Hello again. I can connect myself to this one. I love the rhythmic fluctuations and the sound exploration you're doing here. That Kawasaki synth sounds really powerful - it's a bit like a sampled guitar metal performance getting heavily processed in a real time according to the drum loop timing. It gives the impression of having some great playability. The ending and the beginning are very similar (apart of the actual length) so I like to think of this track as a conceptual symmetry kind of thing (apart of it's apparent chaotic synth jam quality which is cool).
Amazing work!
Hi there! Happy that you listened to this one! The instrument used is actually barely an instrument, and this was it's death rattle. It sat on my bench for years as a mass of wires and plastic. I did a few long sampling sessions while I still had it around. These got chopped to death later, and turned into this. Not exactly playable as an instrument, but as samples sets for sure! I don't know when this instrument disappeared, but there it went... The "valley" idea, and the corresponding experimentation around this time regarding "audio sculpture" were based on FL Studio's pattern block setup, which is no longer supported. I would make an image with the pattern blacks, each of which corresponded to a certain arrangement in the pattern. This was a more simple one, but "foodcrow" is a more complex one with a different instrument. Was a fun piece of history. Thanks for listening!
Thank you for leaving your words! I suppose one could call this long, though it is meant as sort of a chanted conjuration more than a pop track. I'm guessing you are more used to higher tempo and standard time signatures, so it may seem to last longer in that way. I'm glad you liked the different basses. Appreciate you stopping by!
Magnificent upgrade of the original, Pat ! It is well evident how much effort has been put into this unique and
creative piece of music....always something extraordinary
and inspiring from you guys ! Huge compliments and admiration! Faved !
Thank you Orlando for your continued support! In the case of this song, it almost feels as if there is no "original" version. It was one of the first time which I allowed someone to release a song with my vocals before I had released a version of it. Both are equally original and complete, and I'm happy I gave the "go ahead" as Promenade's version seems more universally acceptable (though it could be the timing in relation to the holidays and stuff). Hopefully we will work on more songs together in the future. Thank you for your words and the fave!
Thank you much for the kind words! It is very much a strange combination of instruments and influences, but I find that an odd sound represents me far more realistically than something familiar. Happy that you liked the guitar work, as I practised a lot for it... also reconditioned the classical guitar I played it on. Appreciate the comment and the fave!
Your version of the song is amazing! I had a chance to listen to it very briefly this morning but the great amount of new elements you introduced was absolutely impressive to me and of course a little overwhelming by that very first listening. You definitely might reached 100 tracks total limit when working on this version! haha
It is hard to comprehend all this considering how much this piece has evolved and how many changes have been created since 'MasterA'. I love all the subtle details you added whithin the frames of composition! There is still a kind of stylistical openness in the terms of space (which I find very cool) but at the same time there is so much happening along the track (I mean the great amount of patterns, ideas pointing very different directions).
Your vocals are cool - the apparent simplicity/repetitivity (regarding to the message and the way it's delivered) is very attractive to me - it's basically a spoken word only but still very melodic and very linear oriented. I am in love with the very raw sound of instruments and raw sound of human voice.
It is impressive how many new elements you introduced here - those are hypnotic, trancy synth layers! Very cool. Also the mix is so pleasant to listen to. Recently I tend turning all the volume knobs up to the extreme on every gain stage which seems to be a good way to detect 'true dynamics' and the 'distortion' on the audio (with the gentle help of the ears haha). Needless to say that most of looperman music can't stand it!
I believe that so called very 'future' of the music (and the future of the humanity in general) can only be driven/progressed somewhere further only that moment when the actual exploring of inner creative possibilities whithin one's human body-mind is happening (I mean if it's happening in that very 'now' continous space). I believe it is a very moment-by-moment kind of 'consciousness' thing only. That's a kind of a general thought of mine haha but I hope you will agree with me at this point.
I really enjoyed listening to your version of the song a lot. Thank you for giving me such a precious inspiration and inviting me to into such a creative crazy trip!
I will try to write more after taking a closer listening to your mix.
Thank you for always being one of the first to comment on my uploads! I don't know if it just the timing (holidays and all) or what, but your version received a far more spectacular response. With that in mind I'm happy that you released it!
There is a large variety of sounds in here, and that is partly thank to your contributions and influences. I'm particularly happy with the spontaneous additions added with my pss-470 keyboard (just got it). The FM sound of it really adds a different touch, and it is so fun to improvise on despite the mini keys (used to those).
This turned out more lyrically repetitive than my intentions, but by the time I realized it I was fond of the arrangement. I'm glad you like the general rawness... I tried to move things more in that direction with this version. That may be part of why this is not well loved.
