What software do you use for mixing and mastering?
Your sound is really interesting, Im curious about your workflow. That way I can help you improve your sound a bit more, without you having to get overwhelmed trying to figure everything out on your own.
Saluti, Chris
I use Reaper. I create each track with the different instruments and adjust their volumes as I go. In this case, for example, the drums have no effects. What I did was create two identical percussion tracks with different sounds for kick, hi-hat, snare, etc. - very similar but distinct - and I tilted one track more towards the right channel and the other towards the left. This way, I had a more open percussion sound.
The vocals are completely untouched, just as the AI generated them with a slight reverb.
And the rest of the tracks - bass, violins, synths, etc. - only have their volume and panning adjusted, nothing else. Since using equalizers, reverb, delay, etc. was too complex for me, I found a VST called "Neutron 5 Elements by Izotope" which seemed simpler. By simply indicating the type of instrument playing on the track, it presets some parameters, making it easy to open up the stereo effect, apply dynamics, and so on. But I've realized that's not the solution. If I want it to sound good, I have to use specific effects for each element. This track hasn't been mastered at all. When it sounded good to me, I just rendered it to WAV and MP3, and that was it.
To learn how to master, I've downloaded Limited Z as a limiter, Youlean Loudness Meter to adjust the LUFS, and I'm undecided between two spectrum analyzers (Spectrum Analyzer and FreqAnalyst by Blue Cat). I'm also planning to use TDR Nova for equalization.
Seriously, don't waste your time with me. If I can't understand things by watching YouTube videos, I'm certainly not going to understand them this way, haha. Just your intention alone makes me feel like I'm on cloud nine, that artists like you dedicate your time to amateurs like me.
Thank you so much, Chris, really. I'll learn little by little. Besides, I take care of many very old animals (between 10 and 15 years old) that take up almost all my time. Each day I have a little time to see what's been uploaded here (I've become addicted to listening to all of you) and then watch YouTube videos to learn.
I revisited your track and it really stands out. Great job definitely worth pushing further.This track has strong hit potential.
The vocal performance is captivating, and the atmosphere is beautifully crafted for the genre. Theres a clear artistic identity here. With a refined mix and a polished master, this could easily stand alongside high-level releases. Great work this definitely deserves further development and exposure. The track has a solid foundation and strong emotional delivery. To elevate it further, the mix could benefit from more clarity and balance especially in the midrange and vocal presence. A tighter low end and more controlled dynamics would help. With proper mastering (EQ, compression, stereo image), it can reach a very professional level.
Thank you so much for your interest, I'm flattered.
The vocals are nothing special; I used AI because if I sang them myself, I know people would have nightmares for weeks, haha. With the help of ChatGPT, I adapted the lyrics I had in mind into English (I don't speak English) to make them sound good using different words.
Once I had the lyrics, I went to Suno.
I told the AI: "An a cappella female voice for a chill house track. The chord progression is B-Ebm-Db-G#m, tempo 120 BPM, each chord lasts 8 bars. A soft, ethereal, and sweet female voice with a warm and emotive tone. The performance is intimate and expressive, with whispered textures and clear pronunciation. Avoid excessive vibrato or an aggressive performance. Maintain a soft, calm, and hypnotic tone."
I also explained the song's structure to him and how he should interpret each part of it.
After several attempts, we came up with something I liked.
Thank you so much for your comment; it encourages me to keep trying. Right now I'm a bit stuck because for these first three songs I only worried about adjusting volumes and trying out some effects I'd downloaded. But thanks to the great advice I've received here, I've realized I have a lot to learn about mixing and especially mastering, which I've never done before. I've spent a couple of weeks watching videos about which plugins I need and how to use them, and honestly... I'm still confused; it's too complex for me.
