Hello BeatJazz....just gave your track and listen and enjoyed it. Im not to familiar with this genre as much as others but think it's important to give a listen and appreciate others works....there's a lot of good material being produced by yourself and others. Once again good job my friend.
Wow, guitars on fire here! Awesome piece of music. I met your music with an excellent ballad just a few hours before and now I gladly discover it comes from Greece. Greetings from Athens, I am really excited with your music. I will soon listen to more of your works.
Best wishes, Anthony
Excellent. I am really excited with your song. I enjoyed the raw power of melody. It certainly is an absolute hit BeatJazz. Beautiful piano playing, Solid vocals but at the same time sensitive and as warm as a ballad needs. Not too many instruments and a clear mix. Bravo from me.
Best wishes, Anthony
Good evening and thank you very much for your kind words. I'm glad you liked our simple piece. On the piano, as almost always, is my son Dimitris and on vocals is a friend of ours, John, who we will probably have in our group. Thanks again my friend!
Hello BeatJazz.....I found your track to be quite interesting and well done.... a real serene and well done piano melody pushing good vocals. It's very nice, good job my friend.
what a cool project, it certainly spoke to me here in the usa watching the rise and fall and rising again of a beast. perfs are great, the reading is resonant. bravo to all
This piece is so expansive and space-consuming that it is not even remotely manageable with a single listen; at least not for me.
This can therefore only be a spontaneous, rather pitiful, inadequate attempt at an approximation (and if someone were to remark afterwards that even this attempt was hopelessly too much for me, I would have no objections) to do justice to the opulence, the density, the versatility of the instruments used, their mixture with and over/under each other, supplemented by the "dirty" voice that completes the integrity of the piece.
00:00 - ca. 01:05 > The "dirty" voice is particularly pleasing here
01:05 - ca. 02:35 > The "upright" guitar is simply wonderful!
02:58 - 04:11 > And again the "dirty, corrupting" voice...
You expressed "amazing artists" in your description: Yes, that is absolutely expressed!
It was a great pleasure for me!
Seelengold
P.S. Why didnt you choose "featured" for your song? Please make up for it! Then he'll get a lot more listeners, and he more than deserves them!
Steps: first setting "featured", then comment on a song and after that your song will be listed first under "featured".
This piece is so expansive and space-consuming that it is not even remotely manageable with a single listen; at least not for me.
This can therefore only be a spontaneous, rather pitiful, inadequate attempt at an approximation (and if someone were to remark afterwards that even this attempt was hopelessly too much for me, I would have no objections) to do justice to the opulence, the density, the versatility of the instruments used, their mixture with and over/under each other, supplemented by the "dirty" voice that completes the integrity of the piece.
00:00 - ca. 01:05 > The "dirty" voice is particularly pleasing here
01:05 - ca. 02:35 > The "upright" guitar is simply wonderful!
02:58 - 04:11 > And again the "dirty, corrupting" voice...
You expressed "amazing artists" in your description: Yes, that is absolutely expressed!
It was a great pleasure for me!
Seelengold
P.S. Why didnt you choose "featured" for your song? Please make up for it! Then he'll get a lot more listeners, and he more than deserves them!
Steps: first setting "featured", then comment on a song and after that your song will be listed first under "featured".
Thank you very much for looking at the piece with care and detail. Thanks for your review and I'm glad you liked it. It is also an honor for us to hear comments and reviews from musicians like you. Thanks on behalf of everyone who helped make this piece happen. Chris.
on Bertol Brecht An die nachgeborenen German version by BeatJazz
on Echoes in the Void - Guitar and piano version by BeatJazz
on Echoes in the Void - Guitar and piano version by BeatJazz
on Echoes in the Void - Guitar and piano version by BeatJazz
on Mavra Matia Fotia by BeatJazz
Best wishes, Anthony
on Mavra Matia Fotia by BeatJazz
on Echoes in the Void - piano version by BeatJazz
Best wishes, Anthony
on Echoes in the Void - piano version by BeatJazz
on From A German War Primer Poem By Bertolt Brecht by BeatJazz
on New breed of gangster by BeatJazz
This piece is so expansive and space-consuming that it is not even remotely manageable with a single listen; at least not for me.
This can therefore only be a spontaneous, rather pitiful, inadequate attempt at an approximation (and if someone were to remark afterwards that even this attempt was hopelessly too much for me, I would have no objections) to do justice to the opulence, the density, the versatility of the instruments used, their mixture with and over/under each other, supplemented by the "dirty" voice that completes the integrity of the piece.
00:00 - ca. 01:05 > The "dirty" voice is particularly pleasing here
01:05 - ca. 02:35 > The "upright" guitar is simply wonderful!
02:58 - 04:11 > And again the "dirty, corrupting" voice...
You expressed "amazing artists" in your description: Yes, that is absolutely expressed!
It was a great pleasure for me!
Seelengold
P.S. Why didnt you choose "featured" for your song? Please make up for it! Then he'll get a lot more listeners, and he more than deserves them!
Steps: first setting "featured", then comment on a song and after that your song will be listed first under "featured".
on New breed of gangster by BeatJazz
This piece is so expansive and space-consuming that it is not even remotely manageable with a single listen; at least not for me.
This can therefore only be a spontaneous, rather pitiful, inadequate attempt at an approximation (and if someone were to remark afterwards that even this attempt was hopelessly too much for me, I would have no objections) to do justice to the opulence, the density, the versatility of the instruments used, their mixture with and over/under each other, supplemented by the "dirty" voice that completes the integrity of the piece.
00:00 - ca. 01:05 > The "dirty" voice is particularly pleasing here
01:05 - ca. 02:35 > The "upright" guitar is simply wonderful!
02:58 - 04:11 > And again the "dirty, corrupting" voice...
You expressed "amazing artists" in your description: Yes, that is absolutely expressed!
It was a great pleasure for me!
Seelengold
P.S. Why didnt you choose "featured" for your song? Please make up for it! Then he'll get a lot more listeners, and he more than deserves them!
Steps: first setting "featured", then comment on a song and after that your song will be listed first under "featured".
on That Place vocal -from Steelyvibe by BeatJazz