Nice track! It has a bit of a dreamy techno effect on me. The sounds you’ve chosen go very well together into detail. Rhythms are good and the overall mixing is quite good as well. Your intro and outro are very strong also. That might sound as a ‘duuuuh’ but a lot of fellow looper artists do not even have them, or not always nicely worked out IMO. Well done, this is certainly a 8/10 for me.
I always try to take some time to give people feedback whenever I’m able. And I found a few points I’d like to share. I hope you are open-minded for that and see it as an encouraging matter:
- The mastering is not superb. The waveform already tells a lot. Headroom gets lost and its too loud (for me). I cannot play this at a loud volume and still enjoy this as result of that. So it kinda works the opposite of how it was meant to be mastered.
- Intro FX may be louder/more noticeable. Or combined with another FX maybe.
- I am not a big fan of what I call the Hardwell plucks or whatever they are in the chorus at 2:09 and further . But you may ignore that its my opinion and not objective. I personally find those more of a intro/outro/break/buildup sound and actually taking the energy away from the chorus which should have the highest energy level of the track.
Those where exactly my thoughts while making this and then i put it in a folder and forgot about it, because, well you know, hypnotic vibes :) True story.
But seriously i have no clue what to do with it, i always thought it would be a good introduction tune to something else and then i just left it there.
such a chill vibe, I LOVE it! The reggae vibes really make this going strong.
The only feedback I could think of is the break being without the melody or with another sound or something to make it actually more of a 'break'. Maybe a bit longer and a bit sooner in the track also.
BANGER!
Very nice man, gets me boppin in my chair :D
I read you're still working on it, so I have no idea where you at now. But this would be my feedback if you don't mind:
- 0:23, the claps that come in are fastly 'drown' by the overwhelming volume of the rest.
- 0:38, i would personally let the trumpet synth(?) be likewise to the drum role OR, you could fade it out towards 0:38 and let it bust in at 0:46 again. This creates also a more professional and awesome vibe. Maybe is this 2nd option better because taking away the melody/synth creates the urge to have it back for listeners. They will crave for it. For now its very much at almost every second in this preview making him 'less valuable'.
- Some more things that i've noticed just like the claps that have to do a lot with mixing. The track is so loud at the moment that it presses a lot of instruments away in presence of the kick and synth(s) and keeps only very headroom. I'm not sure where you'll go with it but if I may do a suggestion: Don't make this a loudness war kind of track. Compare it with other hard sounding tracks e.g. Hardwell and KSHMR who seems to have some of the loudest tracks out there in this genre. This is certainly meant to play loud, but there is loud and there is loud ;).
I like the style you went with it! I could fully enjoy this and had to switch to full objective mode in order to give you proper feedback. Otherwise I just kept enjoying LOL
I agree with the gentlemen below. In addition:
- 0:50/2:10 The bass-drop effect into those parts is evenly loud while the acapella has a double layer at the 1:50 and is thereby louder/stronger. I would personalize the drop effect in volume and turn the first one a bit down.
- On the other hand. Hearing the break transitions at 0:30/1:50, they sound a bit nude. There seems to be a sweep far on the background. Maybe pulling it more to the front might already do the trick. Otherwise a tiny soft impact/sweep/fx might work.
Good to see you again man, I hope all is well! :)
Nice smooth track. I like it!
If I may, the only feedback I could find is that the vocals do not seem exactly on point throughout the track. I think moving them around will solve most, maybe all of it into a more harmonic song as one.
Examples:
-0:08 / 0:32 / around 0:51, they seem to come in like a plit second late.
- 1:03, I would maybe have started her slightly before the music comes back in.
Maybe that is what NateJMusic was referring to as well. I'm not sure. Just some food for thought in a helpfull manor. Nice chill production! :D
- Wobbin
Thank you for the review and feedback, maybe some of the vocals not on point, is that they had a slight hiss at the beginning, spent some time on getting them right, but as I stated in description I cant spend to much time on PC, but look at this one again in near future, as it is one of my fav tracks done of late...Peace Wobbin...mosaic...
Some glitchy sounds! I have to admit in all honesty, I had to get into the groove for the first 10 sec or so, but it sounds good! Unique even comes to mind. Nice additions in the vocals throughout the song. It def keeps things interesting with all the changes and variation.
