I really appreciate the attempt to write in Italian. "Multi" is wrong, "Molto" is right. But Multi Bella sounds good, i can use this as title for a song :D
Hi, Nicolo! You did a really good job on this track. I read your comment about all the work you did on the vocal. That sounds very familiar to me. Getting vocals cleaned up and sitting right in the mix can take a lot of work. Your arrangement/instrumentation was really nice. I think it fit the vocals very well. Chord progressions were very good.
I guess you've now properly translated nglaichan's comment. "Terrific" originally meant "frightening", but the meaning changed over time to mean "excellent". He was telling you that it was a really good track! And, I agree. :)
This is very, very cool...I felt that I'm on an Eurovision contest at around 1985...could be the winner song from the Italian side...:-)
never thought that someone could make stg like this with Baby's acapella...but i might not have thought that Baby can sing 80's of pops for years ...:-)
all in all, enjoyable productions at all levels and nothing wrong with that intro of course ...
Thank you very much, really appreciated! I'm glad you like it. To be true, i was inspired by a 2003 released song :) I must however recognize how, the final result, is much more '80s than I thought!
hello there only thing is there are a error in the intro part ohter then that you need to belive in your self. you are a really good at this. good luck
Hello, my human friend.
This track shows how talented you are.
Great use of instrument my friend.
I reserve the judgement on the vocal.
Wonder track.
Faves.
Maj
Nice song ... Terrific ;-)
It reminds me a bit of the early 80s pop songs, a very sweet melodies with a delicate arrangement. Well done.
Ciao, Domenico
PS: I refrained from commenting in Italian... but in case you should need a bass track for one of your songs, don't hesitate to PM me in our mother language!
When i read "terrific" i thought... "is my track so crappy? :( "... then i translated in italian and there are more positive meaning in that word... so, is terrible or faboulous? ahah Thanks!
That was a really nice mix Henry, have you ever looked into putting your music up for sync placement? This was so chill I felt like it would fit perfect in videogame like a megaman or something, don't take that the wrong way, that's a good thing, mega man has good music. I like to produce edm/electronic music too so I have looked into it a bit myself, that's why I ask.
English is not my language, so I don't understand what you mean by "so chill", sorry.
As for videogames, I never thought about it (and especially for this track, which consists of pre-recorded and subsequently assembled samples), as I never (yet) ever thought of submit my demos to some record company . This is because I never studied music, I can't play any instrument and I would consider offensive to all those who, instead, have studied music with great difficulty, creeping into the world of professionals (until I have learned to play at least one instrument ).
At the moment my job is another, I prefer to think of my music as a pure and simple hobby, far from market logic, sales numbers and various successes. I am satisfied that I like it mainly, and then to the listener. (It also applies to other types of professional use, soundtrack for video games, background music with youtube style, etc.).
In any case, the advice I give you is that you have to produce music that you like, regardless of the genre, believe in what you do even if it will remain a pearl that you only know, don't reason based on logics you are not (I guess) directly involved. You would just end up being a bad copy of something you've already heard. You will have to work a lot on the sensations that your music must transmit (especially to you), listen to and listen to millions of times the composition and never, never, never be in a hurry to release. I made this mistake in the past, realizing that I could do a lot better and that, very often, many good songs are underestimated because of details that are not taken care of.
Work on your feelings when you make music: if you put your soul into it, even the listener will realize it and appreciate it, believe me.
lol so I definitely got caught off guard with that.. I wasn't expecting to hear the Pop Blue progression for some reason so that was humorous to me.. Your piano was a bit wet and runny in a few points throughout but I think if you were to automate a light dither in those sections you'd do just fine.. It sounds like it's issue is it's given too much room by itself during it's runoff for each key/chord but I can also tell that the emptiness is intentional and it matches the character of the song.
Overall great work, clear, concise, not muddied, every element had it's place and character.. your arrangement was fun and pushed the song forward which was a good choice for the feel.
English is not my language, I hope I understand what you mean :) Although I enjoy giving advice to all users on how to improve their songs, since I am not a professional musician there are a lot of things that I still don't understand or i don't know about the "job" of making music. It is therefore obvious that there are certainly things to improve even in my compositions, although I think they are perfect :)
Said that, I think I understand where the problem you mentioned is: I should click on the "Cut itself" button, so the different played notes don't overlap in the decay.
As for "Blue", the clue was already in the title, so in the description I warned that I was using a famous song, but not which song! :)
Oh yes, the whole arrangement is derived from the feeling of discomfort and suffering that transpires from Patricia's performance ("When you loose something you can't replace", as Chris Martin sings on "Fix You").
