Description : I linked my mom this song and she said I should name the track after her. Formerly [untitled].
Oboes are fascinating. I wrote this piece around an oboe loop I made when I was bored.
The oboes are a soundfont with about 200 staccato notes and a sytrus synth. The trumpet is from a similar soundfont bank, all short staccato bursts. Beats are a sliced orchestral dum kit I arranged by hand and an orchestral kit from PC51d soundfont. The strings are two sytrus voices and DSK Stringz. The plunky pads are sytrus ambient pads. The piano is a DSK Akoustik Keyz. The tenor sax is another DSK voice.
Most of the parts were played on a MIDI keyboard while recording the input. Minor tweaking and cleaning up, scaling note levels and such, but it's mostly natural playing. I used no loops I didn't create for the track (other than a drum loop I sliced into individual hits and used as a kit).
The track has no reached the "done-ish" phase (it has an ending, a rarity for my tracks). Any recommendations on what needs tweaking would be appreciated.
This orchestral track was uploaded by JHolmes. They retain full copyright and you are only entitled to listen and in some instances download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (10)
If you have time take a listen and give JHolmes some feedback.
this is obviously a labor of love with such meticulous preparation..there is something Philip Glass like about it but only a little i think! would really like to hear this again when more rested in the morning...i'm on a sort of funky hip hop crusade right now myself, but i'm also well versed in the classical and jazz disciplines and would like to hear your composition again when completed...then again is anything ever really completed?? i'll leave you with that...lol!!
thank you for sharing your work!
victormusic01x.....pondering all this technical talk but appreciating the outcome nonetheless
I actually just acquired a bunch of Philip Glass from my roommate, but haven't gotten around to listening to it yet. I'm channeling him on some unconscious level, I guess...
I feel like I've actually spent less time on this than I usually do, at least in terms of composition. I recorded most of the instruments on my first take, with minor adjustments to timing and occasional reworking of the parts by hand, leaving the note velocities as they were but changing timing/volume/volume ratios.
I appreciate the review. If you get any ideas on a fresh listen, please don't hesitate to share them.
This is a great track. I can't explain this next bit very well, but, some of it reminds me of Glass ( can't remember if it is Peter or Philip...?? his best album is Glass Works ) which is a good thing. Too bad I could not download it. Again, well done.
Wow! This is such a fun track. Love the voice of wind instruments. And you incorporated it in such a playful way. Great job! I want to hear the full arrangement when it's done.
Thank you for the review. I should have some time this weekend to work on it, and I feel like the part I have done is as fleshed out as it should be, so the next update should lengthen it significantly.
Oboes are indeed fascinating and the people who play them more fascinating still. Who would deliberately select an instrument that looks like a huge elephants trunk with a chrome doodad stuck on the side of it? It's good to see that someone out there is experimenting with such sounds - good stuff.
You typically only have a single oboe in an orchestra, 'cause you can *always* hear them when they play. So, naturally, I used two.
Now I really want to learn to play one. There's something about playing "an elephant's trunk with a chrome doodad" that just seems like something I'd do.
My first musical memory is "Peter and the Wolf" and I've never really recovered from initially hearing the oboe and French horn. Hearing how you've used soundfonts really gives me encouragement to keep experimenting with these, as you've been far more successful than I have. Seeing you've used DSK Akoustik, I'm wondering if you've tried DSK Stringz, and if so what you think. I hope you extend this one.
PS(16 Sept) - Man! I really dig what you've done here, and reading others' comments I can see the Phillip Glass connection. Since you're one that actually wants suggestions (refreshing that) might I suggest you give this one a Title? Faved without hesitation.
The clarinet (?) melody is nice and the piece has a trppypoppy (again, ??) feeling. It's short but I liked it but.... the strings are distant and and should be an octave lover IMHO, why not try to replace them with a cello solo melody? There's good public domain soundfonts for strings (Cadenza is good for violin for example).
I lowered the strings at the beginning (they're pretty terrible sytrus voices still though) and it definitely helps. I couldn't find the Cadenza soundfont anywhere, although I did find a DSK strings rompler I used later in the song.
Thanks for your input. I've added to the song considerably since you reviewed it, so if you have a few minutes, I'd appreciate another listen.
