The 5th track is quite a lot louder than the rest, as I'm sure you know but there is a nice stream of tracks here. Best of luck getting the album together.
Holy crap yes it is, and no I hadn't noticed. It's one of the tracks that was mastered by somebody else - I guess ideally I should update the others to get to the same level. Thank you so much for noticing!!
thanks bro first in a while, just finished the next, i might upload this weekend, i'll check it out, good luck bro, i really want the best for everyone hope you get a break
Hi Mos, as you said you haven't finished this track yet, I will throw a couple of suggestions you could take into consideration when deciding to complete it. You may already have them figured out already:
1. Introduce a bit of reverb, delay and OTT on the vocal to introduce depth and stereo effect.
2. Introduce a chord change in the 2nd half of the track, to introduce some variation (example, if your song is in Am, then bring it down to FMaj, going up to GMaj and then back to Aminor again.
3. You need a strong finish for this, rather than a fadeout.
You probably already have solutions to complete it in mind, so these are just my personal observations.
It sounds like you are going through some stuff in your personal life. Hopefully your music is giving you some sort of outlet to help you through the dark times.
... another strong message sent through song. Sounds like you made the best of your studio time! I like the vocals throughout, including the ad libs, they fit this very well. It's a great track, very listenable. I've gotta listen to your other track, Symphony for a Kid next. Best wishes.
thanks dean, i small voice in a big nasty world, i can but try, the real star here was Oli, he is the one that puts it all together, a great talent im so lucky to work with, apprecite your comment as all involved will
Thank you for your reply. From time to time I like doing weird things but I know I am not in the middle of a stage with it. But well, playing around is an important thing in my life. Thanks for listening and your comment :-)
I agree with the comments about the unique structure of this track and have also taken on board your comments here and your earlier comments about struggling to produce trance in full. You may or may not take inspiration from the way I do it. The blueprint I generally follow for trance is to include 2 builds and drops in the track after an intro, with the outro (ending) of the track coming back to the intro...basically, after the 2nd drop sequence, there would be an altered version of the intro of the track for the ending. If you can get any value from that, fire away. When I first started, I used the above but only 1 build and 1 drop in the track...and looking back, I could see what was missing....round 2. Having listened to popular trance tracks in the mainstream, this method seems to be backed up there. Best wishes from the UK and good luck.
Thanks for the advice on making a trance track, Dean. I think I need to spend a bit of time listening to tracks and then have a go at following your advice. I appreciate your advice. It is, frankly, frustrating for me not to be able to do a credible job of creating the kind of music I really like. I've been at it long enough that you'd think I would have figured it out by now. :(
Nice overall vibe to this. I'm not sure the warped guitars work very well with this but that's just my personal opinion. I liked pretty much all of the rest of it...the sidechaining throughout, the bass kicks well and the vocals cuts through the mix well. Great track my friend. There's pretty much nothing I can discredit about it.
Hey bro, I have been work on this about month , was stuck. Today find better guitar loop so can finish track, maybe not the best version but it is like it is ) One more thing , I really like your music bro that's why I push you sometimes lol, Thank you for insight. Have a nice day )
Hi mate....another track with a strong message in the lyrics. Nice panning on your vocals. Mental health is I think one of the most underrated conditions that doesn't get the spotlight it needs. We all suffer from it to some extent at some point in our lives. I think it's one of those things that we need to go through at some life stage to learn from the experience. Maybe we come back stronger for it in the next life...just maybe. Great track. Listened the whole way through.
thanks for the comment dean, i've suffered with M H all my life, im always proud to promote it, some dont see it, and its underfunded, i think its a massive problem especially in men, far to many struggle alone
Well, that bass would certainly make car speakers quake. Not bad as a starting point....it needs developing if you want to make a full track out of it. It has got potential though, for sure.
