bringerofDOOM

Thanks for listening.

When the loops and samples count exceeded the FLStudio track limit of 125, I almost had a nightmare. I had to spend an afternoon rechanneling 150+ tracks into about 60. The mix is more raw than I would've liked, but I think I picked really good sounds, so I didn't need much more than a master compressor, after all the leveling. I try to pick sounds that sit in separate frequency ranges, rather than relying on EQ.

I've rethought the 125 track limitation, and now, with samplers and sequencers, my future tracks can become far more complex. I'm going to combine this with random generative plugins, and an absurd number of samples and loops (possibly around 500).

We will see, thanks for listening and commenting. TTYL.

If only I could make cool videos...

Thanks for listening and commenting.

Thanks for the fav. I thought this was a pretty one, so I'm adding it to a "Guitar works" album effort.

Thanks for the listen, comment, and fav.

Thanks. MINOR2GO provided a couple of the backing parts (the acoustic and piano, you should check out his loops, there are thousands). I played the rest.

Baked in is literal for guitar tone. I like to do very little in post other than deal with perceived loudness.

Thanks for the listen, comment, and fav.

Glad you caught it on the rebound. I'm making a "guitar works (or worx)" album of various stuff I have sitting on a hard drive.

I probably should leave a track in "featured" for longer, but I make them to fast, so they get maybe 50 listens before the next one is out.

There are others on this site far better at marketing than I am.

I'm going to make videos for this kind of stuff soon, just not sure yet, still mulling over ideas.

Thanks for the listen and comment.

Thanks, shaky black and white soundtrack at that...

Thanks for the listen and comment.

I definitely exploited the low midrange in this project as much as possible, on the whole.

Speaking of which, the whole album is done, you can hear it from the youtube link in my profile.

Thanks for the many listens, comment, and faves.

Gracias una vez más por toda la escucha.

Todo el álbum ya está hecho. Todavía estoy determinando el orden de las canciones. Pensé en hacer un solo video que sea una reproducción sólida, pero no creo que valga la pena el tiempo invertido, ya que ya existe una lista de reproducción de las canciones del álbum.

De todos modos. Eso es todo para el lo-fi por un tiempo, es hora de extenderse a otros géneros (nuevamente).

Gracias por los comentarios de youtube también. Más por venir (tengo una acumulación de pistas colaborativas).

Thanks. I'm kinda mixing it up.

Thanks. It's a bit over the top in parts, but who cares... I do what I want :D

Thanks for listening.

Thanks. Flattered.

I'm used to writing far more complex stuff like this:
https://www.looperman.com/tracks/detail/229783

I was the low man on the totem pole, even though I wrote it, and had to really step it up on sax and guitar.

I've been forcing myself to simplify, focusing on timbre and white space, which has dramatically increased my production speed (this project took maybe 6 hrs total).

Try the "Rick Rubin" approach for yourself, you may end up with more gratification than the long projects that have to be "perfect."

You were beat out by Zootman, but thanks for the listen, comment, and fav.

:D

The Giants part was perfect. I went with "Valley of Giants."

Thanks for the suggestions.

gracias por escuchar y comentar

If you have a tighter version I should probably upload it, just let me know.

Thanks, was a pleasure as well, glad youare here to help "class up" the place :D

I wrote you a small book.

:D

Happy to help. If you even want a second opinion, just message me.

It's all loops, all from here.

The trick is to level all the loops to about -6dB, otherwise the loops clip like crazy and ruin the master (this is a good rule for any loop really). Then I do a bunch of "wiring."

I tuned them all to the same relative keys as well (or a similar key variant), which can be tricky, and stretched them to time.

I can do sound design, but not in a time efficient manner. I'm a far better arranger/composer than anything else.

Thanks for the listen, the comment, and the fav.

Gracias por las amables palabras. La mejor forma es estar sin forma, para que todos sean formas ...

gracias por escuchar y comentar

Yeah, like crucethus said, I got bored :P

Thanks really to the loops on this site (about 30 or so). Just search "drum" or "bass" as the keyword and "dubstep" as the genre. Tune, stretch, manipulate, chop, layer. I use my ear for key.

The mixing looks like a circulatory system, each capillary a loop chunk with its own fx chain (but really pretty systematic), each major intersection (bus) with its own FX chain, and multiband compression/saturation and chained compression on the master.

I've been experimenting with multiband compression and cabinet emulation quite a bit. My next two tracks (already done) will be long but very pleasant journeys (lofi/ambient influenced, with a hint of modern industrial); the antithesis of this.

thanks for the listen and comment, rather than worry about whether or not I am in my "comfort zone," I'm removing the concept from my mind altogether :D

Thanks, I usually don't make dubstep, I just kinda felt like it.

You have an interesting array of loops. I've downloaded a few. Don't think I've used one yet but I will eventually.

Thanks for the listen, comment, and fav.

"You must really be bored to toy with us with this masterpiece..."

Nailed it.

I like "Artistic semi- Bro-Step." Yeah the sane arpeggios is a teaser. The US interpretation of the genre is generally a couple risers, a couple impacts, and the "drop" happens twice over a two min period in a predictable manner, without much variance.

I wanted to make something that had a little more variety, even if it is dubstep as hell.

I'm basically bouncing from genre to genre right now.

Thanks for the listen, comment, and fav.

Pixel planet
Terragrind
8 bit gwowly wubs...

something like that, thanks for the listen and the fav.