework (the average listener gets bored in about 45 sec to 3 min anyway).

The sax tone is pretty brittle, but I never had much of a creamy vibrato anyway, and the music doesn't really call for it.

Gotta be careful making stuff with jynxz, between the two of us it can go all modern-day "zappa" pretty quick.

Thanks for the listen and fav.

As long as it is non profit, use it for whatever you need.

Thanks for listening.

gracias por la escucha y amables palabras