the47

It the reason i love to use massive, it's has such a powerful sound and you can make so many great bass line with it!

Cheers!

I didn't synthesize it. It's just a didg patch in a bit of Propellerheads Reason software. No skill on my part there. However, I have actually synthesized a didg in another track that's on this site. Listen of course to the whole thing as it's one of my best (and I made it about 13 years ago when I was 20) but check out the part between about 1:53 and 2:45. That is pretty much a synthesized didg. I was using a hardware vocoder. My two sound sources were my voice into the mic and a synth clarinet patch. So there are clarinet notes that I'm modulating with my voice. If you think about it, clarinet plus a human voice is not far off what a didg is. I had no intention to synthesize a didg (I'm not that clever), it just came about from messing around with sounds and patches. Actually, I think I need to set it up again as it's pretty cool.

drums and guitars is real.

Glad you liked the realness. The sax is pretty much the first instrument appearance by another musician on one of my tracks in the 13 or so years I've been making recorded music (I wish there were more). It's just a guy I know doing an evening session into a Shure SM57 mic so very basic. The banjo is played by me and just recorded into that same mic, then just a bit of delay added to it. Various FX at certain points to make the sax do more (eg a retrigger effect to make it sound like he's playing more notes than he is as well as the obvious delay at certain key points). Guitar is pretty sparse for me on this track as I usually play a hell of a lot more and have different intertwining guitar layers. Good fun merging all the various genres and moods but I think I've made them fit and there's nothing too weird or drastic. I cannot think of any banj-metal I've ever heard, can you? When I got the banjo a couple of years ago I decided I must do banj-metal, just because it's a funny word. I also decided I must do drum 'n' banj, for the same silly reason,and I've also done that (track not yet online). My best quality stuff is not on this site but, of what there is, I'd recommend next going for Knee Deep In The Cosmic Overwhelm or Circular Motion. Happy listening and let me know you make of them as feedback really helps me improve and feel a bit better about what I do.

thanks man!!! definitely will. like your work too

47,

Yes I did try a far right/left pan on the track but it made it lose the feel and left it feeling a little empty.

Mark.

lol thanks, yeah me neither, im terrible at singing so i only make beats

Thanks bro for the comment been a while since I have been on here but if you have the chance to tell me what racist lyric I said I'd gladly explain it to you I have only presented facts bro. I can only be responsible for the words I say, not for what you understand.

no hard feelings bro. thanks 4 the opinion. i'm still having a hard time either ducking behind the music or the music ducking behind me. i just needa work more at it soo ya homie i wouldn't mind collabing sum time 4 sho! hit me up

thanks Afrikaan..

Thanks for listening and leaving comments.
I called the tune what it is because that's what the sample says. It just seemed to make sense at the time.
FR

thx for the comment, just made may day XD

you know, I only use numbers in titles (and pseudonyms) as some kinda joke and to give it something technocratic, If I wanted to I could give the whole title as only numbers by simply using some ciphering XD

...on a second thought: I really have to do that at least once... next track-name is gonna be ciphered

thanks

I know its hard to make be it metal,rock without the proper tools but that shouldnt be a reason for not trying.
As for the guitar its not even on my plans but you never know.
Thanks for taking the time.

Nelson

lol, thank dude. i dunno, i was thinking about re-writing these rushed lyrics. i might do it. and thanks for your comment

Thanks you ! :D