now that´s the funk we all love from the seventies with an awesome riddim section. this is awesome Bleep. & that subtle keyboard and the oohs and ahhs work great in the back of the mix. The wah work is sublime. Then itś a synth sax....
Nice work my friend
Cru
Cool feedback here, thanks for that! you're right, the sax is not real, but it was necessary for me to include this kind of instrument in this track... how to explain it... like a warmy desire lol
actually i've read nothing about the bass line. Strangely, i love it and it was my starting point :)
What a nice surprise....different in the best of ways..I love finding this kind of creativity in a world full of canned commercial muzak....perhaps experimental enough that it would not appeal to those accustomed to listening to the radio, but most interesting to me and those of us who seek music from creative minds that step aside from the usual and do their own thing,,,,,well done Bleep.....Ed
Thanks a lot Ed for this personal comment which is full of sincerity, be sure i really appreciated it even if i took time to answer you (i was on holiday :))
This is fantastic! A melting pot of musical genres, well executed piece. I can hear all the instruments clearly. The guitar work is great, love that funky wah wah pedal! Great guitar to start the song off with. Sax is a great touch, nice reverb on it. I like the small vocal snippets that are in there too.
Fantastically interesting piece Bleep.
Something told me at the beginning that it wasn't going to work.
Works great and the crisp clarity really helps it shine.
Inspirational too.
One your best for me this one.
reggae rock vibe with a fantastic funky jig, then the vocals with the synth strings and bang the guitar gets all jazzy with that bluesy oboe sound .. Class !!
I was really take aback when the guitar started, very cool intro! The guitar work really captured me, the bass was well done too. I hear many different styles of music in this track which intrigues me when I listen and want to hear something not typical and cool. The vocals were totally unexpected but fit with the rest of the track which was much of the same, it all comes together though.
i apologize for the mate answer! thanks a lot Wayne for this feedback, it's always important to know the listeners feeling!
each time i try to work on unsual tracks, i don't want to close my mind on a particular genre or style! it's my own choice and be sure in my desk, there's a lot of unfinished tracks ( i wrote "RIP" on their faces lol)
I see a lot of talent, but I find no 'center' to the track where I can listen, set back, and get comfortable with the sounds I'm hearing. But then again; I'm older and perhaps, comfortable' is not what you were looking for. LOL. But either way, I see talent, even if it ain't my cup of tea.
Thanks Bubba for your words, even if i understand the meaning of your comment, there's one thing which wonder me, it's the word "center"; you wanted to talk about how the song is built?
Your tunes always give me such a good vibe and such pleasure. This is the first song I've commented here in quite some time now, and it's only because I can't resist but come looking for your music... then resisting the urge to credit you with the good feelings is even tougher! Keep composing awesome music!
Hey Spiv!! here you are! it made a long long time without seeing you! what happens bro? are you in trouble? i hope no!! i'm really glad to read you and I cross fingers that your fourth album soon goes out!!!
I know Primus, i discovered them thanks to Spivkurl who spoke me about this band! The bass player, Les Claypool, is really very impressive in his style of game. You're right about the experimental approach of this track and i'm glad to read you dig it :)
Thanks for your comment which is really appreciated
Bleep
Thanks for your comment in french! for the vocals, of course, i wanted to give this track an oriental direction! Africa is the cradle of the humanity ;)
May be your already heard "No Quarter: Jimmy Page and Robert Plant Unledded" (1994) which influenced me. The music is universal and we should us inspired by this obvious fact. Barriers create the exclusion in a period when on the contrary we have to get closer and live, all, in harmony
on Brainspotting by BLEEP
on Paradis Artificiel by BLEEP
Nice work my friend
Cru
Cool feedback here, thanks for that! you're right, the sax is not real, but it was necessary for me to include this kind of instrument in this track... how to explain it... like a warmy desire lol
actually i've read nothing about the bass line. Strangely, i love it and it was my starting point :)
thanks bro for listening ;)
Bleep
on Paradis Artificiel by BLEEP
Great Job my friend.... Keep it up!
