DonnieVyros

From the whithered leaves in late summer are as cool as the groove on this one. If ever a musician could capture an emotion it was done so in 'The Cat Looks On'. Almost as if the instruments were having a conversation and one could understand their vocabulary of notes! Added to favs!!

Of smoke flitter up through the beams of light that pierce through the dimly lit atmosphere, almost abbrasively. To call out the details of the shadowy profiles. All staring this way and that. Wearing seemingly uniform expressions upon their faces. As the band plays. Weaving their tapestries to serve the enclave oblivious to the undertones of energy radiating from them. Catalyzed by the masses and echoed back through them and the walls!

DJ Jeff something or other!? Wait a tic...

Jazzy!

What the track's sax and bass does in this! I am reminded of older detective flicks and department store jingles of yesteryear. It also sounds a bit Vai-ish near the end. Kind of progressive experimentation to give the listener the illusion of... Whatever strikes them.

A referance to The Atomic Babies above by DJSic? Wow, no way!

Actually, it reminds me more of some of the stuff off of The Saint soundtrack mixed with a few of the songs of the Mortal Kombat: Annihilation soundtrack. Kind of a blend of fighter game meets super secret agent

Bond-fu?
Umm, I guess that about nails it. It's wicked how you did the phasing cymbal ride at about a minute an forty. This one is def my fav of the three I've heard tonight!

The man in the Jalopy shouts, 'Can ya tell me how to get out of second gear!?".

I can see this fluidity of this one that would go hand-in-hand with driving or other constant directional movements. I imagine travelling or sliding out into a semi-dark abyss. Much like the teleportation sequence depicted in the film, Star Gate, but with a tad less light. Streams away!

I forgot to mention above. Have you checked out my track 'R2's Dream' yet? Which was so named from that on review I left ya months ago.

Of which I refer to several things. The way this song comes together (awesome synth @the 55 second mark or so). And then the oriental-like sample that comes through at around a minute and a half.

I'm also sorry to hear about yer PC crappin out on ya. I had something similar happen last month. I also love the title. I've got one dubbed 'Metaloid', haha (small world eh). If this track were a painting it'd prolly fall in with the other post WWII Abstract classics!

It's children of the Funk. This one kinda reminds me of Busta Rhymes mixed with ODB and a twist of it's own. Very 80's remade!

I like yer vocal stylings on this one. It's good to hear someone utilizing the Crunchy style. The songs construct itself is 9 by 9. Most definately a professonal quality instrumental!

I agree with Rattle, this is a pretty choice track. The rolling synth is almost trippy. The only thing that was kinda off was the vocal sample at the beginning. The drums were tight, but could be amped up in a remix. That whole 'Harder & faster' or what not. Very dance-worthy!

Synchopated their styles in a line for to participate in some 'Electric Slide'. This one kind of blends different styles into one. The drumline is quality Disco House. While the bass is kinda retro Soul Pop. Then the synth effects make it sound kinda like trippy Abstract.

Or I could just say, 'Cool is cool, man!'

Of the things in that movie that made me question the most was Amos's character's leaving those paper birds lying around. What did it hint at? What did it symbolize??

Pretty sweet vocal sample there and I love the intro synth. Somewhat old skool, but timeless none-the-less.

There I was. Quads, knee high socks, glo-strings, and all. Wait, wrong thought process, sorry!

Diggin the different approach/feel of this one. The blending of contrasting sounds and sound types was masterfully done mate!

If there was such a classification of house that's where I'd put it coz this chune is nastay (not in a bad way, like what grime is for hip hop). Nice vocal sample usage there.
Haha, man, that brought back some memories. Consequently we, the Borg have decided to assimilate your musical craftings to better the 'collective'.

I'm really diggin on all of the underlying stuff going on in the backgrounds of this one. And the helo-soundin bassline's pretty righteous too. Kinda 80's TV show techno themesong-like!

It's funny how ya mention 'old old skool' in the way you were forced to record it. I was recently listening to my Sam Cooke CD in the car and was reminded in each case how it useta be.

I also prech the feedback on my one. The intro I was thinkin mix-set transition (between DJs or whatnot).

As for this one, you did a great job piecing it all together. And I can only imagine how long it took to do or how frustrating it might've become. The snick of the snares and rims and the vocal sample of 'Oh Yeah' paired together perfectly.

Insanity.
C/O a song off of the album Pragmatic, by Praga Khan of Lords of Acid fame. That's the first thing that came to mind upon listening to it. Prior to the mid-line drums of a higher tempo (I think). Very cool track!

...It's breathtaking! It moves in waves, like liquid. Sliding all over everything...

A quote from the film Event Horizon. Not verbatim mind you, but as close as I can recall. It came to me when listening to the bass. Something about it just reminded me of something menacing and mechanical. Nice break to BTW! As if the whole process were operated by mere flick of a switch. I also recognize the vocal sample 'break down' from somewhere. ATM, it escapes me though. Cool track!

Drops of dew form across the lid of a leaf and in the flow of wind and the weight of additional ice they come and go. Colliding! Much like certain parts of the beat do. Always, as naturally!

I like the groove of this piece. The synth melody almost makes it sound supernatural. The bass makes it feel as if one is in a frozen cavern. Similar to that seen in the older Superman movies where he went to his other home. Kudos!

I'd stick to the basics. Remixing via choppin up and extendin. Later adding vox and some FX. Spittin, I'd prolly make it a tribute (like to a grandparent or somethin). That's just one concept to come to mind. If that's cool I'm still game. Hit me back. Lates!

Into the fire. At first I was a lil worried, but once the bass kicked in everything was cool. I like the way it was done up to have that sizzle sound to it. Fer real man, spitwise, I would only recommend some seriously versatile or technical people lay down stuff for yer stuff. To do 'em justice and all that!

A nod to the album by Led Zep's John Paul Jones released a number of years back. This tracks main bass (I think atleast) reminded me of one of the ones from it. Tidal, I think, but can't be certain at the moment. Though if yer a fan of Bass or are a fellow bassist I highly recommend this album. This my friend is a choice chune. Which I will def add to my favs!

A pic that I think fits yer descriptive depiction of the 70's (the name & pic are from this quiz I took and the pic's avail on my DonnieV1 page if ya wanna scope it).
I especially liked the drums & bass on this one. The synth kinda reminded me more of the power montages from various 80's movies (Arnie's Running Man for example). Killer cool audio sample of the scanner BTW. Nice!

Piano's! My buddy BK would always try to pick stuff that had 'em when we were over at Jim's freeflowin. If you don't mind, I could see myself doin somethin with this. Lemme know. Lates!

I like the way ya break it down at around 1:30. It sounds Junglish. As for verse, I'm bankin you were meaning for this to be pure grime? Fulla anger n rage?? Kinda creepy as was seen in the subject header's movie.