Description : A recut of Indiantechno7 stripped of Indian and crazy elements. This one has a new age feel with hints of techno and trance. Track largely based on futureanalysis' unusual pellas. Comments welcome.
This chill out track was uploaded by clindsay. They retain full copyright and you are only entitled to listen and in some instances download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (13)
If you have time take a listen and give clindsay some feedback.
Nice intro. It has a prog house kind of feel to it. That vocal is ace as well as is the melody. It reminds me a little of Orbital. The sampling is really cool and for some reason i'm wishing i was stoned listening to this. Perhaps it's because it's a really nice floaty track. I'm digging that percussion/piano combo going on in the final part.
Cool as mate.
FR
Interesting project aside from the first cut. I've heard others use that same voice and I know good tones can be achieved with its usage which is what I hear happening here. The beginning does show a pathway, when the unexpected vocals meet up along the way the path breaks into two. Straying from the original road immediately the music meets up down that way. About half way in the music starts taking control and showing quite a scene of imagination. Can picture this as a soundtrack by how it builds and releases. A lot of good ideas mixed in the second half. This sound does seem one is able to see the views in the ones eyes. Good job and thanks for sharing. Peace,Dave
Thanks Dave - I really appreciate your comments and the analysis of the song. This one is probably my favorite and there is a bit of lucky alchemy in it. The challenge was including all the ideas and tying them together. I have a another mix I'll probably post at some time in the near future. Again, thanks for listening.
-clindsay
"thanks for taking the time to really analyze the track. This is very helpful and is the reason I've posted on this site".
No problem. That's why I post stuff here - to get a variety of perspectives as it does get lonely making music alone. That's why I like to give decent analysis - it's what I hope for on my own stuff but, sadly, only get from a few people.
I don't necessarily doubt my views on my work - it's just interesting and stops you going a bit mad to get some other views as everyone's got a different take on things. I don't agree with all of them but am happy enough to hear them. Some can be surprisingly insightful and even occasionally give me some new ideas.
"I played this for a friend and he thought the vocals were a flute"
They're strange and unusual for sure but I can't say they're quite that flute-like.
"2:47 may be harder to transition smoothly since it departs somewhat radically from the tone of the preceding phrase"
There are always multiple ways to make any transition better and/or smoother. Sometimes if I've got something that's just really awkward what I'll do is make a fill/transition that is really dynamic and a bit extreme to distract the listener from the change going on underneath.
A big drum fill, turning up the reverb, adding distortion - whatever works (maybe all of them). I'm not sure if that's quite what you need here; I just mention it as an example.
Good luck with this as you have something good and interesting here.
wow a man has sung this ?
what an unbeievable !
anyway this is really nice and sweet .
i really liked this .
especially in seconds phrase of music everything sounds really good for me .
i also think you can add flutes or old shako to this composition in first section too .
thank you very much for sharing this beautifull track.
:)
Hi. I'm surprised to read that this a guy si nging. Surely it's been re-pitched?
No way he can sing like that naturally, no?
It is a rather good and weird vocal. I think you should add some more words to your description about the vocal as it is unusual, especially coming from a man.
This is all well put together and creative. Lots of beauty here, especially on 2:13. Vocal there really working like strings or a pad. Great ambience.
I like this track the more I listen to it.
2:47 it cuts off awkwardly so you could definitely fix that and make it smoother. Especially as it's quite a smooth track.
Flute is cool and suits the vibe. Good return of the vocal after that.
Very final ending is a bit abrupt. Needs to fade out more smoothly.
You've managed to fit quite a lot of activity in only 4.5 mins so well done. Even though it's only using loops, they're well assembled.
Wow - thanks for taking the time to really analyze the track. This is very helpful and is the reason I've posted on this site.
Yes, futureanalysis is male and yes it has been repitched. His pellas are unique and interesting to say the least. I played this for a friend and he thought the vocals were a flute. I use his vocals in several of my tracks because they have good tonal quality an are easily chopped.
2:47 may be harder to transition smoothly since it departs somewhat radically from the tone of the preceding phrase but I can definitely adjust the ending.
Again, thank you for listening and for your helpful and insightful comments.
-clindsay
very cool !amaziiing!
i am in love with such musics.
begining is a bit strange but everything goes better when you ride on beats .
were you singing this ?
i loved vocal in this one very much .
Elena
Thanks for listening - I appreciate your comments.
The vocals were from futureanalysis. His (yes it is a he)are very versatile and easy to work with. The beginning (there have been many) is designed to create a surprise when you hear the lyric. An alternate with an Indian subtext can be heard on Indiantechno7 which was the first cut of this track. Give it a listen.
You are very versatile! I can hear 6 different tracks on their own all merged into this one big track. Futureanalysis's vox however is holding everything together. Love the intro with that clap instrument too. Blessings. - Mr.B
I love it when I find imaginative stuff like this clindsay...its a great combination of musical elements that you have married together so well...really like the outro part in particular...great job....keep on...Ed
Description : Sounds of the sea and trippy acidy washes with a cool beat and some live acoustic guitar. Written in Cubase with live guitar and keys etc. The sound of the sea and birds was recorded on the beach where I used to live. After moving to the city one sunny day I was telling stories to a friend about living by the sea and started making this track.
Description : This improv recorded a few years ago powered my interest even further than I expected.....recorded using tc electronics pedal and tascam studio recorder and a Fender Squier tele electric....
Description : I used some new "Anthem" pickups from L.R. Baggs on my Martin acoustic to see how it performed, and it definitely beat my expectations. Captured the sound perfectly as I needed.
