Nice track dude really good ideas... i can see why you like it so much man...
are you using Ableton 7 or 8? i only ask because if your using version 8 i would recommend having a play with the new swing features cause they would sound wicked on the bass and drums you have on this one...
thx for review mate!
i use live 8...but i have installed it recently...still learning the ropes in it...i ll try the 'recommendation' ...but i only need to find those features :)...any tip? :)...thx again
cheerz mate
Hiya dude, yeah course fella.
its when the big sub kicks hit. takes the whole track over 0db and makes it distort.
As a rule of thumb i always have all my channels at -6db when i start, cause once you got all the sounds on at the same time its easy to go over into the red.
On of the best things i was ever told was.
"You dont need the channels to be loud, its the master that needs to be loud, so for gods sake turn everything down." lol, he was a bit mental tho.... :)
Nice version dude... really like the direction youve taken. synth work is really good man.
The only thing i could suggest would be to maybe alter the sound of the guitar bits a little, as they sound really keyboard, try putting a few sawtooth waves through guitar rig with a high resonance, because the chord progression youve used for the guitars is really good man, specially the ending. It was spot on.
Liked this alot, even tho it was a little short, just made me want to press play again, lol.
The only thing i would change (well apart from making it a little longer to save the play button, lol) Would be to pan the guitar esq parts that come in at the 56 second point, very quickly left, right left, right, with each pluck with a little pit of ping pong delay on it with all the bass cut off the delay. it will open the stereo field right up and sound awesome :)
Nice track man, your definately got your own style here and it works really well.
The only things i could hear maybe letting you down was the drum sounds, it may well be worth investing on something like stylus rmx and the backbeat expansion pack there amazing.. also may be worth adding a little something low in the back ground hi hat wise or an extra snare when the track comes back in at 1:27.
Altho the track works really well with out the above, loved it :)
Really like your tracks dude, they sound clear as a bell.
The arraingment is great and the sound are all spot on.
The only thing i noticed on your tracks is, there is no clear definition between what is a complimentary ambient background sound and what is a forground main sound. I mean everything sounds great,
well made,
well eq'ed,
well chosen
but there all driven quite loud and are the same levels, and i think it detracts a from the depth of sound, even tho there is ton's of potential depth there,
Wicked tracks and vocals tho dude,(im sooooooooooo glad theres no auto tune, most people dont know how to use it and it comes out bloody awfull, lol.) and id love to remix one of your vocals for a uk twist if you ever fancy it :)
Thanks for checkin' me out. I appreciate the input about the levels. It really helps me fine tune my work. If you wanna hear more, check me out on myspace.com/equehits .
Gotta agree with NEPAUL got a very Dwele, Slum Village feel.
I think the only things missing from your tracks is multi take vocals when i say multi take i mean like 15/20 takes of different parts and in different keys all layered up and panned around. also reminds me of a milder version of a uk artist called Tree, his tracks are done by a mate of mine, check him out.
Didnt really have a problem with the length of the track altho by having a track that long you need to compress it a hell of alot to get it on here and the audio quality has suffered because of it. also your kinda trying your best to get peoples ear time and i can see how the thought of sitting infront of a 10 min track can be off putting for some..
Ideas are great, the groove youve made is spot on and works really well with the pads and other parts you bring in and out as the track progress's.
Production wise, try to cut as many frequencys out as you can, eg take all the lows off the high sounds and the highs off the low sounds. and im not sure if it was side chain compression or just the kick a little to loud but the volume was a little un-tamed.
Aw hell dude, really nice track you've got here man.
The mix is clean and clear as a bell all the elements really knit together well.
The only thing i may have done extra would be to give the pads more movement specially on the parts like the beginning were its just pads n hats.
Also the second drop @ 4:29 would been a great place to stick an extra dirty wobbly bassline/leed to compliment the normal one.
Altho non of the above comments detract from what is a feckin awesome track dude.
Really like this track dude, loving the way it morphs as the track progress's. The beginning Almost sounds like some lost Quincy jones groove from the moog mad late 70's early 80's.
:D Spudsy I love your music man - so I gotta say I feel I have accomplished something to get a review from you, I really appreciate it!! Love the Quincy jones feel that you mentioned, you threw me even more into love with the opening! Cheers bro.
Nice swing on the drums dude, cool organ youve used on the track, everything fits together really well, even got the old school Marshall Jefferson 303 in there.
Could maybe use a few FX and things for the transitions but apart from that its a nice track dude, all you need now is someone like Daryl Pandy to smash the vocal and complete the whole chicago house feel :)
Nice track, the melodies are really great and all work really well together.
