I Love My Mom - JHolmes
3rd Sep 2009 20:45 - 17 years ago
Tags :
Description : I linked my mom this song and she said I should name the track after her. Formerly [untitled].
Oboes are fascinating. I wrote this piece around an oboe loop I made when I was bored.
The oboes are a soundfont with about 200 staccato notes and a sytrus synth. The trumpet is from a similar soundfont bank, all short staccato bursts. Beats are a sliced orchestral dum kit I arranged by hand and an orchestral kit from PC51d soundfont. The strings are two sytrus voices and DSK Stringz. The plunky pads are sytrus ambient pads. The piano is a DSK Akoustik Keyz. The tenor sax is another DSK voice.
Most of the parts were played on a MIDI keyboard while recording the input. Minor tweaking and cleaning up, scaling note levels and such, but it's mostly natural playing. I used no loops I didn't create for the track (other than a drum loop I sliced into individual hits and used as a kit).
The track has no reached the "done-ish" phase (it has an ending, a rarity for my tracks). Any recommendations on what needs tweaking would be appreciated.
Oboes are fascinating. I wrote this piece around an oboe loop I made when I was bored.
The oboes are a soundfont with about 200 staccato notes and a sytrus synth. The trumpet is from a similar soundfont bank, all short staccato bursts. Beats are a sliced orchestral dum kit I arranged by hand and an orchestral kit from PC51d soundfont. The strings are two sytrus voices and DSK Stringz. The plunky pads are sytrus ambient pads. The piano is a DSK Akoustik Keyz. The tenor sax is another DSK voice.
Most of the parts were played on a MIDI keyboard while recording the input. Minor tweaking and cleaning up, scaling note levels and such, but it's mostly natural playing. I used no loops I didn't create for the track (other than a drum loop I sliced into individual hits and used as a kit).
The track has no reached the "done-ish" phase (it has an ending, a rarity for my tracks). Any recommendations on what needs tweaking would be appreciated.
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thank you for sharing your work!
victormusic01x.....pondering all this technical talk but appreciating the outcome nonetheless
I feel like I've actually spent less time on this than I usually do, at least in terms of composition. I recorded most of the instruments on my first take, with minor adjustments to timing and occasional reworking of the parts by hand, leaving the note velocities as they were but changing timing/volume/volume ratios.
I appreciate the review. If you get any ideas on a fresh listen, please don't hesitate to share them.
The download option is now available.
Thanks for the review.
The song is now finished-ish.
Now I really want to learn to play one. There's something about playing "an elephant's trunk with a chrome doodad" that just seems like something I'd do.
PS(16 Sept) - Man! I really dig what you've done here, and reading others' comments I can see the Phillip Glass connection. Since you're one that actually wants suggestions (refreshing that) might I suggest you give this one a Title? Faved without hesitation.
I found/downloaded every DSK VSTi I could find. Stringz is nice; I added in a channel that comes in with the tenor sax and synth oboe.
See you,
k
I lowered the strings at the beginning (they're pretty terrible sytrus voices still though) and it definitely helps. I couldn't find the Cadenza soundfont anywhere, although I did find a DSK strings rompler I used later in the song.
Thanks for your input. I've added to the song considerably since you reviewed it, so if you have a few minutes, I'd appreciate another listen.