kingmt77

Thanks!

Those are actually 2 tabla loops I used and not congas but they do sound similar. Robin sent me a bass with a little wobble to it and it helped give it some movement in the mix.
Glad you like it!

Wayne

kingmt77, thank you for your kind comment. Always nice be appreciated by someone who knows their stuff. Made my day.

unfortunately had to factory reset my PC so it's definitely gone for good :( would've loved to work on it more.

thank you! you stay safe as well

Thank you , never thought about that but you're right

Thank you Kingmt77, I got in mind which vocals the track needs i will look for an artist who fits. Thank you for the feedback.

thank you kingmt77 :) i´m in the process to find mindself as an solo artist and expriment right now with more honesty in an digital age. I got myself the virtuell mix rack from slate and i really like the comp they offer. I dont have enough money for monitor speakers so i have to mix everything with headphones and i have to learn more. i´m a huge fan of your production. I send you good vibes.

Hello Mark,

wow, this is some pretty flattering comment, thank you so much. On behalf of Jynxz I can say we're glad you enjoyed it. But this was actually one of those tracks I was having great trouble to get it sound ok because of so many elements from different sources/different qualities. But I guess that's when you learn.

Cheers,

Micky

Thanks for your comment, friend
In my ear it sounded good and I inserted it as best I could.
a whole classic

Thank you very much kingmt77. I really tried to get better at mixing and not every production is good. I'm broke and i cant even afford monitor speakers but Andrew Schaps (goat of audio production) just use monitor headphones. So i think im on the right eay for modern production.

Thank you my bro that good letter

thanx bro

oldie ... :-)

handshake, Danke

I'm pretty sure your ears are better than mine.

You are correct, I took "tiny jam," "slices of funk," and three of jynxz's incomplete tracks' (with and without stems) and transposed/arranged them into this, adding a bunch of things of course.

Some of my older stuff (more last year) is actually intentional song structure avoidance (lots of key/tempo/instrumentation change), or two or three movements with their own motifs, within a 3-5 min framework (the average listener gets bored in about 45 sec to 3 min anyway).

The sax tone is pretty brittle, but I never had much of a creamy vibrato anyway, and the music doesn't really call for it.

Gotta be careful making stuff with jynxz, between the two of us it can go all modern-day "zappa" pretty quick.

Thanks for the listen and fav.

Gracias compañero Slinky, tu interés por la música es mutuo, yo también estoy descubriendo nuevos géneros gracias a ti. y eso es bueno, aumentamos así nuestro bagaje musical. Gracias por escuchar amigo mío. Buen día. Paz y salud.

Gracias amigo, me alegra que te haya gustado la pista. Que tengas un buen día. Paz y salud.

Wow, don't think I've had anyone use the word 'masterful' for anything I've written before. Thanks so much. Quite happy to move into this musical suburb with you lol

Mark, I love to hear that from you. Yes, I must confess that I'm always trying to make my tracks kind of danceable. So in this sense your friendly comment is double encouraging to me!

Regards,

Micky

Coming from my Sensei,

I guess all those "wax on wax off"
exercises are paying off.

Thanks for your listen and encouraging comments

PEACE...