The only things i would probly change is, the synth pad that starts the track off is a little too weak to be the first thing you hear in the track. try making another copy of the pad and push it forward or back a couple of milli-seconds. Pan them a little left and right to create some stereo width and put a little bit of mild flange or chorus on them, bounce off a copy of them and add some distortion to mash them up. cut everything below about 300hz on the ditorted version and put them low in the mix below the others.
Also the kik drum could use a bit of work. try layering up some samples from any of the vengence sound collections, i was also taught a wicked little trick from someone right here on looperman, and that is to layer a quickly enveloped closed hi-hat over the kik low in the mix to help it cut through. if you dont have any of the vengence collections try sampleing a clean kik from Taio Cruz as he does alot of similer stuff to this track and it should fit in well.
Wicked track tho dude and with a couple of changes here n there its gonna be fire :)
The trumpets are wicked and really give the track a anthem feel..
I would probly raise the volume of the vox by a couple of db, and make a few multi track harmany takes, maybe 2 or 3 left and 2 or 3 right on the vocal parts you want to stand out.
also there are lots of pop's and splosives. i would probly recommend a pop shield for the mic, or failing that, pull a pair of tights over a coat hanger and hang it infront of the mic to stop the air hitting it so hard.
hello!
I listen to your tracks and i wanna say that they are really good! I like reggaeton very much. and your track has the synths! And i like that in reggaeton tracks. thanks for your comment. :) bye!
Nice track dude, really liking your choice of sounds and the arraingement is sweet, ahhh who cares if it takes age's to get into it. its suppose to be mixed in anyways, lol.
The only thing i think the track could be missing is a defineing moment, you know, a section of the track where the drums drop out, all the pads swell up, the leed comes in and the chord progression really gets to show off for a few bars before filtering back down again to the groove. Kinder like Axwell's recent remix of temper traps.
on To tha house beat by highz
are you using Ableton 7 or 8? i only ask because if your using version 8 i would recommend having a play with the new swing features cause they would sound wicked on the bass and drums you have on this one...
Ta for sharing fella :)
i use live 8...but i have installed it recently...still learning the ropes in it...i ll try the 'recommendation' ...but i only need to find those features :)...any tip? :)...thx again
cheerz mate
on Not In The Mood by TheDonMusic
its when the big sub kicks hit. takes the whole track over 0db and makes it distort.
As a rule of thumb i always have all my channels at -6db when i start, cause once you got all the sounds on at the same time its easy to go over into the red.
On of the best things i was ever told was.
"You dont need the channels to be loud, its the master that needs to be loud, so for gods sake turn everything down." lol, he was a bit mental tho.... :)
on DVickers - lost and found by essloe
on DVickers - lost and found by essloe
The only thing i could suggest would be to maybe alter the sound of the guitar bits a little, as they sound really keyboard, try putting a few sawtooth waves through guitar rig with a high resonance, because the chord progression youve used for the guitars is really good man, specially the ending. It was spot on.
Thank you for sharing dude:)
on Not In The Mood by TheDonMusic
The only thing i heard letting it down was the distortion on the loud hits.
Will sound even better once you get your studio all set up & move away from the Fruity loops man.
Ta for sharing dude :)
on sensitiveboyfriend by stewboss
Another good track man... and iv just noticed youve put another one up too been busy eh? lol.
Love the ideas you have and the style they are delivered...
Looking forward to hear these tracks your gonna produce for me fella ..Loving your last upload
on Outland by BushidoSensei
The only thing i would change (well apart from making it a little longer to save the play button, lol) Would be to pan the guitar esq parts that come in at the 56 second point, very quickly left, right left, right, with each pluck with a little pit of ping pong delay on it with all the bass cut off the delay. it will open the stereo field right up and sound awesome :)
Spuds :D
respect
on Losing Control by FeiLong
I thought it could maybe use a little bit of occasional raw low end bass but the tracks great as it is anyways :)
Spuds
on maninthemoonisthere by stewboss
on When He's Gone by Ronnback
Nice track man, your definately got your own style here and it works really well.
The only things i could hear maybe letting you down was the drum sounds, it may well be worth investing on something like stylus rmx and the backbeat expansion pack there amazing.. also may be worth adding a little something low in the back ground hi hat wise or an extra snare when the track comes back in at 1:27.
Altho the track works really well with out the above, loved it :)
on Laughin' (All The Way To The Bank) by iLLieSwitch
The arraingment is great and the sound are all spot on.
