Hi Chris!
Impeccable as always. If I like one song, I like the next one even more. The pacing you use to tell the story is perfect, the vocal emphasis at certain moments, along with the intensity of the guitar and drums at key points in the storyI don't know what else to say about your music. You should be a breakthrough artist at the Grammys, haha. And thanks for including the lyrics; the experience is completely different.
For example, last night when I was listening to "Rooms Without Echoes" and reading the story at the same time, I was imagining the music video in the style of that Bruce Willis movie "Sin City"black and white, comic book style, creating the atmosphere of that film to tell your urban story.
Congratulations!
Best regards, Juan Carlos
Thank you so much, Chris, for uploading the lyrics.
I was already in bed when I saw your message on my phone. I jumped up, turned on my PC, put on my MDR-7506 headphones (it's late here), and you have no idea how much I enjoyed being able to read the lyrics while listening to you again. The experience was incredible.
I loved the story and the way you told it: "This city hides its hunger behind the glow."
It's a pleasure to read someone who knows their stuff and can explain how they did things. Thank you.
I'm going to bed now. Good night.
Best regards, Juan Carlos
Amazing Chris ! i really wish that you make as far as the moon ! i don't need to say much about what is obvious that these guy got talent and great material , please visit them and lets help great bands make it to the top.
Dear Abner, thank you for your kind comments, as always. Thank you also for believing in us as a band, and personally, Im truly happy that you enjoy and appreciate our music.
As I mentioned to another friend here, were not kids anymore were at the age of Steven Tyler, hahaha. But 40 and more, years of experience help us first understand what we want to express, and then actually make it happen. Of course, almost everything you hear (except for two or three tracks) has gone through countless hours of work and experimentation. Some tracks only happened once naturally and those turned out to be the most beautiful ones. Youll hear them too, if youd like, now that Im uploading the final masters.
I want you to know that I deeply appreciate your music, and I consider you a great musician. Your opinion means a lot, especially to me, since Ive taken on the entire production of the album. Weve been preparing it for two years now together with the vocals, the adjustments, the pressure, and all the processing work alongside the other friends in the band.
As always... the sound quality, the performance, the composition, everything... The vocals are always spectacular, the guitar solo accompanied by the drums at 1:30 is simply breathtaking. I really liked an effect I heard in the vocals at 2:35, like the voice was being duplicated or layered. And from 4:00 onwards, the way the song gradually fades away, I loved it.
I can't translate spoken English and I love your work. I don't even want to think about the day I can translate your lyrics; I'm going to be blown away.
Best regards, Juan Carlos
Juan, I also sent you the lyrics. I had forgotten to include them. Well, let me explain everything. First of all, once again, thank you on behalf of all of us.
At 1:20, yesthats the point where the track truly gains identity, emotion, and intensity, not only sonically but emotionally as well. Up until then, I wanted it to feel like a transition from something subtle into a much more emotional listening experience. Like the scene weve been waiting for in a film.
At 2:35, its simply Nadines second vocal line processed through chorus, delay, reverb, dynamic EQ, EQ, and Altiverb 6, giving it space and presence, along with Melodyne to tune the vocals into the proper key.
The fade-out is mainly acousticwe gradually reduce the performance itself and then continue the fade on the console. At the same time, we increased the guitar amp volume, placing the microphone close to the monitor so we could capture the distortion feedback you hear underneath.
So thats how this track came together: with a lot of work and several dozen hours of recording. Saluti Chris.
Hi Chris!
Every track you release is fantastic. I love the vocal contrast starting at 2:37; I'd like to think you're two different singers, because if both voices belong to the same artist... the change in register is incredible. Congratulations on your professional work.
Best regards, Juan Carlos
Good morning, Juan. Thank you for the careful listening. The second voice belongs to our bassist, who always performs the backing vocals (and on one track he actually performs the entire song himself). These are the amazing voices we use throughout the whole album, and well also have them on the new one were preparing, "Industrial Stories" at least I hope nothing changes.
Once again, warm greetings and thank you very much for your time. Chris
Thank you, Dan. We were truly very lucky with the vocals. Even though weve been working together for for a long timeat least two years, since the project started-, the performances still excite me every timebeyond just having beautiful voices. Thank you, my friend.
Good morning, Sayam. Thank you. Here, the main vocals are shared between two singers. It was a deliberate choicemainly for emotional reasons, but also because of tonal balance. Since the track is emotionally charged, it might have felt a bit too neutral with only one voice, even though Steve is an amazing singer.
Thats why, around the 2:30 min, the role shifts to our regular backing vocalist, in order to emotionally change what the listener is experiencing. Because the goalespecially in this kind of musicis not simply for the listener to hear a song, but to feel the world of the track, to step into the role of the performer not as a singer, but as the protagonist within the meaning and emotion of the song itself.
on 6 - OH LOVER DONT YOU FEAR ME by LINEARFADE
Music is also amazing around it!