Thank you for your comment; it encourages me to keep dedicating time to learning. I make very simple music, but it helps me put what I'm learning into practice and have some fun at the same time. Best regards.
hello my friend, this is a really nice piece of work, the vocal is stunning the music is beautiful with a great beat, Manuela's advice is spot on, she told me long ago about filling the stage the vocalist has its place and the instruments have theirs too. Its all about the balance of them put together, picture a band in front of you were the instruments sit and how the sound hits the audience, I'm sure you have been to enough concerts try and mix with that in mind you have your main work central and then overlays with right and left movements, stereo separation, cru also gave good advice, switching things down, lots of times it gives you more, although I think this sounds perfect so your not doing bad considering you say your still learning, a great piece you should be extremely proud of, it lacks nothing to my big ears
Thank you so much for your advice.
The vocals on the first two songs are by Odarka, whose voice I found spectacular. I created this vocal using AI because I wanted to express in the lyrics what I had in mind and adapt it to the chords I had already partially created. I find each process very complicated. Too many parameters and adjustments in the plugins. Many times I can't tell if it sounds better or worse when I change something; perhaps at my age my ear is no longer able to distinguish certain things. I started watching tutorials after Christmas, and in March I finished my first song, which I published here. In the next few days, I'll upload a new, very simple one, which I'm using to put into practice the advice you give me in the community about effects, panning, and things like that. And above all, to see what mastering is like, since I've never done it before. I'll wait for the community's advice on what I'm doing wrong.
I'm glad you liked it, and thank you for your comments.
Hello.
I'm very flattered by your interest in my song. The vocals and lyrics belong to Odarka, a member of this community. You'll need to contact her; I'll leave the link at the end. I'm sure she'd be happy to work something out with you. The music is mine, and I have no problem with you using it. The only thing I would ask is that you let me know how you'll be using it and, if it's for any kind of publication, that you include some kind of credit to me. I don't want any financial compensation. Just knowing that you liked it would be enough for me.
I'd be happy to answer any questions you may have.
Best regards.
Alright, so here is some basic stuff for you! Reductive eq. Do not push up, but actually down. If you want those snares to snap, reduce the 200 band down to get that. Lower the master volume when you put compression on it, you get a better dynamic value, as opposed to pushing the compression so much that you join the loudness wars. And annoy ears all around the world :-)
Thank you so much for taking the time to explain it to me. I'll keep your advice in mind as soon as I think of something new to create. I have an acapella of MansasWorld's "Before I Go" that sounds good for doing something different. I'll try your suggestions with it.
Ouaou this is a very special mix of Techno and 90s music. The vocals are very good. The composition of the music balanced. Nice to hear that. For your second piece, it is also very good. Regards Chris
In this second song, I used Odarka's voice again; it helps me create a melody. I make this kind of music because it comes most easily to me, and I also enjoy it. I'm not a musician, and I practically learn everything by ear. I use the circle of fifths to figure out which chords I can combine. At my age, I'm content simply enjoying creating and the satisfaction of having my close friends listen to what I do.
By the way, I appreciate your offer to send me the album when you release it, but I think what you do is so good that it should be paid for, which I'll gladly do.
Thank you very much for listening to my music and commenting on it.
Best regards, Juan Carlos
Great Tune Mate, Listen to Manuela. She is a pro. I think we need a little widening of the mix in the stereo field and a bit of compression on the main mix. I like the phased synth pads underneath. This has some great potential. Keep at this mix.
Thank you so much for your advice; anything that helps me learn is welcome. After reading Manuela's post, I searched on YouTube and understood that mixing is the adjustment of volume, panning, and effects (reverb, delay, etc.) that I apply while the song is still separated into tracks. And that mastering is the equalization and compression done once the track is exported to WAV. I've realized I've never mastered any of my songs; I thought that once exported to WAV, it was finished. I've tried compression with the TDR Kotelnikov VST, which is highly recommended, but I can't seem to notice any improvement no matter how many adjustments I make. I have no idea how to use it yet.
Thank you so much for your help; I'll keep trying. Best regards.
I'm so glad to hear that you joined this community because of the fantastic Odarka - a musician I greatly admire, but even more so, a wonderful person. And now that you're here, you're already a valued member of this small group.