I think the mix turned out pretty nice considering how many things are going on within. I've been trying to err on the side of quietude and dynamics lately. I'm just getting so fatigued by all the heavily layered brickwalled modern underground. It's hard for me to close my ears, you know what I mean.
I do agree about your "consciousness" comment. I was just speaking about a similar thing with a friend... my actions, not just in music, are often about changing and teaching by using the moment where energy and matter combine. I believe there are some parallels with what you were speaking about. A continuous stream of moments with decidedly and subtly life changing happenings.
I'm happy we were able to create a couple of songs together, and I think that it won't be the last time! Appreciate your words my friend!
I like warble you've got on it. Automation? Took a second to realize it's a bass guitar. I also like the tremmed vocals. The higher ones are pretty neat. The ending would make a great intro for the next track. Cut this track when the music ends, and make the last bit of vocals be an intro to the next track, which would have to be some ##### Speed Waltz, naturally.
Hey Evan, thanks for leaving a comment on this! I'm pretty sure there wasn't any automation on the bass, though it was several years ago. I'm thinking it was a combination of a Boss flanger and time stretching which arrived at that sort of tone. The high vocals are me as well, obviously manipulated! The next song on the album was actually fairly high tempo drum and bass, so I guess speed waltz is close (aside from the time signature from what I remember). I'm thinking about getting a new bass soon, but mostly for my wife to play, as she's getting back into it. I'd like to play more as well, I just think I'm far better at guitar (6 or 12 string). Thanks again for the listen!
This was fun and unlike the title I didn't feel like I was in a Traffic Jam. In fact I felt the opposite. Like I was speeding down a highway. Nice job.
Thank you very much for listening TV! As I've mentioned elsewhere in the comments, I didn't have anything in mind relating to vehicles when creating this song, in fact I could count on one hand the number of times I have actually driven a car. It's more along the lines of someone making a conscious choice to move aside, and allow someone to speed down the highway of life... an idea/action which seems to be becoming part of the past. The "trying to avoid a traffic jam" sample at the end was recorded from a real person in real life, so that makes it comforting to realize that is not a non-existent idea yet. Very happy to hear from you on this track, and to read your words!
came back for another listen. your stuff is intense and pretty advanced compared to mine so it is always an inspiration and a lot of learning. neat track. regards.
Hey Dan, thank you for listening again! I do have a soft spot for intensity of almost any kind... And "advanced" is a nice compliment! I would be disappointed in myself if my music wasn't somewhat advanced after this long. I actually find the composition pretty simple usually, but the supporting technology is advanced, which helps. I can only claim a little bit of credit for that part. It's always good to hear from you! Here's hoping you've uploaded something new!
Cool that it brought you back to the nineties! I actually did not know what jungle was in the nineties.... I was completely out of touch with media of any kind. Spent stoned days listening to bootleg concerts, jazz records, and folk music tapes mostly. No TV, no computer, not even a radio... or a bed for that matter, ha ha. Things are so different now. Thank you very much for listening and leaving your words!
Yo PMK, how's it been going? Great to see you visiting looperman every now and then! Glad that you enjoyed the listen! Songwriting wise, it's not my most special of late, but this one is always fun to hear. Thank you for leaving a comment!
Extremely clever with all drones and mods! Impressive work! The way you crafted this reminds me so much of the late great Frank Zappa. Any listener can tell the time and work you spent with the integration. The coloring is spot on!
Hey there madscape, thank you for listening and leaving a nice comment! I do appreciate cleverness of course! I don't know about the reference to "drones," as I don't remember inserting anything like that... I could be wrong. I totally dig the *idea* of Frank Zappa, though I have little experience actually listening to his work... just a bit of time spent on "Mothers Of Invention." Thank you for noticing the time put into this... when I think about the real time put into my recent works, it's a bit overwhelming. For example if you consider what went into modifying the HotKeyz which was the driving force in composing the track - I had that toy on the chopping block for almost ten years! I totally appreciate your kind words!
I'm so out of my depth making any useful contribution here but I always like the challenge of listening to music that isn't in my comfort zone. You challenge me every time and I keep coming back and listening. This is hypnotic and very well crafted. Love the little "oh oh" too. A sense of humour is always welcome. Great job.
