Description : Just got tired of having too many unfinished mamby pamby chillout songs to deal with!
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Comments (5)
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your versatility is showing again Steve....hell, I like a lot of those mamby-pamby chillout tunes..and I like this one too....break around 3:20 is excellent stuff...definitely agree with the groovy comments...its a got a groove that just doesn`t quit...the kind of stuff that keeps dance floors full (some of my hair grew back while I was listening haha)...great job my friend & really well produced....you do it well in whatever genre gets you rolling......Ed
hi,
really nice track: a lot of let's say digital or industrial sounds in here. I like the arpeggiated synths starting from trom 1:33. Very powerful music! Nice ambient and distorted elements. Interlude part (2:50) with organ/rhodes(?)loop. This track is a bit old-styled but I really like that. Nice combination of heavy guitar and arp. synth in the last part. Synth pad (4:39) could have a longer release but is still interesting. An orchestral-hit synth effect (5:11)!
It reminds me of some older recordings from 'Astral Projection' or something like that but this one is much more funky! Great work!
A.
Wow! Very good piece you have hear. As Danke said it's very groovy and unique. I like the guitar sounds added with the synths...nicely done. This is a great track indeed! LOL..your description comment is too funny. Keep up the good work man. Peace......Dan
Yeah, screw that namby pamby chillout shit. No one likes that. Let's get rockin'!
First 30 secs really didn't grab me though they'd be fine to set the scene in a club. Ah but then it gets much better with a solid beat and bassline.
0:46 delayed squealing synth is cool. Need some of that in my music.
1:02 VST guitar is pretty good. Slightly fake but it's still a cool sound.
1:33 arp synth enters to make things more intense and the bassline gets busier too. Only problem with this increase in intensity is that the drums stay a bit flat and don't seem to go up or more powerful with everything else. Only a small thing as they're already pumping but perhaps a little room for improvement there.
2:49 squelchy creature fill.
Nice fade in volume of drums to 3:04 then another synth screech and more drum work to make things a bit funkier again in this middle more chilled section (not namby pamby).
3:50 good short guitar break though it does contain a little audio pop sound that slightly spoils it.
And then we're back dance rocking.
Talk about the pot calling the kettle black but I feel this is maybe a about a minute too long as there wasn't too much new in the last 3 mins. Yes, there was an arp synth solo but I still feel you could chop at least 30 secs and have the track punchier.
As I said in my other reply to you, I managed to recently get a track down to 5:45 and have also done a 4:00 min one this year.
Funny old things track lengths - no rules so it's only about how it feels so I'm just offering my humble opinion, as I always try to do reasonably honestly (hopefully never brutally so).
Description : Feel free to check out the video on YT as well (Alan McLaren Project - Upside Down) of this 6min journey from electronic to rock with some psychedelic moments...
This is my latest, but also one of my earliest tracks.... any feedback is more than welcome, thanks :)
Description : 'The main point of this song is really about the frustrations of living in the overload of today's World of Tech. The consequences are impaired communication and that if you advance too far you end up diminishing what you had to start with, so you are way worse off.' Enjoy a 60s Rhythm with a modern deep Bass, a Sitar, a Piano from EvilPianist, a lost flute from UniverseHuston and some Oscillators :-)
If you like our work, please find us under kayos2 on Bandcamp
Description : A demo of one of my current projects. The chorus vocal sounds like "Aaaaraashe" to me. The song is in C# minor with a nod to C# pythagorean on the chorus. The beat on the verse was inspired by the Peter Gabriel song Intruder.
Description : This is one of my earliest productions that I did at the start of my recording career. I did not have a keyboard at the time I made this song, so I improvised and used my sister's iPad and a 5 dollar GarageBand application instead, and plugged the headset jack into into my PT6 rig and did my best to turn each individual track (which were mono and there were about 25 tracks or so) into a stereo image. Then recorded vocals over it. My computer was so old and slow that I had to mix my music and then BOUNCE it to a new session - four times. My computer (which had 512 MB RAM and an 80 GB hard drive) couldn't handle more than 8 tracks at a time or it'd stop working because the processor couldn't handle it. Took me FOREVER to do. But I got it done. Had a lot of fun doing it too, even if it isn't my "best" work. I'm still happy with it, considering I didn't have many tools to choose from at the time.
Description : Long time lurker first time poster, pretty new to production n stuff, this is my first track in Ableton Live.
was going for a darkwave/synthwave sound, reminiscent of Justice, Carpenter Brut, Perturbator, ect.
Looking for some feed back, constructive criticisms or even just your thoughts if you liked it or not. This is just a rough cut on this current WIP, just the bones of it if you will.. If you have some cool title suggestions, would love to hear those too.
Thanks for listening.
-B
Description : NEON DRIVE is a smooth flowing electronic track with a steady progression. I hope it entertains you and creates a temporary dreamscape for you to get lost in.
Originally started in 2008, cleaned up and completed on October 28, 2014.
really nice track: a lot of let's say digital or industrial sounds in here. I like the arpeggiated synths starting from trom 1:33. Very powerful music! Nice ambient and distorted elements. Interlude part (2:50) with organ/rhodes(?)loop. This track is a bit old-styled but I really like that. Nice combination of heavy guitar and arp. synth in the last part. Synth pad (4:39) could have a longer release but is still interesting. An orchestral-hit synth effect (5:11)!
It reminds me of some older recordings from 'Astral Projection' or something like that but this one is much more funky! Great work!
A.
First 30 secs really didn't grab me though they'd be fine to set the scene in a club. Ah but then it gets much better with a solid beat and bassline.
0:46 delayed squealing synth is cool. Need some of that in my music.
1:02 VST guitar is pretty good. Slightly fake but it's still a cool sound.
1:33 arp synth enters to make things more intense and the bassline gets busier too. Only problem with this increase in intensity is that the drums stay a bit flat and don't seem to go up or more powerful with everything else. Only a small thing as they're already pumping but perhaps a little room for improvement there.
2:49 squelchy creature fill.
Nice fade in volume of drums to 3:04 then another synth screech and more drum work to make things a bit funkier again in this middle more chilled section (not namby pamby).
3:50 good short guitar break though it does contain a little audio pop sound that slightly spoils it.
And then we're back dance rocking.
Talk about the pot calling the kettle black but I feel this is maybe a about a minute too long as there wasn't too much new in the last 3 mins. Yes, there was an arp synth solo but I still feel you could chop at least 30 secs and have the track punchier.
As I said in my other reply to you, I managed to recently get a track down to 5:45 and have also done a 4:00 min one this year.
Funny old things track lengths - no rules so it's only about how it feels so I'm just offering my humble opinion, as I always try to do reasonably honestly (hopefully never brutally so).
Your groovy is unbelievable and unique here...always a winner tempos and 'riffs'...for me the mix is stunning too but I'm so poor on that field...:-)
Congrats, Danke