As others have mentioned before, this song is very well arranged and thought out - it really lacks nothing. You wrote that you're still having some difficulties with mixing and mastering and want to learn more. But you've already done a great job with this track.
I can't give you any general advice, because every song and every instrument needs to be considered individually. But just like with composing, you'll develop your own style in the technical aspects over time.
Years ago, a brilliant sound engineer - who was also my musical mentor during my vocal training - gave me some advice that I've never forgotten. He said, "Mixing is the stage. You have to use it to its fullest." Just as every musician has their place on a real stage, every instrument has its place on the soundstage. Each one must be audible and locatable for the listener. It's crucial to decide which instrument should dominate at any given moment.
Be careful with effects - they can easily cause everything to become too muddy and the sound muddy. Left and right create the width of the soundstage; reverb and echo create the depth. In this sense, music is three-dimensional.
If mixing determines the placement of instruments in the listening space, then mastering is like stage lighting. It's even referred to as a sound image. And again: be careful with mastering effects - less is often more.
Another helpful tip: mix and master in several sessions. Give your ears a break. And when you think you're finally finished, put the song aside and don't listen to it for a few days. You'll often notice things afterward that you missed during the process.
If you have any specific questions, please feel free to contact us. We're happy to help if we can. There are some very competent technicians in this community one of them is TheFrenz. I think he can give you a lot of valuable advice.
I was so impressed by your message. It's clear you love music, not only because of the songs you make, but also because you took the time to answer me in such detail. I'll definitely keep your advice in mind. You're absolutely right about letting your ears rest before continuing. The first song I made, I was in a hurry to upload to thank Odarka for her contribution, and then a few days later, when I listened to it again, I didn't like how it sounded. It seemed to have too much bass. One of my problems is that I thought mixing and mastering were the same thing: adjusting the volume of each instrument, equalizing, adding reverb, etc.
I was so touched to read your message and see that there are people like you, even as professional artists, who care and dedicate their time to answering and helping people like me. Although we may have come to this world later in life, we're still excited to learn and create something that can bring joy and happiness to others.
Thank you so much for your advice and for taking the time to help me.
This is truly an amazing piece of work. This brilliant song is clearly made for a wide audience, so well crafted and beautifully performed. It is nothing less of a hit.
Best wishes, Anthony.
For a first time in music creation, youve done extremely well! ODARKAs voice is beautiful. The dance track is really great as well, and I have to say I was impressed when I read that this is your first piece. Congratulations! If you continue like this, I believe we will soon hear great things from you.
Thank you so much for your kind words. I had just bought the PC, keyboard, etc., and I didn't know where to start. Odarka's voice inspired me, and this is what came out. I guess it was beginner's luck, haha. Cheers!
Oh wow! this takes the word ethereal to another level, such professionalism and sound quality is off the charts. Beautiful! vocals and music are a match made in heaven. Remarkable work indeed & much Enjoyed! Bravo!!!
Thank you so much for your comment, it really encourages me to keep learning. But these are just tests while I learn chords, how to use Reaper and VSTs. Mixing, mastering, EQing, effectsthat's what I don't quite understand; it's really difficult for me.
Thank you so much. I'm glad you liked it. My voice is nothing special; it's AI-generated, unlike yours, which is real. I create the voice with the tempo and chords I choose, and that way I practice creating everything else myself.
i freakin feel you on this song yo thank you i needed this this afternoon best cheers let me know if you want me to remix i would love to work with you
Thank you so much for your comment, it made my day. I appreciate your offer, but I'm just learning and not at your level. However, you're free to download it and do whatever you like with the theme. Best regards.
Thanks, all the credit for the voice goes to artificial intelligence, hahaha. I just specified what kind of voice I wanted, the tempo, the chords in each measure, and which phrases I wanted to be more intense or calmer. All to adapt it to the music I was making.
on Breathing In The Light by juankar
Your sound is really interesting, Im curious about your workflow. That way I can help you improve your sound a bit more, without you having to get overwhelmed trying to figure everything out on your own.