Hey Richie, it's always good to hear from you! No need to feel pressure to give critique, as honestly I rarely go back and change things after uploading any more. I'm happy with the reactions to this song, as ##### electronic is not a very common listening preference, and yet most people who normally listen to my track are showing up to the party any way. I was having a hypnotic time in life in many ways, and it shows through in my work recently. That "uh oh" was from a field recording, and I should really find that kid to thank them... It adds a lot to the effect of the track. I appreciate you listening and leaving a comment my friend!
brilliant mix, Spiv. and the sounds are just crazy. Really you have evolved such a distinctive, cool style and sound. It's not easy to do. i wish i had the patience to let a track gestate for 11 months! good for you! big congrats on this! Dan
Hey Dan, thank you for taking some time to listen to this one! I'm pretty happy with it, and I'm also happy that people are enjoying the listen. It hasn't been so much of a matter of patience with my recent tracks taking so long, but more the vast amount of obstacles which crop up. I had to wash my brain out a little bit and do something totally different for the track I uploaded today, which has patching and recording take under three hours (live). I really appreciate your positive words!
Hey Spiv, dont think ive commented on one your tracks for a long time but had to this time..
Very creative and weird track, theres something very appealing to it that makes me want to bounce around in my chair and headbang haha
Im not a ##### electro type of guy (anymore) but this is friggin cool!..
Bouncing and headbanging is definitely one of the positive side effects of good #####, so I'm really happy to hear your words! I've tried so many times to create a believable ##### song, without much luck until now... it seems people are reacting well to it. I take no offence to weird, as I've always been a bit out there. Thank you for listening and commenting!
Hey, thank you for listening and leaving a comment! I actually couldn't name you a kraut rock band off the top of my head, so I'm not sure on that point. As far as 6am and coffee goes, I am totally right with you there. It's difficult to enjoy that part of the morning without a little coffee... get the cat some breakfast, then make some coffee. heh. I appreciate it!
hey spiv , nice choose of track name , im about to sleep but this hard stuff makes me dance ! i loved how you create an amazing track with simple repetitive melodies. Great!
Hey there, thank you for the listen and comment! As long as you weren't dancing in your sleep too much, I think the effects are okay. I limited the loops that I sampled from the hotkeyz for this, as I don't want to use up it's musical value right away, so that is part of the repetitive nature of the track. I wouldn't have thought of the title without the voice sample in the outro, it just seemed to work though. I appreciate your words!
Well, I was a teenager in the 90's so that makes perfect sense, but than considering the subject matter, I must assume that you mean the late 90's... I was not of this world in the late 90's so I can't say it was a big influence. I didn't really know what ##### was until the new millenium... was mostly listening to old jazz and folk in the late 90's. Either way, I take it as a compliment that it sounds "vintage" to you. Thank you for leaving a comment!
Hey Spiv! Good description, set me up for the listen. Holy cow, 11 months?
oh-ho, love that sample! There are some cool chopped vocal samples with heavy amounts of effects effectively popping up here and there. That and the synths you've manipulated go together great.
The overall production, to me, sounds like you captured exactly what you were going for, a low fi type of production but it's definitely not low quality. Let's not get them confused, this is quite a quality track and very different from almost everything else I hear at the loop. A bit like Gary Newman meets Devo, then genetically modified with your genes! lol
Hey Wayne, thanks for stopping by! I'd love to be able to label this song "Non GMO" , but with some of these vocal clips, I can't do that with a clear conscience. Really, the vocals clips are not very heavily effected, which is a bit scary. There are some very disturbing individuals around this town I call home. I've been trying to make a decent ##### song for a long long time, and I think this is about the best yet... I'm going by the observation that this is #2 for plays and #1 for comments within the genre here on looperman today. You're quite right, low fidelity and low quality are not the same thing. It's good that it doesn't sound like the every day looperman track offering to you. I really have never enjoyed Gary Numan, and have no real opinion of Devo (I like Mothersbaugh though). From what you said, it sounds to me like I impregnated them, then they bred a child which was this song... creepy image. Thank you for listening and leaving your words!
That's very kind of you to say! They took many forms through the time I was working on the song, some of which are still represented in this final version. I appreciate you listening and leaving your words!
Hey, thanks for stopping by to listen! Honestly, I have always thought of ##### as a precursor to jungle whick was kind of a precursor to modern DnB. I honestly don't know what a DnB mix of this would entail. I don't really do remixes of my songs lately, so don't hold your breath. I appreciate you listening and leaving a comment!
on Valley by Spivkurl
Amazing work!
on Premonator With Promenade2239 by Spivkurl
on Premonator With Promenade2239 by Spivkurl
creative piece of music....always something extraordinary
and inspiring from you guys ! Huge compliments and admiration! Faved !
All the best______Orlando
on Premonator With Promenade2239 by Spivkurl
what an oddly weird sound - and I mean that in a good way! I really like the guitar and I am really really digging that outro; it all seems to work.
I like it, fav!!