You know, I like to change the state of things sometimes, I love the different points of view. Inserting the Blue piano loop into a song with a (too) poignant taste is a point of view unexplored so far, of that legendary song.
Sounds strange that you find it funny, it should have made you cry! : D
on Henry Pascal feat BabyGee - Answers by HenryPascal
on Henry Pascal feat BabyGee - Answers by HenryPascal
I guess you've now properly translated nglaichan's comment. "Terrific" originally meant "frightening", but the meaning changed over time to mean "excellent". He was telling you that it was a really good track! And, I agree. :)
Eric
on Henry Pascal feat BabyGee - Answers by HenryPascal
on Henry Pascal feat BabyGee - Answers by HenryPascal
This is very, very cool...I felt that I'm on an Eurovision contest at around 1985...could be the winner song from the Italian side...:-)
never thought that someone could make stg like this with Baby's acapella...but i might not have thought that Baby can sing 80's of pops for years ...:-)
all in all, enjoyable productions at all levels and nothing wrong with that intro of course ...
handshake, Danke
on Henry Pascal feat BabyGee - Answers by HenryPascal
on Henry Pascal feat Stepa K - Nothing Left by HenryPascal
on Henry Pascal feat BabyGee - Answers by HenryPascal
Thanks for the kind words.
on Henry Pascal feat BabyGee - Answers by HenryPascal
on Henry Pascal feat BabyGee - Answers by HenryPascal
No, I did not say the vocal is bad but I like your instrument work better.
Imho, I think is your best work yet.
Maj
on Henry Pascal feat BabyGee - Answers by HenryPascal
This track shows how talented you are.
Great use of instrument my friend.
I reserve the judgement on the vocal.
Wonder track.
Faves.
Maj
I did my best on..... not enough, it seems......
Don't mind, at least you like the instrumental!
Thank you my friend!
on Henry Pascal feat BabyGee - Answers by HenryPascal
It reminds me a bit of the early 80s pop songs, a very sweet melodies with a delicate arrangement. Well done.
Ciao, Domenico
PS: I refrained from commenting in Italian... but in case you should need a bass track for one of your songs, don't hesitate to PM me in our mother language!
on Henry Pascal feat BabyGee - Answers by HenryPascal
on Henry Pascal feat BabyGee - Answers by HenryPascal
on Discovering Ourselves Original 2004 Mix by HenryPascal
As for videogames, I never thought about it (and especially for this track, which consists of pre-recorded and subsequently assembled samples), as I never (yet) ever thought of submit my demos to some record company . This is because I never studied music, I can't play any instrument and I would consider offensive to all those who, instead, have studied music with great difficulty, creeping into the world of professionals (until I have learned to play at least one instrument ).
At the moment my job is another, I prefer to think of my music as a pure and simple hobby, far from market logic, sales numbers and various successes. I am satisfied that I like it mainly, and then to the listener. (It also applies to other types of professional use, soundtrack for video games, background music with youtube style, etc.).
In any case, the advice I give you is that you have to produce music that you like, regardless of the genre, believe in what you do even if it will remain a pearl that you only know, don't reason based on logics you are not (I guess) directly involved. You would just end up being a bad copy of something you've already heard. You will have to work a lot on the sensations that your music must transmit (especially to you), listen to and listen to millions of times the composition and never, never, never be in a hurry to release. I made this mistake in the past, realizing that I could do a lot better and that, very often, many good songs are underestimated because of details that are not taken care of.
Work on your feelings when you make music: if you put your soul into it, even the listener will realize it and appreciate it, believe me.
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
on Intoxicated by HenryPascal
Cru
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
There is a cool dark undertone to the track making it mysterious and deep and brooding. Well done!
Wayne
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
Overall great work, clear, concise, not muddied, every element had it's place and character.. your arrangement was fun and pushed the song forward which was a good choice for the feel.
Said that, I think I understand where the problem you mentioned is: I should click on the "Cut itself" button, so the different played notes don't overlap in the decay.
As for "Blue", the clue was already in the title, so in the description I warned that I was using a famous song, but not which song! :)
Oh yes, the whole arrangement is derived from the feeling of discomfort and suffering that transpires from Patricia's performance ("When you loose something you can't replace", as Chris Martin sings on "Fix You").
You know, I like to change the state of things sometimes, I love the different points of view. Inserting the Blue piano loop into a song with a (too) poignant taste is a point of view unexplored so far, of that legendary song.
Sounds strange that you find it funny, it should have made you cry! : D
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
on Henry Pascal feat Patricia Edwards - Makin me blue by HenryPascal
Complimenti & Saluti a Udine_____Orlando