BradoSanz
Meet Your New Producer
South Texas, United States
Joined : 4th Jan 2015 - 11 years ago
Last Online : 10th Jul 2026 - 1 week ago
BradoSanz comments on tracks
BradoSanz has posted 768 comments on other peoples tracks.
on ONE LIFE TO LIVE BY BRADO SANZ by Timmons2
on ONE LIFE TO LIVE BY BRADO SANZ by Timmons2
Brado
on Clouds Above by WongKiShoo
Brado
I hammered this track out in one session a couple of days ago when my internet was down (nothing else to do but write music haha) . Now that my ears have had a break I see some changes i wanna make so you should check back on submission deadline day.
Also.. if you DO choose this track, you'd be welcome to suggest edits or whatever - I want this to be as good as possible :)
on I am a Martian Chill Trap Instrumental by Gipish
Good start regardless! Looking forward to the final mixdown!
Brado
on Foulds Come Alive Pawel S Remix by pawciolo
Brado
on Wavy ft Bonnie Jets by Blaptized
Brado
on Floods by traz75
Brado
on Melodyman - OffKi Remix by WongKiShoo
Brado
on Eat the Heart Certified SickHop by flonut7
Brado
on Marnie Grant - The Meaning Of Love by MarnieG
Brado
on Butterfly Effect - An Ultra Violet Apology by Mahloo13
on Butterfly Effect - An Ultra Violet Apology by Mahloo13
Brado
That was one of the things I wanted people to realize, that when you are mixing a record you are not solely mixing it for your environment or for your monitoring system and that mix needs to translate well on everything.
Nowadays people listen more and more on earbuds, laptop speakers, portable speakers, phones, tablets etc. so it's really essential to get a balance that works on everything. How you do that? well...you listen, listen on multiple playback sources, use reference tracks etc., of course after a while experience kicks in and you basically know without crossreferencing if it sounds good everywhere. A good way to set balances (at least for me) is to monitor at really low volumes as that clearly evidentiates to me atleast what stands out and what doesn't.
As for the drums sound, I almost always add samples, even if they are really low in volume. I might add a kick sample that has more low end and one that has a nice midrange and some top and blend those with the original then buss those to an aux and eq them overall as one piece so basically I'm using the samples as EQ. The same goes for snare although I trigger just one sample which is really close tone wise to the original snare and use that to emphazise lows and highs and trigger a reverb, that way I get a clean reverb sound without all the spill. Sometimes if the drums are clean enough I'll get my samples from the actual tracks.
A lot of my sound comes from my EQ curves, I tend to boost a lot in the low end and the high end to get a really hyped EQ curve (the smiley face curve if you wish to call it that) and then compress and use another EQ to round off any edges.
The biggest secret is automation though. I use a lot of automation especially in the overheads and the toms and the room tracks. Recently I've started using parallel compression as well so during the chorus I'll unmute the paralllel compressed track for more punch...or I just duplicate the kick track for example and use the second track as a parallel track just for volume.
Sounds complicated but the secret is really in riding those faders and making everything exciting and dynamic.
Cheers!
on Butterfly Effect - An Ultra Violet Apology by Mahloo13
Brado
on Hey hey hey - a meeting with the devil by joecramer
Brado
Always good to read something nice about my voice :)
I think that you are right that working with Burt is always something special but right now he hasn't no time at all. And so i just can work a bit with some of his loops he posted here ..... But he told me that he will maybe do some solo stuff to this one when he got some more time.
stay tuned
joe
on Falcon Trance 8 by EricMilligan
Brado
Anyway, thanks for the constructive criticism. Need more of that.
Eric
on PATRICIA EDWARDS AM I CRAZY by Timmons2
on PATRICIA EDWARDS AM I CRAZY by Timmons2
Brado
on Run Right Past You EYEDYE Vocals by MOONLYTE
Brado
on Mayday Parade - When You See My Friends Cover by Mahloo13
Brado
on lOVE YOURSELF TROPICAL REMIX- JUSTIN BIEBER by DJROODY
Brado
on lOVE YOURSELF TROPICAL REMIX- JUSTIN BIEBER by DJROODY
on lOVE YOURSELF TROPICAL REMIX- JUSTIN BIEBER by DJROODY
Brado
on lOVE YOURSELF TROPICAL REMIX- JUSTIN BIEBER by DJROODY
Brado
on lOVE YOURSELF TROPICAL REMIX- JUSTIN BIEBER by DJROODY
You can tell this is his work, it's no way near as clean-sounding as the Adele remix he stole haha. It sounds much more amateur - overcompressed, muddled and very bassy.
on Crying In The Rain - An Original - Version 2 by KyleCarpetner
Brado