-R.P.S
on Premonator With Promenade2239 by Spivkurl
Your version of the song is amazing! I had a chance to listen to it very briefly this morning but the great amount of new elements you introduced was absolutely impressive to me and of course a little overwhelming by that very first listening. You definitely might reached 100 tracks total limit when working on this version! haha
It is hard to comprehend all this considering how much this piece has evolved and how many changes have been created since 'MasterA'. I love all the subtle details you added whithin the frames of composition! There is still a kind of stylistical openness in the terms of space (which I find very cool) but at the same time there is so much happening along the track (I mean the great amount of patterns, ideas pointing very different directions).
Your vocals are cool - the apparent simplicity/repetitivity (regarding to the message and the way it's delivered) is very attractive to me - it's basically a spoken word only but still very melodic and very linear oriented. I am in love with the very raw sound of instruments and raw sound of human voice.
It is impressive how many new elements you introduced here - those are hypnotic, trancy synth layers! Very cool. Also the mix is so pleasant to listen to. Recently I tend turning all the volume knobs up to the extreme on every gain stage which seems to be a good way to detect 'true dynamics' and the 'distortion' on the audio (with the gentle help of the ears haha). Needless to say that most of looperman music can't stand it!
I believe that so called very 'future' of the music (and the future of the humanity in general) can only be driven/progressed somewhere further only that moment when the actual exploring of inner creative possibilities whithin one's human body-mind is happening (I mean if it's happening in that very 'now' continous space). I believe it is a very moment-by-moment kind of 'consciousness' thing only. That's a kind of a general thought of mine haha but I hope you will agree with me at this point.
I really enjoyed listening to your version of the song a lot. Thank you for giving me such a precious inspiration and inviting me to into such a creative crazy trip!
I will try to write more after taking a closer listening to your mix.
Best to you, Alex
There is a large variety of sounds in here, and that is partly thank to your contributions and influences. I'm particularly happy with the spontaneous additions added with my pss-470 keyboard (just got it). The FM sound of it really adds a different touch, and it is so fun to improvise on despite the mini keys (used to those).
This turned out more lyrically repetitive than my intentions, but by the time I realized it I was fond of the arrangement. I'm glad you like the general rawness... I tried to move things more in that direction with this version. That may be part of why this is not well loved.
I think the mix turned out pretty nice considering how many things are going on within. I've been trying to err on the side of quietude and dynamics lately. I'm just getting so fatigued by all the heavily layered brickwalled modern underground. It's hard for me to close my ears, you know what I mean.
I do agree about your "consciousness" comment. I was just speaking about a similar thing with a friend... my actions, not just in music, are often about changing and teaching by using the moment where energy and matter combine. I believe there are some parallels with what you were speaking about. A continuous stream of moments with decidedly and subtly life changing happenings.
I'm happy we were able to create a couple of songs together, and I think that it won't be the last time! Appreciate your words my friend!
on No More Free Mix 2 by Spivkurl
I like warble you've got on it. Automation? Took a second to realize it's a bass guitar. I also like the tremmed vocals. The higher ones are pretty neat. The ending would make a great intro for the next track. Cut this track when the music ends, and make the last bit of vocals be an intro to the next track, which would have to be some ##### Speed Waltz, naturally.
on Traffic Jam by Spivkurl
tv
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
https://www.looperman.com/tracks/detail/169046
on Nightr8 by Spivkurl
on Traffic Jam by Spivkurl
-EYEDYE
on Traffic Jam by Spivkurl
I'm so out of my depth making any useful contribution here but I always like the challenge of listening to music that isn't in my comfort zone. You challenge me every time and I keep coming back and listening. This is hypnotic and very well crafted. Love the little "oh oh" too. A sense of humour is always welcome. Great job.
Richie
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
Very creative and weird track, theres something very appealing to it that makes me want to bounce around in my chair and headbang haha
Im not a ##### electro type of guy (anymore) but this is friggin cool!..
Nice one man!
on Traffic Jam by Spivkurl
It's also 6am, so my take may change once I have some freakin coffee.
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl
oh-ho, love that sample! There are some cool chopped vocal samples with heavy amounts of effects effectively popping up here and there. That and the synths you've manipulated go together great.
The overall production, to me, sounds like you captured exactly what you were going for, a low fi type of production but it's definitely not low quality. Let's not get them confused, this is quite a quality track and very different from almost everything else I hear at the loop. A bit like Gary Newman meets Devo, then genetically modified with your genes! lol
Always a pleasure!
Wayne
on Snake In The Past by Spivkurl
on Traffic Jam by Spivkurl
on Traffic Jam by Spivkurl