bringerofDOOM

Thanks, it's all about 30 loops from right here. I just used some filters in my search and downloaded the first page or so of loops, tuned em all, leveled and arranged them, and mixed them with some experimental (to me) routing and mastering choices.

Thanks for the listen and fav.

Lo siento, me debo haber perdido este comentario hace un tiempo. Peculiar es una buena palabra descriptiva para usar. Cada vez que trabajo con JYNXZ hay un cierto nivel de psicodelia.

Me alegro de que te guste. Gracias por escuchar y comentar. Esta pista, junto con muchas otras, ahora está en YouTube, revisa el enlace de la lista de reproducción en mi perfil.

I'm pretty sure your ears are better than mine.

You are correct, I took "tiny jam," "slices of funk," and three of jynxz's incomplete tracks' (with and without stems) and transposed/arranged them into this, adding a bunch of things of course.

Some of my older stuff (more last year) is actually intentional song structure avoidance (lots of key/tempo/instrumentation change), or two or three movements with their own motifs, within a 3-5 min framework (the average listener gets bored in about 45 sec to 3 min anyway).

The sax tone is pretty brittle, but I never had much of a creamy vibrato anyway, and the music doesn't really call for it.

Gotta be careful making stuff with jynxz, between the two of us it can go all modern-day "zappa" pretty quick.

Thanks for the listen and fav.

As long as it is non profit, use it for whatever you need.

Thanks for listening.

gracias por la escucha y amables palabras

Yeah, that solo is intense, especially when the left hand is doing the chords and the right hand is still soloing.

Thanks for the listen. Similar collaborations to come.

Thanks. I usually don't spend more than a couple afternoons on a project, so digging deeper into the mix and composition was an eye opener.

And the contrarian in me would call this a mashup of jazz, rock, and funk :P

Thanks for the listen and kind words.

Mixed and arranged (wrote the chords progressions and outlined the parts). The solos are all improvised.

It started as an example to explain that you could have a melody using unrelated chords (just ask Kurt Cobain), and it turned into a song.

I listened to a bunch of you stuff. You have gone rap accompaniment crazy, but you're nailing it. I have two projects with the content you provided a while back in the works. I've arranged one, I'll get it on here soon enough.

Also, I could use more wub dubz...TTYL

Thanks, I would love to find a bar in the US rural mid-west that would play it :)

Thanks, I've been a funk addict lately.

Thanks. The drummer is badass and holds it all together. Felt good to work with real drums on real separate mics (even an ambient mic).

Hopefully similar works to come.

Thanks. I don't normally spend more than a couple afternoons on any one project, so dealing with the logistics of "bandmates" and their various parts was a new experience for me. I appreciate the props.

Thanks. Jazz/funk is about the only place where I can find musicians that don't mind when I flex my music theory muscles. The song is called "tricky business" for several technical reasons, a kind of inside joke.

Thanks. Working with really good musicians was a treat. Glad you liked it.

Thanks for the kind words. I decided to break out the sax recently, hadn't played it since I was a kid in school.

Had to take a break to get some career advancement lined out, but I got new stuff coming.

Yeah, had to get some career stuff lined out (my job got too easy so it was time to increase complexity). I have 2 projects of yours half done that ended up sitting for a month. I will wrap them up soon. Feel free to send me ideas like before and I will sketch them out. You've got a grasp of the wub dubs and "808s" that is hard to beat (pun intended).

Talk to you soon.

Fluffy is a great word choice. I was thinking "fuzzy" or "saturated." I was going for that "wall of sounds" from back in the day.

Well, had to get some work stuff lined out and ready to bring the madness back after the "period of reflection" (you pretty much nailed it). Also if been messing around with a cover band so I learned like 90+ songs in a week. I used it to study song structure, which I had never actually done, because I never bothered to learn any songs (since I know most of the theory). I have a new respect for learning simple songs.

Sorry I missed this one. Nice use of the track; it provided some context.

Thanks for the comment. I've been hardcore technical death metal for years, and just recently got in to the fusion idiom (other than jazz band in grade school and a robust music theory background).

I blame jynxz :P

Thanks. Classy is a great compliment. I'm still fairly new to production, but I've absorbed a ton of tutorials and read a couple textbooks.

Glad you liked it.

Thanks. I'm addicted to the Neapolitan second.