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Description : This track is the first two sections of what will (hopefully) be a three-part piece — essentially a suite. I am posting parts 1 and 2 because I think they are ready for feedback from Looperman members. Part 3 isn’t done yet because it requires Human League style vocals from a singer with a distinct British accent. I have the melody and lyrics worked out. I sent a private message a while ago to a Looperman member who I think has the right voice for the job. But, haven’t had a response. Until I find a vocalist for it, I can’t finish the piece. In any case, the total file size of the complete piece would be greater than the Looperman limit, so it will have to be split into parts anyway.
Parts 1 and 2, in fact the whole thing, were inspired by acapellas posted here on Looperman by Jacques Demers:
If you haven’t checked out Jacques’ tracks yet, you really should. He doesn’t set them up as “featured” so it might be easy to miss them.
The harmony in Jacques’ acapellas sounded very “Beatle-ish” to me, and that made me want to try my hand at doing a George Martin style treatment. I remembered that ScottsCovers here on Looperman had mentioned an instrument called a Mellotron, which was used by the Beatles, the Moody Blues, Genesis, along with other groups of that era, so I decided to use a VST mellotron as the primary instrument for Parts 1 and 2.
The acapella in Part 2 was in a different key than the one used for Part 1, so I needed to find a chord progression in Part 1 that would modulate the key. Jacques gave me some advice on that, which you can see in the comments on his first acapella.
Part 1 has harp, mellotron flutes, clarinet, french horns, and my attempt at a Penny Lane type trumpet solo (but much simpler). Part 2 has a string ensemble, solo oboe and trumpet in unison, and some Daniel Langois type processed guitars. Both parts were recorded at 60 bpm, largely because that’s where the acapellas seemed to sync best. However, I played the instrument tracks freestyle (rubato), so the tempo actually varies somewhat. Definitely not quantized!
There is a storyline behind this track. Part 1 is the blooming stage of a relationship. Part 2 is about the relationship in decline. Part 3, with vocals, will be about ending it.
I’ve included the transition to Part 3 (which will be a more traditional synth pop section) and just a bit of the first verse backing instrumental so you can get an idea of how things are headed in the final part.
Description : I promise a suprise for non-members once I reach 100 plays, now they can DOWNLOAD it FOR FREE. The only condition are these three simple rules: 01. If you plan to use it somewhere, let me know and send me the link by private message. 02. You also have to put me as the composer of this song. 03. I don't want commercial use and you can use it for youtube project.
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This songs is like a normal day in my life... as my brain point of view. The first part is the morning with strings, horns, clarinette and flute. It's a joyful and beautiful day ! Then, there's a sort of "bridge" between the morning part and the afternoon. Afternoon is awesome and chaotic at the same time, that's why I added dubstep in the middle of the song. Finally,the evening and the night are the second bridge and the end of this piece.
It's the first song I mix Orchestral and Dubstep.
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The Expanse is the beginning, a journey into the unknown, a risk.
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Description : First one I posted on here not too long ago when I tried this out. Would love to dabble more with this type for sure as I love the orchestral/cinematic tracks I find on here! Great loops I found by MINOR2GO that I threw together. I just added the bass drum and slight fx here and there. I would consider this cinematic as well. Thanks!
Description : THE JINNI feat. Micki Consiglio (Produced by Atomic Beats). This is the outro from the international collaborative project called, "THE EP", by THE JINNI & DaViglio. Released on May 25, 2013.
thank you for sharing your work!
victormusic01x.....pondering all this technical talk but appreciating the outcome nonetheless
I feel like I've actually spent less time on this than I usually do, at least in terms of composition. I recorded most of the instruments on my first take, with minor adjustments to timing and occasional reworking of the parts by hand, leaving the note velocities as they were but changing timing/volume/volume ratios.
I appreciate the review. If you get any ideas on a fresh listen, please don't hesitate to share them.
The download option is now available.
Thanks for the review.
The song is now finished-ish.
Now I really want to learn to play one. There's something about playing "an elephant's trunk with a chrome doodad" that just seems like something I'd do.
PS(16 Sept) - Man! I really dig what you've done here, and reading others' comments I can see the Phillip Glass connection. Since you're one that actually wants suggestions (refreshing that) might I suggest you give this one a Title? Faved without hesitation.
I found/downloaded every DSK VSTi I could find. Stringz is nice; I added in a channel that comes in with the tenor sax and synth oboe.
See you,
k
I lowered the strings at the beginning (they're pretty terrible sytrus voices still though) and it definitely helps. I couldn't find the Cadenza soundfont anywhere, although I did find a DSK strings rompler I used later in the song.
Thanks for your input. I've added to the song considerably since you reviewed it, so if you have a few minutes, I'd appreciate another listen.