Description : I had this instru, i downloaded these vocals by Lily und Wolf here on LM, then i tried to make something.
Hope some of you will like it.
I have to select a genre, but i don't really know.
Lyrics by Jody Perrin
This electronic track was uploaded by ignome. They retain full copyright and you are only entitled to listen and in some instances download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (7)
If you have time take a listen and give ignome some feedback.
Thumbs up: epic instrumental. To me is awesome just because is a typically metal atmosphere transported into electronic (or cinematic, as someone said before). Eq, balancing, final mix mastering is a pleasure for ears. Appreciated the "Save a prayer" tribute that drives to the end of track.
Closed fist: vocals are a bit neglected, i mean there are no relevant fx on. In your place i would kill a bit the mid, which are too bulky, and that encumbrance makes sometimes unintelligible the words. Then, it fits a bit of panning, crossfading with wet and dry reverb.
Thumb down: there are some parts in vocal coaching not matching with background music. They maybe could be fixed using the cheapest trick of pitch bending (it would compensate the lack of fx on it). The percussions has not so much variations, in a so long track maybe can tire the brain, which stops listening to them. For example, in the half of track, you could add a real drum beat (saturated, which is good too). The ending cames too suddenly, maybe can be fixed and improved.
In general, it is an excellent track, the defect of which, all things considered, do not affect the validity of the idea.
Thanks for this honest feedback, that's what i need, even if i'm not sure i can do better.
I'll try to explain and answer you as precisely as possible (with my hard working english).
For the voices you're right, I wanted as little effect as possible, so that the voice is as comprehensible as possible, but in fact it makes it "flat" or something like that.
Also, i ever killed a bit the mid, but i have to work on it again.
You say "there are some parts in vocal coaching not matching with background music", i don't have this impression, can you tell me witch part ?
For the percussions, once again you're right, usually i try to make variations in drums, but this time i wanted something repetitive and that don't take to much place in the mix, i'll have to see that again.
And i'll try to fix the suddenly end too.
Description : Feel free to check out the video on YT as well (Alan McLaren Project - Upside Down) of this 6min journey from electronic to rock with some psychedelic moments...
This is my latest, but also one of my earliest tracks.... any feedback is more than welcome, thanks :)
Description : 'The main point of this song is really about the frustrations of living in the overload of today's World of Tech. The consequences are impaired communication and that if you advance too far you end up diminishing what you had to start with, so you are way worse off.' Enjoy a 60s Rhythm with a modern deep Bass, a Sitar, a Piano from EvilPianist, a lost flute from UniverseHuston and some Oscillators :-)
If you like our work, please find us under kayos2 on Bandcamp
Description : A demo of one of my current projects. The chorus vocal sounds like "Aaaaraashe" to me. The song is in C# minor with a nod to C# pythagorean on the chorus. The beat on the verse was inspired by the Peter Gabriel song Intruder.
Description : This is one of my earliest productions that I did at the start of my recording career. I did not have a keyboard at the time I made this song, so I improvised and used my sister's iPad and a 5 dollar GarageBand application instead, and plugged the headset jack into into my PT6 rig and did my best to turn each individual track (which were mono and there were about 25 tracks or so) into a stereo image. Then recorded vocals over it. My computer was so old and slow that I had to mix my music and then BOUNCE it to a new session - four times. My computer (which had 512 MB RAM and an 80 GB hard drive) couldn't handle more than 8 tracks at a time or it'd stop working because the processor couldn't handle it. Took me FOREVER to do. But I got it done. Had a lot of fun doing it too, even if it isn't my "best" work. I'm still happy with it, considering I didn't have many tools to choose from at the time.
Description : Long time lurker first time poster, pretty new to production n stuff, this is my first track in Ableton Live.
was going for a darkwave/synthwave sound, reminiscent of Justice, Carpenter Brut, Perturbator, ect.
Looking for some feed back, constructive criticisms or even just your thoughts if you liked it or not. This is just a rough cut on this current WIP, just the bones of it if you will.. If you have some cool title suggestions, would love to hear those too.
Thanks for listening.
-B
Thumbs up: epic instrumental. To me is awesome just because is a typically metal atmosphere transported into electronic (or cinematic, as someone said before). Eq, balancing, final mix mastering is a pleasure for ears. Appreciated the "Save a prayer" tribute that drives to the end of track.
Closed fist: vocals are a bit neglected, i mean there are no relevant fx on. In your place i would kill a bit the mid, which are too bulky, and that encumbrance makes sometimes unintelligible the words. Then, it fits a bit of panning, crossfading with wet and dry reverb.
Thumb down: there are some parts in vocal coaching not matching with background music. They maybe could be fixed using the cheapest trick of pitch bending (it would compensate the lack of fx on it). The percussions has not so much variations, in a so long track maybe can tire the brain, which stops listening to them. For example, in the half of track, you could add a real drum beat (saturated, which is good too). The ending cames too suddenly, maybe can be fixed and improved.
In general, it is an excellent track, the defect of which, all things considered, do not affect the validity of the idea.
I'll try to explain and answer you as precisely as possible (with my hard working english).
For the voices you're right, I wanted as little effect as possible, so that the voice is as comprehensible as possible, but in fact it makes it "flat" or something like that.
Also, i ever killed a bit the mid, but i have to work on it again.
You say "there are some parts in vocal coaching not matching with background music", i don't have this impression, can you tell me witch part ?
For the percussions, once again you're right, usually i try to make variations in drums, but this time i wanted something repetitive and that don't take to much place in the mix, i'll have to see that again.
And i'll try to fix the suddenly end too.
Thanks again for your time, that's really nice.
Thanks for these nice comments for my birthday !