Ronabo
Bleep
on Istambull Dog by BLEEP
Bleep
on Paradis Artificiel by BLEEP
thanks for feedback
bleep
on Paradis Artificiel by BLEEP
Ca Sonne live ! Est ce que tu es un musicien live ?
Bonne musique à écouter. J'aime bien le groove de la basse. Ca se laisse écouter tout seul !
Tu travailles avec quel matos ?
A bientôt
alors je suis bassiste et la quasi totalité des lignes de basse de mes morceaux je les cherche sur ma basse et ensuite je les enregistre avec soundforge. Une fois capturée, je l'envoie dans recycle qui est le module de reason (mon logiciel de musique) et qui permet de travailler chaque mesure et chaque temps de la loop. Une fois terminée, j'ai plus qu'à injecter mon fichier dans une machine de reason et lui créer une piste que je mêle à celles des autres instrus.
Pour les autres instrus, je les joue sur un synthé relié en mode esclave sur ma carte son et mon son est en prise record direct dans reason. J'ai juste quelques petits soucis de latence mais je recale tout derriere sans probleme.
Pour les drums, soit j'utilise des loops deja construites (et qui peuvent etre retravaillées) soit je les crée moi meme avec des banks de sons via un module de reason: le redrum.
Pour les sons d'instrus spécifiques comme le saxo, je n'utilise que des vrais sons de cuivre parce que j'aime pas trop quand ca sonne synthetique.
Voila en tres resumé comment je travaille mon son :)
Et toi?
au plaisir de te lire
Bleep
on Paradis Artificiel by BLEEP
on Paradis Artificiel by BLEEP
Dig it! Gonna dl it so thank you for sharing!
Wayne
Bleep
on Paradis Artificiel by BLEEP
Something told me at the beginning that it wasn't going to work.
Works great and the crisp clarity really helps it shine.
Inspirational too.
One your best for me this one.
I'm really glad to read you!!
In fact, it's true i melted several influences in this track with the danger of fail in the result! fortunatly, it seems not to be the case!
Bleep
on Paradis Artificiel by BLEEP
of course there's several influences in this track and it's always difficult when it's time to publish it, to find the right genre lol
big thanks for your comment, it's really appreciate!
Friendly
Bleep
on Burning in my soul by BLEEP
Bleep
on Istambull Dog by BLEEP
It rocks!
Wayne
each time i try to work on unsual tracks, i don't want to close my mind on a particular genre or style! it's my own choice and be sure in my desk, there's a lot of unfinished tracks ( i wrote "RIP" on their faces lol)
Bleep
on Istambull Dog by BLEEP
Bleep
on Istambull Dog by BLEEP
Collab is ok for everyone who wants! i can send by email each instrument track in *.wav
Bleep
on Istambull Dog by BLEEP
Bleep
on Istambull Dog by BLEEP
thanks for sharing your feeling
bleep
on Istambull Dog by BLEEP
on Brainspotting by BLEEP
on Capucine by BLEEP
Bleep
on Capucine by BLEEP
bleep
on Istambull Dog by BLEEP
Bleep
on Istambull Dog by BLEEP
Thank you Arloph for the comment
Bleep
on Istambull Dog by BLEEP
huge work, handshake, Danke
I know Primus, i discovered them thanks to Spivkurl who spoke me about this band! The bass player, Les Claypool, is really very impressive in his style of game. You're right about the experimental approach of this track and i'm glad to read you dig it :)
Thanks for your comment which is really appreciated
Bleep
on Istambull Dog by BLEEP
Il y a beaucoup de genres dans cette composition, et tout sont super.
J'aime particulierement la voix a 1:35.
Bravo!
Thanks for your comment in french! for the vocals, of course, i wanted to give this track an oriental direction! Africa is the cradle of the humanity ;)
May be your already heard "No Quarter: Jimmy Page and Robert Plant Unledded" (1994) which influenced me. The music is universal and we should us inspired by this obvious fact. Barriers create the exclusion in a period when on the contrary we have to get closer and live, all, in harmony
Thanks again! friendly,
Bleep
on Istambull Dog by BLEEP
Great to read you enjoyed the concept. This kind of track is full of possibilities if i consider an extended version lol
Thanks a lot
Bleep