Anyhoo, this song is almost a prayer, hence the repetitiveness of the verses. As Christians, we believe that God will one day return and take away every suffering and all evil for good; in that regard, this song is almost one of waiting too. Very simple, with vocal harmonies and whatnot. Hope you enjoy this as much as I did making it. Made in 13 hours.
Someone else wrote the words, I was just inspired to use them. I only added the "Yeah" and "Amen."
Description : This is a track off of one of my EP's I dropped last year. It is based on True events. Sometimes when people finally take a second in life to slow down and breathe in..... The oxygen is deflated and it's too late. Take your time people, because time is what differs a good decision over a bad one. Life is precious!
-T2
Description : So a guy buys a nice guitar at a pawn shop but returns it a few days later after waking from a sound sleep to hear it playing by itself. When he tells of his experience he is shocked to learn the owner had actually died while playing it. Is it fantasy or truth? Is the guitar in this track that very same guitar? Its all part of the mystery and fun of Halloween !
EDIT: modified ending to a deeper voice
Description : This track describes a magical state that I experienced a long time ago. Maybe you also know the feeling that you can't describe something like this with words ... luckily we have the music for it!
Description : So this is my first Chill Outish track. I was just trying something new and then suddenly this was a thing. Everything you hear is home made. I hope you enjoy. - Mr. Spook'd
Description : That's something i worked out lately
a swing 3/4 hip hop Chill ?? Don't know how to describe this kind of music.
Anyway VOICE NEEDED
So if your interested to try something contact me
Description : A progressive journey incorporating deep ambient chillout, swing jazz, hip hop, d'n'b, trance and a slight touch of acid with a thousand ninjas battling in space. Features a great deal of my lead slide resonator guitar playing. Also a whole load of synths, programmed acoustic drum kits and manipulated drum loops, big basslines, regular electric guitar, vocoded guitar parts and bass guitar (distorted right at the end). If you like deep chill, far out soaring beauty, fat beats and 170 BPM uplifting slide trance controlled mayhem, you might just get into this. In my heaven there is an endless supply of honey mangoes (an exquisite beauty of the fruit world) and even more slide guitar. A 1,000-year-long version of this track plays there on a loop (long enough not to get bored of it) but here I offer you the Earthly 11 min version. You must be very good to be accepted into my heaven to hear the full thousand year version so best start now. It may be heaven's main theme tune but it's not above criticism so feel free to let me know what you think of it. Maybe you prefer the soundtrack in hell. I hear it's pretty badass...
Description : Chris Brown x Kid Ink x Dj Mustard x Ty Dolla Sign Type Beat --- Contact me for Mixing, Mastering, Sound Design & Song Structuring Services
Cool as mate.
FR
-clindsay
-clindsay
No problem. That's why I post stuff here - to get a variety of perspectives as it does get lonely making music alone. That's why I like to give decent analysis - it's what I hope for on my own stuff but, sadly, only get from a few people.
I don't necessarily doubt my views on my work - it's just interesting and stops you going a bit mad to get some other views as everyone's got a different take on things. I don't agree with all of them but am happy enough to hear them. Some can be surprisingly insightful and even occasionally give me some new ideas.
"I played this for a friend and he thought the vocals were a flute"
They're strange and unusual for sure but I can't say they're quite that flute-like.
"2:47 may be harder to transition smoothly since it departs somewhat radically from the tone of the preceding phrase"
There are always multiple ways to make any transition better and/or smoother. Sometimes if I've got something that's just really awkward what I'll do is make a fill/transition that is really dynamic and a bit extreme to distract the listener from the change going on underneath.
A big drum fill, turning up the reverb, adding distortion - whatever works (maybe all of them). I'm not sure if that's quite what you need here; I just mention it as an example.
Good luck with this as you have something good and interesting here.
wow..nice work!
what an unbeievable !
anyway this is really nice and sweet .
i really liked this .
especially in seconds phrase of music everything sounds really good for me .
i also think you can add flutes or old shako to this composition in first section too .
thank you very much for sharing this beautifull track.
:)
No way he can sing like that naturally, no?
It is a rather good and weird vocal. I think you should add some more words to your description about the vocal as it is unusual, especially coming from a man.
This is all well put together and creative. Lots of beauty here, especially on 2:13. Vocal there really working like strings or a pad. Great ambience.
I like this track the more I listen to it.
2:47 it cuts off awkwardly so you could definitely fix that and make it smoother. Especially as it's quite a smooth track.
Flute is cool and suits the vibe. Good return of the vocal after that.
Very final ending is a bit abrupt. Needs to fade out more smoothly.
You've managed to fit quite a lot of activity in only 4.5 mins so well done. Even though it's only using loops, they're well assembled.
Yes, futureanalysis is male and yes it has been repitched. His pellas are unique and interesting to say the least. I played this for a friend and he thought the vocals were a flute. I use his vocals in several of my tracks because they have good tonal quality an are easily chopped.
2:47 may be harder to transition smoothly since it departs somewhat radically from the tone of the preceding phrase but I can definitely adjust the ending.
Again, thank you for listening and for your helpful and insightful comments.
-clindsay
i am in love with such musics.
begining is a bit strange but everything goes better when you ride on beats .
were you singing this ?
i loved vocal in this one very much .
Elena
The vocals were from futureanalysis. His (yes it is a he)are very versatile and easy to work with. The beginning (there have been many) is designed to create a surprise when you hear the lyric. An alternate with an Indian subtext can be heard on Indiantechno7 which was the first cut of this track. Give it a listen.
Again, thank you for your comments.
-clindsay
I think this track has too many ideas but I can't kill the babies - I just keep trying to make them get along.
There are probably 6 versions of this with different cohesion issues - this one was the most thematically uniform. Again thanks.
-clindsay
Respect___Orlando