crucethus

Hey Danke
Awesome that the whole family was dancing, my best to all of them.
Thanks for the props on the bass. That's the second Malmsteen quote on one of my songs in the last 2 weeks and it's freaking me out a bit as I am not that technically good.
If I spread joy with my music then lie is good.
Cru

Ironically I have been watching Punk Britannia on you tube the last few days. The clash were awesome, and if you were able to contact Joe, that would be an amazing feat since he passed on about 13 years ago. His voice may have decayed (oh that’s so wrong) a bit. I really enjoy writing and playing moving bass lines. This bass line is a different style for me. 3.20 is me slipping into a Alan Spenner style bass line for say a Roxy Music like song. Punk and disco were made for each other in a musical sense because of the simplicity of styles and chord structure it creates a lot of breathing room in the tracks to be creative with solos and moving bass-lines. IT's why the New wave, post punk, post romantic, synthpop movements in the uK became so big and then with the advent of the visual in MTV in the US, transplanted to North America as well.
One of my favourite tunes that embodies the spirit of this sound actually is from your home country by one of it's biggest stars ever. This tune from 1972 is before disco and drips with irony.
https://www.youtube.com/watch?v=_X_7iMHugXM&html5=1
I love the simplicity , the ironic anger of the nonsensical usage of English (Anglocentric voices prevelant in many euro-tunes at the time). and the subtle instrumentation throughout.
Always a pleasure
Steve

Aye the skeleton of sound, very profound.

I was emphasising the bass drum and high hat on this one and not necessarily the snare which would give you the more punchy feel that you are recommending. I could envision in the chorus adding a snare or even a sharp hand clap to it. The fun of building a song up from layers.
Thanks for listening and commenting
Cru

Aww thanks man.
u the best
Cru

Ahh you are too kind Bear.
Believe it or not the Keyboard I used
for this was a $199 Yamaha. Even the drums, but I used a most expensive Roland Guitar processor to make some of these sounds magical. Mixed on the fly on a 4 track Sony It was fun to revive this one with modern mastering.
"Another outstanding effort from one of the best musicians on Looperman."
is a very high compliment from a great musican yourself and I am humbly grateful for that.
All the Best
Steve

Details please?

Hey Mos
I'm sorry to hear you were in ill health, I hope you are doing better. This is disco with a sinister Post Punk Edge. I'm glad you stopped bye.
All the best Mate.
Steve

Thanks Alex.
these are the two songs that influenced this song.
https://www.youtube.com/watch?v=ib4-Lyxxyw0&html5=1
https://www.youtube.com/watch?v=X0C3DHp36zc&html5=1
I might make a third tune that follows this sound. we will see.
Steve

Thanks for that. it's sort of a leftfield school that was made popular by Roxy Music in the very early eighties.
Cru

juicy ehh? I'm glad u liked it. Originally the opening drums were very low in the mixbut I found that when I stabilized it to the rest of the song it worked better.
Cru

Thank you for that. Very nice of you to say.
Cru

Thank you that is very nice of you.

cool, then I did my job.

Thanks Man.

Fugestein yahh

done well, it likes you. ;)

Monsieur Loup.
Merci for the nice comments. "Whip" drum was my attempt at something new.

"Moving carpets" is a cool expression for the Pads.
"exactly half of the number-of-the-beast ... wow! firs the witches ...now this...what are you doing to me Cru?)"

As someone who doesn't believe in fairy tales, I assure you the 3:33 is just a coincidence. (Or is it Muoooohhhhhaaaaaahhhaaaaa.sic evil laughter fades out into a seriously dark reverb panned hall)

"Also the scales you are playing create little dissonances which prepare perfectly the chords in the next section."

Good Catch, I solo'ed in Fm over a Cm scale.

"PS: have you noticed that you are dangerously moving into the zone of MrNomad track's duration? ;-)"

Ahh no fears as most of his works are twenty minutes long chopped into segments. Myself I wrote this long before I listened to his work and I think I have only recorded one tune that exceeds the twenty minute mark.

ood to hear from you
Ciao

Cru..(666...illuminati....redrum...) Sorry bout that...don't know what came over me....oh yes I do...irrationality...good day. ;-)

cool!

Sorry for the late reply, thanks so much for that.

Sorry for the late reply my friend, such nice words and i hope all is well in your world.
Cru

"When the ancient Celts would make their knotwork, they would always intentionally leave a flaw. It was their opinion that the only thing capable of perfection were the gods. Once I heard that years ago, it gave me a new appreciation for flaws in our work. It keeps it human. It's almost a little more intimate"

very cool V

The Piano Intro came after the creation of the song and is based on the ending cinders of the song where you may hear a whisper of the piano rift. It was my first attempt at a Piano based intro and by the end I was so emotionally into the piece I was jammin hard on the keys and slightly touched off that wrong note. So I will keep it there to remind me that we are all flawed. And that that's OK.
Steve

Thank you. That makes me feel good that you listened again. Warm thoughts.
Cru