crucethus

Stews on. ;-)

Pot Au Feu du Musique ehh! Daleks, not so much. As much as I appreciate the Dr. Whoverse, let's just say it's a Metal guy meets a Brazillian girl and they are playing games with each other, no Daleks, no Death, just a mismatched couple of kids connecting.

Thanks Mate!

So, it was a Brazillian afro beat with touches of House and Moombahton with that metal crunch and as Phantom states a touch of Death. glad U liked and could bounce to it.

Lol, thanks. like: "it was a lovely day and the sky was a beautiful blue with a light touch of death". You made me chuckle

goeie
Thank you
it was fun to make and I am glad I impressed you ehh!

Thanks, new stuff is coming'

I miss Static Nomad, Miss you as well

Cool, Thanks

Merci!

No worries mate, thats what this site is for, experimentation and learning.

Thanks so much, sorry for the late reply!

OUT DEMON OUT!

Thank You. I appreciate that!

Thanks, Mate, starting to recover, my sense of taste and smell came back yesterday. Still feel awful though. 2weeks and the cough continues so I have that to look forwards to.

Thank you, my friend.

Thanks, Mate. The sound is key for me, and these little excerpts lead to something bigger later.

Thanks , Mate. The brain is all we really have sometimes.

Blessed are thou whom receive the Bass! ;-)

Thanks, Mate. Slowly recovering. Music history is important. you can't know where you are going until you understand where you have been.

Hey mate. So I have Covid right now. Sometimes when I write a song I want the music to tell a story. This story is about the brain fog that accompanies Omnicron. The first part of the piece is lush with sound, bass reverb, and syncopated percussion, then the Rhodes are atonal musically. It is meant to be annoying and off-putting just like I felt at the beginning of this virus. The middle is sort of the moment where you start to feel a bit better and the focus comes back, albeit very simply. hence the minimal funky feel of the base and the building guitar. Sort of a one-step at a time process. As we build to the end of the work, the guitars become more intricate and the synth pads bring some overall balance which is meant to represent getting back to normal. My goal with this piece was not to make a cool funk-dance piece that is easy enough to do (sic the second half). My goal was to tell a musical story. But you did pick out what you did not like and what you liked, so what I was going for fits your response. The double-time hat is a good idea and you are right it can break up the monotony of a long stretch. keep on sharing your thoughts mate!