My thoughts? Liked it right away, the vocals at the beginning were a great choice and the low in the background feel to them is perfect. The music has a retro trance sort of feel. Music is high quality, with lots of change ups, though I feel the main synthy baseline could have changed a bit too at some points (though of course this is the structure of trance). Great track!!!
Hey this flows really well. I like the way the music and vocals go together at that first "baby talk to me talk to me" part.
I realize my quick faulty fade in on the wooohoo part is a little off.
I enjoy the flow of this, but I think this needs more- not just being a drum and bass piece. Add some dubstep, go nuts! At first, the lines and melody are fresh and I'm caught up in it but as it goes on with the same thing I am no longer surprised so it needs to keep your listener better. More music!!
yep i agree more variety is needed after the breakdown, some halftime drumstep and a change of breakbeat and instrumentation may solve that, lyrics are smashing it to begin with and no mistake,just need to maintain that energy and flow...thanks for reviewing..will rework this one a little...it's worth it i feel
You almost lost my attention at that beginning. But then I heard your familiar sound at 44 seconds and was once again captivated by your work! Would love to hear you add more "Vitalic" sounding vocals.
I actually really like your vocals on this, has a funky intriguing vibe to it. I think the vocals are yelling at me though when I'm trying to enjoy the music so I might turn those down just a bit
Maybe the sensual thing come from the groove, the bass and the overall sort of edgy, slightly aggressive nature of the track, combined with the psychedelic elements and Eastern sounds. I'm not sure, really. The simplest way of putting is probably just to say "it's got some vibe".
The time I take over stuff really comes from the way I compose. I don't write these pieces of music in any sort of planned out way. As I said before, they mostly come from recycling leftover sections from previous tracks. If you want to hear the two sister tracks to this one (same tempo, same key, some of the same sounds plus many new ones), go to my Sound of An Unsound Mind page on Mixposure and listen to Three Miles Late and 28 Levels Above Top Secret.
I just keep jamming over loops I love and slowly adding new bits of playing, with a focus on using the more interesting incidental bits of playing that I didn't plan on doing. Because I cycle record over a loop, I have loads of versions of the main sort of riff I planned on playing, plus loads and loads of different fills and stuff. Then I take these and layer them up and start new sections with loops of some of the more interesting parts.
I just find it so easy with modern DAWs to add all manner of complexity and effects and carefully automate it all. When making a track, I have find trying out loads of different effects and synth parts and drum grooves. And then I spend ages thinking "Well, how can I fit all this in?".
I just keep adding things bit by bit and then use different effects and fills to get the transitions from section to section as natural-sounding as possible. So much detail makes for a complex mix but my aim is to make unique music that never fails to be interesting so I don't mind having to deal with so much information and elements competing to be heard.
Thanks again for taking an interest. I shall do more with your tracks though I currently have very limited internet access.
hey ! tonight you have made me very glad by leting me know your ideas about my tracks , I just was listening to a wonderfull one again right now and when I took a look again to my mail found your comment .
yes 80s track from a 80s born girl .
since i've been single and so far , i've been a fan of rock .
thank yoy very much jenny for stopping by .
on Dagon Red by Dagon
on Pop instrumental by pavelkelly
on Pop instrumental by pavelkelly
on If its silent by aknin
on High Lights by aknin
on I Miss you by ckw3ll
on The Mothership by DeepThought9
on Not What i know by Oxnitrogen
on Not What i know by Oxnitrogen
By the way i am missing the time you used to release more trance accapela.
Anyways thanks a lot for your feedback
on To be betrayed by evilarmy83
on Open ONE PROJECT Feat Snowflake by ONEPROJECT77
on Star Drops by WaPer
on Experimental House by the47
on Parallel Tracks by ZB by zipbass
on talk 2 me by sn76
I realize my quick faulty fade in on the wooohoo part is a little off.
I enjoy the flow of this, but I think this needs more- not just being a drum and bass piece. Add some dubstep, go nuts! At first, the lines and melody are fresh and I'm caught up in it but as it goes on with the same thing I am no longer surprised so it needs to keep your listener better. More music!!
on Dark Sky by Spivkurl
on Flash Backward by sacredburrito
on Wake Me by Danfu
on Dark Sky by Spivkurl
on Right Place Wrong Century by StaticNomad
I can hear very a high quality performance in your work- as you said, you take time on it and it shows.
The time I take over stuff really comes from the way I compose. I don't write these pieces of music in any sort of planned out way. As I said before, they mostly come from recycling leftover sections from previous tracks. If you want to hear the two sister tracks to this one (same tempo, same key, some of the same sounds plus many new ones), go to my Sound of An Unsound Mind page on Mixposure and listen to Three Miles Late and 28 Levels Above Top Secret.
I just keep jamming over loops I love and slowly adding new bits of playing, with a focus on using the more interesting incidental bits of playing that I didn't plan on doing. Because I cycle record over a loop, I have loads of versions of the main sort of riff I planned on playing, plus loads and loads of different fills and stuff. Then I take these and layer them up and start new sections with loops of some of the more interesting parts.
I just find it so easy with modern DAWs to add all manner of complexity and effects and carefully automate it all. When making a track, I have find trying out loads of different effects and synth parts and drum grooves. And then I spend ages thinking "Well, how can I fit all this in?".
I just keep adding things bit by bit and then use different effects and fills to get the transitions from section to section as natural-sounding as possible. So much detail makes for a complex mix but my aim is to make unique music that never fails to be interesting so I don't mind having to deal with so much information and elements competing to be heard.
Thanks again for taking an interest. I shall do more with your tracks though I currently have very limited internet access.
on In a box ft JJWeekz Triphop mix by smallpaul
on Motion by Sherris
yes 80s track from a 80s born girl .
since i've been single and so far , i've been a fan of rock .
thank yoy very much jenny for stopping by .
on splurge by Sherris
on The Last Stand by the47
on Memories by FlorinB92