Saluti, Chris
The vocals are completely untouched, just as the AI generated them with a slight reverb.
And the rest of the tracks - bass, violins, synths, etc. - only have their volume and panning adjusted, nothing else. Since using equalizers, reverb, delay, etc. was too complex for me, I found a VST called "Neutron 5 Elements by Izotope" which seemed simpler. By simply indicating the type of instrument playing on the track, it presets some parameters, making it easy to open up the stereo effect, apply dynamics, and so on. But I've realized that's not the solution. If I want it to sound good, I have to use specific effects for each element. This track hasn't been mastered at all. When it sounded good to me, I just rendered it to WAV and MP3, and that was it.
To learn how to master, I've downloaded Limited Z as a limiter, Youlean Loudness Meter to adjust the LUFS, and I'm undecided between two spectrum analyzers (Spectrum Analyzer and FreqAnalyst by Blue Cat). I'm also planning to use TDR Nova for equalization.
Seriously, don't waste your time with me. If I can't understand things by watching YouTube videos, I'm certainly not going to understand them this way, haha. Just your intention alone makes me feel like I'm on cloud nine, that artists like you dedicate your time to amateurs like me.
Thank you so much, Chris, really. I'll learn little by little. Besides, I take care of many very old animals (between 10 and 15 years old) that take up almost all my time. Each day I have a little time to see what's been uploaded here (I've become addicted to listening to all of you) and then watch YouTube videos to learn.
Best regards, Juan Carlos
on Breathing In The Light by juankar
The vocal performance is captivating, and the atmosphere is beautifully crafted for the genre. Theres a clear artistic identity here. With a refined mix and a polished master, this could easily stand alongside high-level releases. Great work this definitely deserves further development and exposure. The track has a solid foundation and strong emotional delivery. To elevate it further, the mix could benefit from more clarity and balance especially in the midrange and vocal presence. A tighter low end and more controlled dynamics would help. With proper mastering (EQ, compression, stereo image), it can reach a very professional level.
Thank you so much for your interest, I'm flattered.
The vocals are nothing special; I used AI because if I sang them myself, I know people would have nightmares for weeks, haha. With the help of ChatGPT, I adapted the lyrics I had in mind into English (I don't speak English) to make them sound good using different words.
Once I had the lyrics, I went to Suno.
I told the AI: "An a cappella female voice for a chill house track. The chord progression is B-Ebm-Db-G#m, tempo 120 BPM, each chord lasts 8 bars. A soft, ethereal, and sweet female voice with a warm and emotive tone. The performance is intimate and expressive, with whispered textures and clear pronunciation. Avoid excessive vibrato or an aggressive performance. Maintain a soft, calm, and hypnotic tone."
I also explained the song's structure to him and how he should interpret each part of it.
After several attempts, we came up with something I liked.
on Breathing In The Light by juankar
Its exactly my kind of music.
And if this is just your beginning, then the skys the limit.
Cheers
on Breathing In The Light by juankar
on Breathing In The Light by juankar
The vocals on the first two songs are by Odarka, whose voice I found spectacular. I created this vocal using AI because I wanted to express in the lyrics what I had in mind and adapt it to the chords I had already partially created. I find each process very complicated. Too many parameters and adjustments in the plugins. Many times I can't tell if it sounds better or worse when I change something; perhaps at my age my ear is no longer able to distinguish certain things. I started watching tutorials after Christmas, and in March I finished my first song, which I published here. In the next few days, I'll upload a new, very simple one, which I'm using to put into practice the advice you give me in the community about effects, panning, and things like that. And above all, to see what mastering is like, since I've never done it before. I'll wait for the community's advice on what I'm doing wrong.
I'm glad you liked it, and thank you for your comments.