Great job as usual!
Cheers!
on 6 - OH LOVER DONT YOU FEAR ME by LINEARFADE
Impeccable as always. If I like one song, I like the next one even more. The pacing you use to tell the story is perfect, the vocal emphasis at certain moments, along with the intensity of the guitar and drums at key points in the storyI don't know what else to say about your music. You should be a breakthrough artist at the Grammys, haha. And thanks for including the lyrics; the experience is completely different.
For example, last night when I was listening to "Rooms Without Echoes" and reading the story at the same time, I was imagining the music video in the style of that Bruce Willis movie "Sin City"black and white, comic book style, creating the atmosphere of that film to tell your urban story.
Congratulations!
Best regards, Juan Carlos
on 6 - OH LOVER DONT YOU FEAR ME by LINEARFADE
on 6 - OH LOVER DONT YOU FEAR ME by LINEARFADE
on 2 -Rooms without Echoes by LINEARFADE
I was already in bed when I saw your message on my phone. I jumped up, turned on my PC, put on my MDR-7506 headphones (it's late here), and you have no idea how much I enjoyed being able to read the lyrics while listening to you again. The experience was incredible.
I loved the story and the way you told it: "This city hides its hunger behind the glow."
It's a pleasure to read someone who knows their stuff and can explain how they did things. Thank you.
I'm going to bed now. Good night.
Best regards, Juan Carlos
on 2 -Rooms without Echoes by LINEARFADE
As I mentioned to another friend here, were not kids anymore were at the age of Steven Tyler, hahaha. But 40 and more, years of experience help us first understand what we want to express, and then actually make it happen. Of course, almost everything you hear (except for two or three tracks) has gone through countless hours of work and experimentation. Some tracks only happened once naturally and those turned out to be the most beautiful ones. Youll hear them too, if youd like, now that Im uploading the final masters.
I want you to know that I deeply appreciate your music, and I consider you a great musician. Your opinion means a lot, especially to me, since Ive taken on the entire production of the album. Weve been preparing it for two years now together with the vocals, the adjustments, the pressure, and all the processing work alongside the other friends in the band.
Take care.
With respect,
Chris
on 2 -Rooms without Echoes by LINEARFADE
As always... the sound quality, the performance, the composition, everything... The vocals are always spectacular, the guitar solo accompanied by the drums at 1:30 is simply breathtaking. I really liked an effect I heard in the vocals at 2:35, like the voice was being duplicated or layered. And from 4:00 onwards, the way the song gradually fades away, I loved it.
I can't translate spoken English and I love your work. I don't even want to think about the day I can translate your lyrics; I'm going to be blown away.
Best regards, Juan Carlos
At 1:20, yesthats the point where the track truly gains identity, emotion, and intensity, not only sonically but emotionally as well. Up until then, I wanted it to feel like a transition from something subtle into a much more emotional listening experience. Like the scene weve been waiting for in a film.
At 2:35, its simply Nadines second vocal line processed through chorus, delay, reverb, dynamic EQ, EQ, and Altiverb 6, giving it space and presence, along with Melodyne to tune the vocals into the proper key.
The fade-out is mainly acousticwe gradually reduce the performance itself and then continue the fade on the console. At the same time, we increased the guitar amp volume, placing the microphone close to the monitor so we could capture the distortion feedback you hear underneath.
So thats how this track came together: with a lot of work and several dozen hours of recording. Saluti Chris.
on 18 - JOY CAME QUIETLY by LINEARFADE
every single piece is art. I mostly liked the atmosphere and the guitars that were trippy and unconventional.
Best regards, Anthony
on 18 - JOY CAME QUIETLY by LINEARFADE
on 18 - JOY CAME QUIETLY by LINEARFADE
on 18 - JOY CAME QUIETLY by LINEARFADE
Every track you release is fantastic. I love the vocal contrast starting at 2:37; I'd like to think you're two different singers, because if both voices belong to the same artist... the change in register is incredible. Congratulations on your professional work.
Best regards, Juan Carlos
Once again, warm greetings and thank you very much for your time. Chris
on 18 - JOY CAME QUIETLY by LINEARFADE
I love your vocal.
on 18 - JOY CAME QUIETLY by LINEARFADE
Best regards,
Chris
on 18 - JOY CAME QUIETLY by LINEARFADE
Bit of a Anathema feling!!!
Thanx for the upload!
Fistbump,
Danke
on 18 - JOY CAME QUIETLY by LINEARFADE
Thats why, around the 2:30 min, the role shifts to our regular backing vocalist, in order to emotionally change what the listener is experiencing. Because the goalespecially in this kind of musicis not simply for the listener to hear a song, but to feel the world of the track, to step into the role of the performer not as a singer, but as the protagonist within the meaning and emotion of the song itself.
Thank you once again.