I know it might most likely be my crazy mind, but it gives me a slight medieval feeling. Maybe that's caused by your deep voice haha. One of those songs sung with a jar in the hand at a wooden table in the tavern. :D
Hey there! Thanks for stopping in to listen to this one, which seems to be the least popular thing I've done in years... Guess I'm on the right track, ha ha! As you may have guessed, this song is not really about the groove... it's more for the psychonauts out there, who, like me have a heaping teaspoon of anger and sadness... Something to tell a story on the back of your eyelids. You latter comment actual does the song justice, like something from a medieval pub possibly... I was thinking "sea shanty" a bit after I had finished this. You must have at least some amount of a "crazy mind" to have given this song a good going over. The song was months in the making between the lyrics and the takes, plus learning to work with some new equipment. Thanks again for the supportive words!
Hell yeah this is a nice banger indeed! :D
Deff music i'd listen often. Its just to short lol
One thought that I would like to share, i'd suggest adding another instrument at 0:30. A hat or drum will do or using some filter work on the synth since there are no drums or hats involved untill 0:59. It does not sounds wrong now but i'm missing something because you're entire track progress is nicely structered (0:15sec, 0:15-0:45 sec etc) and then there is 30sec like that.
Opening up the filter might even be the nicest add, because opening up creates a slow increase of higher frequences which gives the psychological effect of the drop being harder as people have the urge for lower freqs.
Hi there,
Nice track. I like the friendly approach of it :)
if I may be so free, I found a few feedback points:
- 1:49, maybe spent a bit more time on the transitions. Its not bad, but could be better I think. Maybe is rising the volume of the effect you have there already enough, maybe a small sweep installment will do.
- 2:23 / 3:31 there are 2 notes that do not feel nice within the flow for me. The melody itself is awesome tho.
Keep it up man. Nice track. Just some things to considder which are very minor :)
- Wobbin
Thanks for your constructive view on the track. You are absoluteley right and will add some more excitement to teh transition. I niticed the 2 tones as well. Will change that as soon as possible. Thanks a lot!
Hey man!
I don't have much to contribute as feedback other then whats mentioned already. Just wanted to let you know that its an amazing track that certainly has potential when fixed in mixing.
Perfect track to wake up too. Seeing the sun coming through, hearing the birdies outside and this coming out of my system. :)
The instrumental is quite minimalistic but it def works! This gave me a feeling of 'soul meets reggae' in some kind of way. Beautiful voice and also a well done for Rakia!
If I may, i have a bit of feedback to share. I hope you are open to that and see it as a helping matter rather then a judging one.
- 0:45, I would add a FX like a drop or impact there. There is a small one but its more of a percussion to me. Which seems missing power. When people listen and do not look at the waveform (that is how we should review a track IMO), then it sounds like a exciting buildup but without an actual drop following up. It feels a bit like if your girlfriends makes you exciting for some sexy time and then leaves all in a sudden for a ladies night with her girlfriends. LOL
- 4:01, Is that another kick popping up? Or is the kick's volume or gain through a plugin that is rising? Not 100% what is it but I do notice that the kick is being flattened in the track at most parts. A side-chain would work.
- Personally, but that is of course up to you, I do honestly not feel a great match between the actual lead and the rest of the track as it is now. I think the reason might be that it is (made) to wide and the reverb on it also helps with that. Just a extra thought I wanted to share.
Keep it up man. This is deff a nice track already!
- Wobbin
i appreciate your feedback...its really useful
when i made this track i was in the Faculty of Engineering exams and i rushed in to finish the track..so its not the best but i think he gain more than 8000 plays on soundcloud because the idea if the track
thank u again for the feedback :)
KILL EVERYONE HERE. lol Love the vocals, very well produced instrumental with it. Awesome variation. Nothing really to give feedback on, sounds proper!
I think this is the best track i've heard from you! Or its just the one I prefer most, anyways, both good ;)
Faved!
- Wobbin
Ha, yeah, going from my recent projects to this really highlights the highs. And now I got a subwoofer so it sounds even worse (although that could just be my bad adjustment said subwoofer).
on All Hallows Funk by crucethus
Nice swinging binging banging track with a spooky edge!
- Wobbin
on Technoboy by SonnyChapelle
The track is a bit to busy for me as in to high bpm, i'm honestly afraid that that is the case for more people. But never say never.
I got some good old warehouse techno coming up in a few weeks if you're interested. Within the theme of Halloween.
- Wobbin
Would you mind explaining me why you didn't like the high bpm?