All the best.
on Echoes by Odarka by juankar
I'm very flattered by your interest in my song. The vocals and lyrics belong to Odarka, a member of this community. You'll need to contact her; I'll leave the link at the end. I'm sure she'd be happy to work something out with you. The music is mine, and I have no problem with you using it. The only thing I would ask is that you let me know how you'll be using it and, if it's for any kind of publication, that you include some kind of credit to me. I don't want any financial compensation. Just knowing that you liked it would be enough for me.
I'd be happy to answer any questions you may have.
Best regards.
https://www.looperman.com/acapellas/detail/24206/echoes-by-odarka-125bpm-deep-house-acapella
on Breathing In The Light by juankar
Best regards.
on Echoes by Odarka by juankar
By the way, I appreciate your offer to send me the album when you release it, but I think what you do is so good that it should be paid for, which I'll gladly do.
Thank you very much for listening to my music and commenting on it.
Best regards, Juan Carlos
on Breathing In The Light by juankar
Thank you so much for your help; I'll keep trying. Best regards.
on Breathing In The Light by juankar
I'm so glad to hear that you joined this community because of the fantastic Odarka - a musician I greatly admire, but even more so, a wonderful person. And now that you're here, you're already a valued member of this small group.
As others have mentioned before, this song is very well arranged and thought out - it really lacks nothing. You wrote that you're still having some difficulties with mixing and mastering and want to learn more. But you've already done a great job with this track.
I can't give you any general advice, because every song and every instrument needs to be considered individually. But just like with composing, you'll develop your own style in the technical aspects over time.
Years ago, a brilliant sound engineer - who was also my musical mentor during my vocal training - gave me some advice that I've never forgotten. He said, "Mixing is the stage. You have to use it to its fullest." Just as every musician has their place on a real stage, every instrument has its place on the soundstage. Each one must be audible and locatable for the listener. It's crucial to decide which instrument should dominate at any given moment.
Be careful with effects - they can easily cause everything to become too muddy and the sound muddy. Left and right create the width of the soundstage; reverb and echo create the depth. In this sense, music is three-dimensional.
If mixing determines the placement of instruments in the listening space, then mastering is like stage lighting. It's even referred to as a sound image. And again: be careful with mastering effects - less is often more.
Another helpful tip: mix and master in several sessions. Give your ears a break. And when you think you're finally finished, put the song aside and don't listen to it for a few days. You'll often notice things afterward that you missed during the process.
If you have any specific questions, please feel free to contact us. We're happy to help if we can. There are some very competent technicians in this community one of them is TheFrenz. I think he can give you a lot of valuable advice.
Best regards, Manuela
I was so impressed by your message. It's clear you love music, not only because of the songs you make, but also because you took the time to answer me in such detail. I'll definitely keep your advice in mind. You're absolutely right about letting your ears rest before continuing. The first song I made, I was in a hurry to upload to thank Odarka for her contribution, and then a few days later, when I listened to it again, I didn't like how it sounded. It seemed to have too much bass. One of my problems is that I thought mixing and mastering were the same thing: adjusting the volume of each instrument, equalizing, adding reverb, etc.
I was so touched to read your message and see that there are people like you, even as professional artists, who care and dedicate their time to answering and helping people like me. Although we may have come to this world later in life, we're still excited to learn and create something that can bring joy and happiness to others.
Thank you so much for your advice and for taking the time to help me.
on Breathing In The Light by juankar
Best wishes, Anthony.
on By my Side - Odarka by juankar
on Breathing In The Light by juankar
Angel
on Breathing In The Light by juankar
on Breathing In The Light by juankar
on Breathing In The Light by juankar
I like it! Cheers!
on Breathing In The Light by juankar
on Breathing In The Light by juankar
on Breathing In The Light by juankar
Great beat and the vocal is perfect on it.
Its 6 in the morning here and i didd enjoy listen to your track with my first coffee.
on Breathing In The Light by juankar
on Breathing In The Light by juankar
on Breathing In The Light by juankar
on Breathing In The Light by juankar
on Breathing In The Light by juankar
on Echoes by Odarka by juankar