peopleareloudmovers

Another wonderful composition here. I have "Your House is Dirty" on a few mixes and have mixed it into a couple of sets at clubs in Western NY. I love your sound, such classy house with terrific melodies and a crisp sound. This, with vocals, is prime time. It's been a pleasure hearing your tunes, I'd love to have this track some day as well. Keep up the brilliant work!

Wicked, man. I'm working on a progressive house album at the moment, and you've got some great talent. Keep up the great work, I'm glad the community is up and running because there's such terrific producers like yourself on here. Cheers!

Sweet sound. Really enjoyable house tune, good sense of dynamics. Cheers!

Really loving this. Killer punch, excellent dynamics. I'm looking forward to more of your work. Cheers!

Nice movement. Loving the vocal glitch and dynamics.

happy effing hardcore.
love it.
the piano break = pristine.
that pitch shifting synth is nasty, i wouldn't change a thing about this track except to make it last for eternity.
i have no other great words for this, overall a killer production.
3...2...1... *spirals into oblivion*

phat beat, i'm not too familiar with hip hop, but this is definitely something i'd listen to. it's got this impeccable flow throughout, and the mastering of the sampled parts after slicing is right on.

good luck in the comp.

not a bad start.
it could use more of a buildup in the beginning,
some structure instead of monotony.
maybe a bass line and lead melody.
i could definitely expect someone to flow over it the way that it is, but from a production standpoint, it's a little dry.

give it some charisma.

using an mpc, techniques, and acid?
i wish i had the mpc,
i'd pump out fire with it.

put some more hours into it, i'll be glad to listen again.
peace.

horror-hop?

dark hip rappy malicious soul hop?

you know, this is wonderful.
the production quality is sound.
the lyrics are spoken like a true gentleman.
AND it kept me near giggle throughout.
i'm looking for more.
keep up the good work.

the cello's attack felt a little distant, especially when it first started, when you threw the quick fill in around 35 seconds or so. i feel the cello should be multi-layered, have one fairly bassy with mild overdrive. reducing the attack on the cello will do wonders for the tonality and intended melodic nature.

i'll skip the guitar as it has received enough praise, i don't feel there's much more i can add to that can of worms.

i'm not feeling much of the bass at the end when it's consistent. i feel that it's the culprit of the "crackle" and believe that the mastering for this part could be a bit softer and bouncy. it's got mild upright feel to it, i believe that you should stick with that essence of the sound as it adds to the persona of the orchestral scheme.

regarding the final product, it's generally a solid tune.
some of the mastering could be reworked...

then again, all songs could be remastered.

-palm

tremendous production for as new you are to the field.
you have a good grasp of structuring and mastering so far, now it's time for some substance.
i'm looking forward to your other materials, and i'll be sure to review honestly.

take care.

interesting track, the vocals are a great enhancement to the arrangement.

i love the style, a bit of a portishead vibe.
i'm looking forward to listening to more of your material, keep up the good work.

enjoyable glitch track.
the swooping beat in this track is lovely, and there isn't much i would change about the track.

the emphasis should be between the harmonious pads and the free-form beat.

in that little break around 1:50 i feel that the rush back into it could be a little more intense, however, the songs continuity shows no flaws.

the break around 2:45 shines, and the playful, almost brooding mood that ensues afterwords is tremendous.

overall this is a very relaxing and chill track, and i enjoy your current production as is. keep up the great work.

hey, you've got some good sounds started on this track, however, each sound needs more emphasis. you can achieve so by starting with a select few, one or two, and then gradually build on them.
then you have a lot of production capabilities-- you can build the drums, have different loops fade in and out, then you can add the booming bass you're looking for.

more of a gradual flow will help this become something you could definitely have someone lay down a vocal track to AND you could still keep it noisy and in-your-face.

i'm hoping you keep experimenting on this!
take a listen to some of my compositions if you need some inspiration.

peace.

you read in my profile, you will see that i'm not much into dancing.
this track is one of the few to make that statement untrue.

superb job.
i'm looking forward to more material.

i'll keep you bookmarked ;]
peace.

i really enjoyed this.
great production!
i'd like to hear some newer material!
i hope you're not too busy to upload them someitme.

take care!

very mellow feel.
i love that whining synth, it reminds me of the oil zone from sonic 2. that chill drumline is an effective base of this track, it had me nodding like crazy.

great overall song, keep it up.

loving the stretching going on in the first third.
fantastic submission!

i've run into that difficulty in fl.
what i do is i write one time signature,
save a copy and delete essentially everything except for the instrumentation.
change the time signature.
start writing the other parts.
and then combine them both.

it's a difficult process.
or you can just write the entire thing on the piano roll.
occasionally you can make different sections that will fit together--or you can use the 1/2 step tool in the playlist editor to try and line up the different piano roll signatures.

enjoyed the backdrop!

love it.
i was a bassist and vocalist for a few hardcore bands years ago, i would love to scream my head off to this...

excellent!

i really enjoyed this track.
the chill beat is great and pleasant early in the morning.
this sample-work is good, i like the whole structure, progression, and aura.

keep up the good work.

nasty work on this track, i love it. the bassline is ridiculous, and squarepusher is a great symbol for the presence this song gives off. i love the bluegrass feel as well. muy bueno!

loving the piano at the beginning, and the buildup is nice and otherworldly. i'd love to mess with that intro.