This may help me in my future projects!
I'm a little afraid of "good techno" in combination with a Halloween theme but we'l see :)
on Surreal Universe by Mosaic
- Wobbin
Thank you mate...mosaic...
on Tony Powell-Come Get Some by TonyPowell
I always try to take some time to give people feedback whenever I’m able. And I found a few points I’d like to share. I hope you are open-minded for that and see it as an encouraging matter:
- The mastering is not superb. The waveform already tells a lot. Headroom gets lost and its too loud (for me). I cannot play this at a loud volume and still enjoy this as result of that. So it kinda works the opposite of how it was meant to be mastered.
- Intro FX may be louder/more noticeable. Or combined with another FX maybe.
- I am not a big fan of what I call the Hardwell plucks or whatever they are in the chorus at 2:09 and further . But you may ignore that its my opinion and not objective. I personally find those more of a intro/outro/break/buildup sound and actually taking the energy away from the chorus which should have the highest energy level of the track.
Overall very good job, keep it up bro!!
-Wobbin
on Elephant by SonnyChapelle
Its a bit repetitive but for sure something to space on (I mean listening in hypnotic vibe)
Nice work!
- Wobbin
Those where exactly my thoughts while making this and then i put it in a folder and forgot about it, because, well you know, hypnotic vibes :) True story.
But seriously i have no clue what to do with it, i always thought it would be a good introduction tune to something else and then i just left it there.
on Feeling Lost In the Rain by MGproduct
Nothing more to add besides EDMoney
Looking forward to the end result :)
- Wobbin
on We Met Under The Sun by NateJMusic
- Wobbin
on Tropical Flavor by GoTyBeaTs
The only feedback I could think of is the break being without the melody or with another sound or something to make it actually more of a 'break'. Maybe a bit longer and a bit sooner in the track also.
Faved!
- Wobbin
on Brass Army - Teaser by Fl4zh
Very nice man, gets me boppin in my chair :D
I read you're still working on it, so I have no idea where you at now. But this would be my feedback if you don't mind:
- 0:23, the claps that come in are fastly 'drown' by the overwhelming volume of the rest.
- 0:38, i would personally let the trumpet synth(?) be likewise to the drum role OR, you could fade it out towards 0:38 and let it bust in at 0:46 again. This creates also a more professional and awesome vibe. Maybe is this 2nd option better because taking away the melody/synth creates the urge to have it back for listeners. They will crave for it. For now its very much at almost every second in this preview making him 'less valuable'.
- Some more things that i've noticed just like the claps that have to do a lot with mixing. The track is so loud at the moment that it presses a lot of instruments away in presence of the kick and synth(s) and keeps only very headroom. I'm not sure where you'll go with it but if I may do a suggestion: Don't make this a loudness war kind of track. Compare it with other hard sounding tracks e.g. Hardwell and KSHMR who seems to have some of the loudest tracks out there in this genre. This is certainly meant to play loud, but there is loud and there is loud ;).
Nice job! Curious to the end result :)
- Wobbin
Im just bad at mastering but im learning. :))
Have edited it a few times now.
on The Chainsmokers-Closer ft Halsey -Sunny Bootleg by sunnydas01
I agree with the gentlemen below. In addition:
- 0:50/2:10 The bass-drop effect into those parts is evenly loud while the acapella has a double layer at the 1:50 and is thereby louder/stronger. I would personalize the drop effect in volume and turn the first one a bit down.
- On the other hand. Hearing the break transitions at 0:30/1:50, they sound a bit nude. There seems to be a sweep far on the background. Maybe pulling it more to the front might already do the trick. Otherwise a tiny soft impact/sweep/fx might work.
Very nice work man, faved! :D
- Wobbin
on Take Me Take Me Away by Mosaic
Nice smooth track. I like it!
If I may, the only feedback I could find is that the vocals do not seem exactly on point throughout the track. I think moving them around will solve most, maybe all of it into a more harmonic song as one.
Examples:
-0:08 / 0:32 / around 0:51, they seem to come in like a plit second late.
- 1:03, I would maybe have started her slightly before the music comes back in.
