chops + composition really well-balanced - if there is justice in the world we'll hear you work that roland(?) with a live rhythm section - cool melodic playing. do you have any gig recordings?
gotta declare a pref fr the live mix (esp @ high volume) - that is until 4.30 where the studio sound really kicks in to these ears - no scholar but i do love what yr doing keeping the classics relevant!
hey thanks again! the bassline was just given me fits. sounded good playing thru media player and itunes, and audacity. but once i heard it thru the site player i sounded like it was clipping. so ive been fiddling around now for days to get it rite. i myself liked the flow of the live piece too. thanks for the ear and review, twice!
cool setting + arrangement for Lady J! dig the rolling & tumbling gtr style. now when that harmonica voice was introduced early on, that was interesting - heard some bagpipe-type skirls there, dunno if that was harp, keyboard, or what but that was a new sound and worked very well. thanks for the great music jvp!
re jump-cutting - a lot like what yr already doing at around 2.23 where the tempo has an instant shift rather than bein dialed up or down - but using a nano-second of black or white or pink space to heighten the dislocation - startle the temporal lobe - a synaptic discontinuity in the sheets of sound. goddam i sound like i need more coffee or something, maybe librium. peace K.
man you know how to end a track - that little click blew a fuse. i'm digging the twists and tweaking on this - y'know what might be fun on those tempo changes is jump-cutting to diminish the knob-twisting aspect as well as more subtraction/addition of the sound materials, not exactly dub-wise but weird the way you are - stay that way!!
Thank you I do intend to stay this way. Glad you liked it and thanks for giving it a listen.
Now, I'm not following you on "jump-cutting to diminish the knob-twisting aspect". What does that mean? I'm kinda new to this so lemme know what that means and I'll see what I can do.
i am sorry too! i would love a partner for my dub sessions. somebody to go "hey man now thats a biiiit over the top. pull back hey." mostly all my tracks are done live flow. line um up n rock um! i just like the feel of the end result. thanks for stoppin' and listening.peace!
and if X=dub let A=delay, B=cut off, C=envelope, and D=resonate. find the resulting effects of the combined calculations of the sum of the factors............. he he. thanks for the listen bro, and huge compliment on the fav. peace and bless! ark
LM - it's so good hear you and esp to hear you in control of the situation in this song! That lower register you're singing in here is perfect for the theme and backing instruments. Powerful!
only thing i can to prev comments is that yr production values are superb - there's a really cool spaciousness here - for all the playing it never sounds busy. lovely music!
really digging this - i hear a 3-part structure that makes an interesting composition - only crit is that no switches were flipped on the pno til the very second, i would say there's room to play with that aco sound; not obliterate it but play maybe underneath it
terrific over-driven sound - i can only imagine that it's the kaos pad giving it that strange hand-held vibe - man, you know how to coax a spooked camel!
Thanks man, yeah the pad is a wonderful influence to the sound! im aiming for something different and i think this is quite the direction at least.. and nice chapel you got there, will take me some time to run through your books;)
i love this track. the drum section - placement, arrangement - is truly cinematic! man, my only crit is that the ratio of piano vs string is unfair - add second pno line!!
the strings are a bit intense but I consciously opted for a resonating synth string sound as opposed to normal sampled strings to give it that darker edge, and there is room for a second piano line, I didn't want to saturate it however, thought it was best to leave open.
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Cheers,
Jamie.
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Jamie.
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man you know how to end a track - that little click blew a fuse. i'm digging the twists and tweaking on this - y'know what might be fun on those tempo changes is jump-cutting to diminish the knob-twisting aspect as well as more subtraction/addition of the sound materials, not exactly dub-wise but weird the way you are - stay that way!!
Now, I'm not following you on "jump-cutting to diminish the knob-twisting aspect". What does that mean? I'm kinda new to this so lemme know what that means and I'll see what I can do.
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cheers
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the strings are a bit intense but I consciously opted for a resonating synth string sound as opposed to normal sampled strings to give it that darker edge, and there is room for a second piano line, I didn't want to saturate it however, thought it was best to leave open.
Glad you enjoyed though. thanks
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