The only thing i noticed on your tracks is, there is no clear definition between what is a complimentary ambient background sound and what is a forground main sound. I mean everything sounds great,
well made,
well eq'ed,
well chosen
but there all driven quite loud and are the same levels, and i think it detracts a from the depth of sound, even tho there is ton's of potential depth there,
Wicked tracks and vocals tho dude,(im sooooooooooo glad theres no auto tune, most people dont know how to use it and it comes out bloody awfull, lol.) and id love to remix one of your vocals for a uk twist if you ever fancy it :)
Spuds
Much Luv
on rolling by stewboss
on maninthemoonisthere by stewboss
I think the only things missing from your tracks is multi take vocals when i say multi take i mean like 15/20 takes of different parts and in different keys all layered up and panned around. also reminds me of a milder version of a uk artist called Tree, his tracks are done by a mate of mine, check him out.
http://www.reverbnation.com/jkp
Also dude your verse's are really good and have a Just Jack sound to them...
Iv listened to 3 of your tracks now fella and havent hear a bad 1 yet. cheers for sharing :)
cheers mate
on The Groove by TechnoMike
Didnt really have a problem with the length of the track altho by having a track that long you need to compress it a hell of alot to get it on here and the audio quality has suffered because of it. also your kinda trying your best to get peoples ear time and i can see how the thought of sitting infront of a 10 min track can be off putting for some..
Ideas are great, the groove youve made is spot on and works really well with the pads and other parts you bring in and out as the track progress's.
Production wise, try to cut as many frequencys out as you can, eg take all the lows off the high sounds and the highs off the low sounds. and im not sure if it was side chain compression or just the kick a little to loud but the volume was a little un-tamed.
I liked it dude... more please:)
on Creepy Beat by AmnestieProductions
on Dopper by zEKO
The mix is clean and clear as a bell all the elements really knit together well.
The only thing i may have done extra would be to give the pads more movement specially on the parts like the beginning were its just pads n hats.
Also the second drop @ 4:29 would been a great place to stick an extra dirty wobbly bassline/leed to compliment the normal one.
Altho non of the above comments detract from what is a feckin awesome track dude.
Love it, Thanks for sharing :)
on Get Back in the House by CalifKen
Nice work :)
on Thats What I'm Talk'n About by JLofton
Could maybe use a few FX and things for the transitions but apart from that its a nice track dude, all you need now is someone like Daryl Pandy to smash the vocal and complete the whole chicago house feel :)
on maybe by FACTOR
Nice track, the melodies are really great and all work really well together.
The only things i would probly change is, the synth pad that starts the track off is a little too weak to be the first thing you hear in the track. try making another copy of the pad and push it forward or back a couple of milli-seconds. Pan them a little left and right to create some stereo width and put a little bit of mild flange or chorus on them, bounce off a copy of them and add some distortion to mash them up. cut everything below about 300hz on the ditorted version and put them low in the mix below the others.
Also the kik drum could use a bit of work. try layering up some samples from any of the vengence sound collections, i was also taught a wicked little trick from someone right here on looperman, and that is to layer a quickly enveloped closed hi-hat over the kik low in the mix to help it cut through. if you dont have any of the vengence collections try sampleing a clean kik from Taio Cruz as he does alot of similer stuff to this track and it should fit in well.
Wicked track tho dude and with a couple of changes here n there its gonna be fire :)
on Lights On by NEPAUL (Atomic Recordings Mix) by Atomicrecordings
The trumpets are wicked and really give the track a anthem feel..
I would probly raise the volume of the vox by a couple of db, and make a few multi track harmany takes, maybe 2 or 3 left and 2 or 3 right on the vocal parts you want to stand out.
Strong track tho dude.
on The Business Feat. Majesty- The Chance To Change by TheMajesty
Its a bit hard to hear you over the instrumental.
also there are lots of pop's and splosives. i would probly recommend a pop shield for the mic, or failing that, pull a pair of tights over a coat hanger and hang it infront of the mic to stop the air hitting it so hard.
Good effert tho fella. keep going :)
on Only Death is Certian by GRAVEFLOWERS
Anyways i agree with Coney, some of the sounds could use tweeking but nice piece...
yea i didnt have a good mic back then when this was recorded
on Conexión con tus ojos [EDIT-EDIT-EDIT!] by Dembow
Wicked track loving the synths and fx youve put into the piece, liking the change of mood @ 56: aswell
I dint hear this track before the new drums but these ones seem to work really well.
Nice one :)
I listen to your tracks and i wanna say that they are really good! I like reggaeton very much. and your track has the synths! And i like that in reggaeton tracks. thanks for your comment. :) bye!
on Fraternity by Avail
The only thing i think the track could be missing is a defineing moment, you know, a section of the track where the drums drop out, all the pads swell up, the leed comes in and the chord progression really gets to show off for a few bars before filtering back down again to the groove. Kinder like Axwell's recent remix of temper traps.
http://www.youtube.com/watch?v=aIDzHxb8b_s
Great track tho dude, really liked it :)
on Diggy Diggy Doo By Albert rd Recordings&billydubs by billydubs
If you need any help with anything (not saying im the best person in the world at production) but if i know it you can have it just ask dude..
Spuds :)