Maybe that is what NateJMusic was referring to as well. I'm not sure. Just some food for thought in a helpfull manor. Nice chill production! :D
- Wobbin
Thank you for the review and feedback, maybe some of the vocals not on point, is that they had a slight hiss at the beginning, spent some time on getting them right, but as I stated in description I cant spend to much time on PC, but look at this one again in near future, as it is one of my fav tracks done of late...Peace Wobbin...mosaic...
on Lain 20d4 by Spivkurl
Some glitchy sounds! I have to admit in all honesty, I had to get into the groove for the first 10 sec or so, but it sounds good! Unique even comes to mind. Nice additions in the vocals throughout the song. It def keeps things interesting with all the changes and variation.
I know it might most likely be my crazy mind, but it gives me a slight medieval feeling. Maybe that's caused by your deep voice haha. One of those songs sung with a jar in the hand at a wooden table in the tavern. :D
on Ravage by Fl4zh
Deff music i'd listen often. Its just to short lol
One thought that I would like to share, i'd suggest adding another instrument at 0:30. A hat or drum will do or using some filter work on the synth since there are no drums or hats involved untill 0:59. It does not sounds wrong now but i'm missing something because you're entire track progress is nicely structered (0:15sec, 0:15-0:45 sec etc) and then there is 30sec like that.
Opening up the filter might even be the nicest add, because opening up creates a slow increase of higher frequences which gives the psychological effect of the drop being harder as people have the urge for lower freqs.
Keep it up!
- Wobbin
on Purify by mudhoen
Nice track. I like the friendly approach of it :)
if I may be so free, I found a few feedback points:
- 1:49, maybe spent a bit more time on the transitions. Its not bad, but could be better I think. Maybe is rising the volume of the effect you have there already enough, maybe a small sweep installment will do.
- 2:23 / 3:31 there are 2 notes that do not feel nice within the flow for me. The melody itself is awesome tho.
Keep it up man. Nice track. Just some things to considder which are very minor :)
- Wobbin
on Forgotten Hero by MADCAT by RagingKitten
https://www.looperman.com/tracks/detail/179763
on Coding Ya by MGproduct
I don't have much to contribute as feedback other then whats mentioned already. Just wanted to let you know that its an amazing track that certainly has potential when fixed in mixing.
Keep it up!
- Wobbin
on When You Are Here Music by Rakia by FullCapicityMuzic
The instrumental is quite minimalistic but it def works! This gave me a feeling of 'soul meets reggae' in some kind of way. Beautiful voice and also a well done for Rakia!
- Wobbin
on Kids On Soundcloud by DoctorPyro
on Eastern by minashukry
If I may, i have a bit of feedback to share. I hope you are open to that and see it as a helping matter rather then a judging one.
- 0:45, I would add a FX like a drop or impact there. There is a small one but its more of a percussion to me. Which seems missing power. When people listen and do not look at the waveform (that is how we should review a track IMO), then it sounds like a exciting buildup but without an actual drop following up. It feels a bit like if your girlfriends makes you exciting for some sexy time and then leaves all in a sudden for a ladies night with her girlfriends. LOL
- 4:01, Is that another kick popping up? Or is the kick's volume or gain through a plugin that is rising? Not 100% what is it but I do notice that the kick is being flattened in the track at most parts. A side-chain would work.
- Personally, but that is of course up to you, I do honestly not feel a great match between the actual lead and the rest of the track as it is now. I think the reason might be that it is (made) to wide and the reverb on it also helps with that. Just a extra thought I wanted to share.
Keep it up man. This is deff a nice track already!
- Wobbin
when i made this track i was in the Faculty of Engineering exams and i rushed in to finish the track..so its not the best but i think he gain more than 8000 plays on soundcloud because the idea if the track
thank u again for the feedback :)
on Gang War by swindla007
I think this is the best track i've heard from you! Or its just the one I prefer most, anyways, both good ;)
Faved!
- Wobbin
on I Have Chosen by NateJMusic
I have nothing to add as actual feedback, all very smooth and good for me :)
- Wobbin
on DJ Frest - Furious by DJFrest
Reminds me of W&W, in a good way :D
keep it up bro
- Wobbin
on Bag Raiders - Shooting Stars - Atlas Remix by Prestigue
I would personally added a path or choir at the intro, on the background. But that is only a matter of taste.
The outro does sound a bit weird, I am not sure if that was your intention
- Wobbin
on MODUS Music - Rise ft Mona Moua -- MegaTone Remix by MegaTone
Big screeny on the high end indeed.
Faved!
- Wobbin
Thanks for the fave!
on Ss Trap Instrumental 2 by adex123
Nice deep beats.