unrelated to track. how do you manage to get your tracks in perfect chronological order. the option never seems to work for me.
what a cool dark sound you are getting hear. subtle string sounds. i like that hot electronic snare sound in groove? again - when that warm synth comes in it is like a ray of sunlight (or moonlight) and chordal progression resolving to major creates an interesting mood contrast to the dark groove. major chords are underused! now the guitar solo - back to something more consonant with the groove mood. interesting concept. thoroughly enjoying. wonderful work. peace.
the driving bass is sweet. very nice mix, blend of sounds. might take the bass down a bit after a while and bring out the different voices more. i love the mood you create. look forward to hearing where this goes. peace!
you understand how to use space/silence. i like the hesitating, tripping feel you create. it's so hard to make 4 beats in a bar stay fresh and you really get that. i like the orchestral hits and I like the scratching! neat track. all the best! Dan
i like how the beat evolves. that is something i work towards. something is staying the same and something is changing. it's a great technique. that 'scrapping' or 'scratching' sound that interrupts the beat now and then is a great touch. thoroughly enjoying your track my friend. peace.
don't know the original but seems you are off to a great start with this arrangement. how do you extract Amy's vocal so purely without the original accompaniment? or am I totally confused about what you are doing here. look forward to checking out more of your work. all the best.
Hi Midi.. Thanks for your comment. Well Amy's vocal is a studio acapella and I found it on youtube. And then I wrote this arrangement. The original track got a nice swing to it but mine is totally different from that.
the use of cello in a very low key way for your beat works for me big time. the stick rhythms toward beginning is very creative work. the voices and vocal mixing throughout is interesting, sounds good, words super clear. it is a very subtle mix, not in your face with the sounds, but there is a strong psychological impact. your remix seems to be a winner. big congrats. look forward to checking out more of your tracks. regards.
Thank you, Ive been slowly refining my style and working at the vocals as of late, so its really appreciated when I get some feed back, Im glad you like what you hear cuz theres more to come soon.. thank you for the listen
amazing, brooding mood that you establish. your choice and mix of instruments is very subtle, smart. the rapping is solid. great job! thoroughly enjoying!
This feeling like a very Irish gladiator! At least at beginnings. Now it is just a very happy gladiator. That little bit of silence is such a nice touch. I like ur little vocal hit now and then. It is working. Nice mix. Thoroughly enjoying!
i love the sound of the melodic instrument. what is it? the whole "rolling" sound, kind of a strum, is very fresh. what a perky groove. great break to a second section. really enjoying. keeps up the energy and always adding something new to keep interest. nice work! keep going! peace.
Perhaps 12 Tone offers closest thing to infinite variety in note pallette. It may turn out there is at the end of the day a 12tone sound but I don't know yet. I spend quite a bit of time playing with 12 tone concepts.
U do a wonderful job at around 9 minutes in of heating things up via very smooth transition.
Enjoyed listening to this again. Peace
I don't know what the 12 tone concept really is. Don't think I've even heard of it.
I do know that I like micro tones and guess I use them quite a bit through all the slide playing I do (remember the bassline in this is mostly slide and then there's slide guitar in the rocking section).
Yes, rocking section in this is fun though probably the end needs to be extended by about a minute as it's getting into a cool funk jam and then ends. I like to build things up to go heavy just to show how things can progress. But I don't do it just for the sake of it - only if it works.
Beautiful opening sounds mixed so well. Sets everything up nicely. I might experiment with the pipe sample a little. Might thicken bit, fuzz out a bit? A nice start. Good luck with development
Well u have a customer here and many more I am sure. Have been very much in this space of the slow ponderous groove. Big fan of this choice of instruments. A lot of attention to detail here. Very musical. Very patient with ur development. Big hats off.
Well I'm not selling anything yet. I'm planning to give a bunch of albums away for free through a site such as Bandcamp once I've got mastering and artwork done. I guess I could charge for them but this is real niche music so probably not worth trying to make any money off it.
Anyway, - I like all sorts of grooves, including slow, spacious, ponderous (good word, not used very often) jazz ones.
Yes, I think my unusual choice of instruments is one of the key defining aspects of my music. There's so much uninteresting music out there and I kind of think everything's been done before in terms of notes or chords or sonic extremes. However, the way in which you combine sounds has loads and loads more possibilities.
It's not as though I have a regular band lineup so I just choose instrument combinations that I've not used before for every single track. I try to give them all their own character. I think inventive instrument combinations is the real way to create unique music. I have no idea how I could combine notes in a way that no one has done before. But with sounds there are many more possibilities.
I like to be patient with the development. You may be able to hear that most of the track is based around the main bassline. So, everything that follows is just me developing other parts to accompany that bassline. Different drum grooves and keyboard parts and also complete changes (such as the two rock drums and guitar sections) as a break before returning to that main theme.
"Very musical"
I think when you get jazz right it tends to sound very rich and musical. More so than a lot of electronic music or metal. I don't know why that is or if I'm even explaining myself properly.
it is an interesting attack effect you use. i like the parallel thing going on between base and the meowing synth. that is what it sounds like to me. there is a lot of variation, a sense of different sections. that keeps the interest for me. sounds great. thoroughly enjoying it!
nice "washing" sound in the opening synth. very smooth, patient transition into your groove. that patience - to allow a natural development, evolution in the track is so important and you seem to get that. great work. look forward to hearing more! peace.
nice orchestration at the beginning and throughout. the string hits are really enhancing all the way through this banger. lovin it! so is that your guitar playin? or you create those riffs in computer? just curious. awesome either way. peace. sounds from the ending that you are moving into a new section. fantastic work. congrats! Dan
i like the "stutter" technique. it creates a kind of tension, an uncertainty. there is a good tension and contrast between the straight ahead string melody and this tripping beat. okay - now that tripping beat is done for a bit. some piano comes in - nice - a counterpoint. back to the beat now! around 2:35 or so it seems you are starting to develop something different with the strings. this might be the point, if you choose, to wander away from the groove and develop another section, then come back. but it is wonderful as is. thoroughly enjoyed. peace
yo midi...
thanx for ur comments man.
i really appreciate the fact that u liked the song.
and i really appreciate u gave ur valuable time to this track...