Paul, just to say I commend you for having the guts to get your voice out there. Mine would likely drown a thousand cats. I like the detail you put into the productions, and your capacity to explain it all. To me, the music you are creating is entertaining, and it's worth listening to the words because your music contains messages, which as I've said before, adds value to what you are doing.
i try real hard to write lyrics that have a meaning or some form of substance and i use the expierences from my own life as a template, whether it be a good or bad expierience to make it believeable. i also have the added bonus of fx to make my vocal sound better than it actually is. dry it would also drown out just as many cats :))
thanks for the stop off listen and comment its always appreciated dean as we've discussed before, it makes it more worthwhile although i do music for me first and foremost as i enjoy story telling. its still nice to recieve feedback.
im also sure your voice would'nt be bad, you Welsh are renowned for your voices, give it a go im sure you'd be fine, and you got all the fx too if not, and like me the first time i sung and listened back i just wanted to throw up.
Sounds great. I particularly like the piano piece. Nice build up and drop (twice), as per what a Trance track should have. It has that Richard Durand video to it. It would be interesting to hear what this sounds like with some female vocals added.
This is my 2nd full listen to this. Just reading some of the other comments and I think the bassline is a good job and perfect for this genre. I agree on your comment that it can be easy for the vocals to get lost - and reverb should definitely be used with caution. The vocals on this track stand out though and I like the delay effect you have on them. The cat vocal on the end was quite funny - it appears that, at the end of the day, the cat got all the reverb.
Nice, atmospheric track makes for easy listening. I second the feeling that your music fits the vocals nicely. Sounds good tested on a cheap pair of budget headphones...and a lot better on professional ones. Good job.
Hi Eric, I like this track you have made. For me, it has a Murder on the Dancefloor vibe to it. The mix sounds well balanced with the reverb control on the vocals being spot on. it is a very atmospheric track. Well done on a good job.
Thanks, Dean. Had to check out Murder on the Dancefloor on Apple Music. I definitely can see connection you noted - with the original version. The vibes in the versions by Royel Otis and the remix by Guetta and quite different. Less disco.
Worked a lot on automation generally with the track, including automating several of the variables controlling the reverbs on the vocals. Also did multiple layers of some of the vocals, with panning and very short time delay offsets. Reverb mix and delay settings on the L and R panned tracks was a bit more than the ones for the C panned tracks. Initially had issues getting the lyrics to be intelligible in the mix, but that method seemed to work mostly OK. I generally try to restrain myself using reverb so things don't get all mushed up.
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1. Introduce a bit of reverb, delay and OTT on the vocal to introduce depth and stereo effect.
2. Introduce a chord change in the 2nd half of the track, to introduce some variation (example, if your song is in Am, then bring it down to FMaj, going up to GMaj and then back to Aminor again.
3. You need a strong finish for this, rather than a fadeout.
You probably already have solutions to complete it in mind, so these are just my personal observations.
It sounds like you are going through some stuff in your personal life. Hopefully your music is giving you some sort of outlet to help you through the dark times.
Best wishes.
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I agree with the comments about the unique structure of this track and have also taken on board your comments here and your earlier comments about struggling to produce trance in full. You may or may not take inspiration from the way I do it. The blueprint I generally follow for trance is to include 2 builds and drops in the track after an intro, with the outro (ending) of the track coming back to the intro...basically, after the 2nd drop sequence, there would be an altered version of the intro of the track for the ending. If you can get any value from that, fire away. When I first started, I used the above but only 1 build and 1 drop in the track...and looking back, I could see what was missing....round 2. Having listened to popular trance tracks in the mainstream, this method seems to be backed up there. Best wishes from the UK and good luck.
Eric
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thanks for the stop off listen and comment its always appreciated dean as we've discussed before, it makes it more worthwhile although i do music for me first and foremost as i enjoy story telling. its still nice to recieve feedback.
im also sure your voice would'nt be bad, you Welsh are renowned for your voices, give it a go im sure you'd be fine, and you got all the fx too if not, and like me the first time i sung and listened back i just wanted to throw up.
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Michael
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Worked a lot on automation generally with the track, including automating several of the variables controlling the reverbs on the vocals. Also did multiple layers of some of the vocals, with panning and very short time delay offsets. Reverb mix and delay settings on the L and R panned tracks was a bit more than the ones for the C panned tracks. Initially had issues getting the lyrics to be intelligible in the mix, but that method seemed to work mostly OK. I generally try to restrain myself using reverb so things don't get all mushed up.