StaticNomad

Description : A gentle, reflective and beautiful shuffle blues piece featuring one of my best ever electric guitar solos (for about half of it). Also has bass guitar, synth bass, two programmed acoustic drum kits, two types of sample-based sitars, a heavenly pad and a distinctive main string part. Special, text-based prizes to be awarded to the best comments!

Description : BIG UPDATE 26/02/2014 - So, this was an 18 min track that I have now successfully split in two. 2nd half I uploaded a few weeks ago (Things That Should Always Be, with the bouncy 2 min reggae intro). This is the first half, which has a new mix, a mega chill, meditative ending and a little jazz thrown in for good measure. Takes a few minutes for beat to really kick in. Constantly evolving electric guitar, bass guitar, acoustic drums and lead banjo driven by fat, busy 80BPM grooves with a bit of a reggae and shuffle feel. Also: synth choir voices, dulcimer, violin, cello, shimmering pads. Builds up gradually to nice and rocking and then gets taken back down for the big comedown chill. I really don't know what sort of genre this is except 'far out'. I think it sounds more like a live band than one guy playing instruments and manipulating a DAW. Not my best track but a bit of blissful, sunny island fun. Real positive vibe here so I hope you give it a chance to unfold and unfurl. Sit back, clear your schedule and immerse yourself in these trippy sonic experiments cooked up deep in my off-planet underground laboratory. I have to send the MP3 to Earth via space courier (not cheap).

Description : Psychedelic blues hip hop with lead banjo and acoustic resonator slide guitar. Acoustic drum kits, fat basslines, soaring filtered strings, some strong Eastern elements (from guitar and strings), some dub and funk from the bass and drums and a bit of rocking electric guitar. Very unusual piece of music and a trip like no other I've heard. Some of it is like a dark, deep Southern delta blues track over a hip hop and dub backing. All played and programmed by me, no loops used.

Description : Pure electro mid tempo chillout and upbeat groover with various tribal elements eg shakers, didg and djembes. Lots of lead, arpeggiated wailing synths and 5 or 6 synth basses. Some hip hop thrown in with the drums. All made within Reason software. It's complex but I think it's good fun.

Description : Truly one of my greatest tracks. An intense, constantly changing psychedelic deep groove journey through reggae, rock, metal, funk, blues, electronica, deep chillout and more. Slow, fast, funky, beautiful, weird, fun plus a few more adjectives. Big arpeggiated strings, slide resonator guitar, electric guitars, detuned guitar playing massive funky basslines, wicked wah, squelchy synth bass + other synths, acoustic metal and brush drumkits, hip hop drum hits and no loops. Very complex structure and mix so maybe I haven't got it right. Full track is 13 mins 55, link is in comments. Let me know if you don't think it's as good as I do. Or better. Or self-indulgent rubbish. Now get ready to rock. And then write a 10,000 word essay describing it all...

Description : Probably the greatest banj-metal-hiphop-jazz joint ever. With lead saxophone, house bass, rock and metal guitars, Eastern banjo, jazz and hip hop drums and a tasty dose of drum and bass thrown squarely in your face. You can headbang or throw some body-poppin hippity-hoppity shapes to this mofo, for real. A lot of genres covered in 7 minutes so hopefully the time will fly by. And, yes, there really is acoustic banjo as a lead instrument on top of some crunching and crashing metal guitar and drums. Long live Banj Metal!

Description : UPDATE 26/01/2014: Improved loads of things in what is probably my greatest chillout alternative blues piece. Ambient, ethereal, groove-based delta slide blues. Contemplative and melodic. Multiple, layered , sometimes shimmering resonator guitar parts with solid, warm synth bass, an ethereal bed of pads (which are actually guitars) and second electronic drumkit to contrast the acoustic kits. I thought this was perfect a few years ago but it wasn't (and still isn't). Now has clearer drums and lots of small awkward bits of guitar have been trimmed. Quite a minimalistic and short piece for me - I don't just keep bringing in new instruments, as I usually do. This should really chill you out...

Description : Far out mid-tempo fat beat deep chillout grooves with Eastern/Arabic and slightly menacing vibes, huge delayed synth bass and a great palette of psychedelic layered and intricate sounds (mostly synths) and a stirring, epic feel. Even has guitar solo section reminiscent of some 80s power rock which is then followed by a brief synth harp solo. I began making it straight after staying round the flat of the flute player from the legendary Ozric Tentacles - easily the greatest ever space rock band. I made this in about 2001 and still think it might be my best track (and it's nice and short, for a change). My production skills were much weaker in those days (no EQ, compression or mastering used here) but, somehow, this one turned out pretty much just right. Feel free to disagree. Now sit back and get ready to trip extremely far out. If you manage to return, let me know how that trip was...

Description : Do not freak out just because this is jazz! There's also blues, rock, funk and a little hip hop in it to break up the deep, chillout jazz sections - gets particularly rocking then funky at the end. Main bassline (the track's foundation) is recycled leftover slide resonator guitar parts detuned one octave to make a slide bass sound. Also features: piano, violin, hammered dulcimer, organ, ethereal pad guitar, bass guitar, jazz/blues/rock electric guitar and multiple programmed acoustic drumkits. This was difficult to make at times as I thought I needed more leads parts eg from sax or trumpet. But I'm happyish with the end result. I expect very little interest in this as it's both jazz and long jazz. But it's also an unusual type of genre-mixing jazz. So, leave your thoughts, good or bad, if you like...