Stay tuned for more.
Thanx mate
never heard the original but everything on this mix is beautifully balanced. the synths are warm and the violin line really enhances with a counterpoint on top of the mix. it's a nice concept. i'm about 2:58 in now. i like how you take the mix down here for a little bit - some transperency - some breath. very rich beautiful sounds. nice mellow licks. thoroughly enjoying it! crazy piano lick at the end! congrats to both of y'all!
awesome guitar playing - full of rage! great technique. yes - some silence for a second. very important. very good. and again. a good composer is a master of silence! when the bottom drops out and you keep going on the guitar is powerful. great instrument choices for this hardass rock track. great mix. nice work. peace.
hey Behnam! it was really cool to hear the addition of vocal to this track which I remember. yes - her voice is beautiful - and the mix is fantastic. nice work. really enjoy it. peace.
hey what's up Dan Hope U're fine . many thnX my friend for listening & valuable time to commenT . yes ,as U listened BrandY's beautifull Voice has enlivened this old dueT of mine in Bb & We(me & BrandY) are gratefull of your attention.all the besT.___B
i like the scale a lot. what are your notes? you have a great feel for playing off of those drum loops. and yea - they are smokin'. you really have a feel for a good grunge mix. keep goin' man! peace.
Thanks man, I appreciate the listen and comment.All my experience comes from learning by ear so all I can truely tell you is that the guitar is in standard tuning. I can play about anything by listening as well as creating on the spot but I cant read music. Thank you again dude!
that is a great bass sound that cuts so well through the synth chords. you write with great intensity and you keep it up! maybe just a bit of EQ on those high notes! nice work! peace.
Piero, it's a gorgeous mix, and full of joy. and of course, Ms. Patricia always delivers a passionate vocal. for my taste, I would compress just a bit the instrumental to allow her voice a bit more headroom. that's fine tuning and my little preference. this is a great sound! big respect. happy holidays also!! Dan
I'm glad you liked it, Dan. About the voice/music balance you could be right even if I liked it "big". Maybe I'll compress the whole mix just a little bit less to leave Patricia some more db.
the everlasting is the change. yea - for sure. the one thing that stays the same. but ironically, in your track, you create something unchanging (sort of). it is a terrific hypnotizing experience. it is a meditation. glad you recorded it and glad I listened thru. thanks, man. peace. (love, and money!) Dan
on Sensuality by crucethus
what a cool dark sound you are getting hear. subtle string sounds. i like that hot electronic snare sound in groove? again - when that warm synth comes in it is like a ray of sunlight (or moonlight) and chordal progression resolving to major creates an interesting mood contrast to the dark groove. major chords are underused! now the guitar solo - back to something more consonant with the groove mood. interesting concept. thoroughly enjoying. wonderful work. peace.
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nikon
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U do a wonderful job at around 9 minutes in of heating things up via very smooth transition.
Enjoyed listening to this again. Peace
I do know that I like micro tones and guess I use them quite a bit through all the slide playing I do (remember the bassline in this is mostly slide and then there's slide guitar in the rocking section).
Yes, rocking section in this is fun though probably the end needs to be extended by about a minute as it's getting into a cool funk jam and then ends. I like to build things up to go heavy just to show how things can progress. But I don't do it just for the sake of it - only if it works.
Thanks again for your thoughts.
on appellare by domr30
on Low Key Love by StaticNomad
Well I'm not selling anything yet. I'm planning to give a bunch of albums away for free through a site such as Bandcamp once I've got mastering and artwork done. I guess I could charge for them but this is real niche music so probably not worth trying to make any money off it.
Anyway, - I like all sorts of grooves, including slow, spacious, ponderous (good word, not used very often) jazz ones.
Yes, I think my unusual choice of instruments is one of the key defining aspects of my music. There's so much uninteresting music out there and I kind of think everything's been done before in terms of notes or chords or sonic extremes. However, the way in which you combine sounds has loads and loads more possibilities.
It's not as though I have a regular band lineup so I just choose instrument combinations that I've not used before for every single track. I try to give them all their own character. I think inventive instrument combinations is the real way to create unique music. I have no idea how I could combine notes in a way that no one has done before. But with sounds there are many more possibilities.
I like to be patient with the development. You may be able to hear that most of the track is based around the main bassline. So, everything that follows is just me developing other parts to accompany that bassline. Different drum grooves and keyboard parts and also complete changes (such as the two rock drums and guitar sections) as a break before returning to that main theme.
"Very musical"
I think when you get jazz right it tends to sound very rich and musical. More so than a lot of electronic music or metal. I don't know why that is or if I'm even explaining myself properly.
Thanks for stopping by.
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In fact the guitars were created with computer.
Thanks again
Paulo
on 2nite by FearlessWretch
on Snow Rhymes by surya94
thanx for ur comments man.
i really appreciate the fact that u liked the song.
and i really appreciate u gave ur valuable time to this track...
Stay tuned for more.
Thanx mate
Zeno
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All the best___Orlando
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