This is so good! Immediately wanted to hear it again. Just the right amount of everything, and production is very tight. If you ever want vocals I'd love to get on something like this!
Hi Austin, I am very happy that you like it. The funny thing is that I only heard your original track when my version was finished. And I was also surprised at how different the expression of the two versions is. If you have more Accapella tracks, please let me know. I am always looking for new musical experiences. Best regards Uli
This is great! A good sax-lead song is very much appreciated every so often, definitely an underused instrument these days. But it works so well! Nice work!
Hey - Brado and I have worked together before on a track that never came to fruition, but I'd definitely love to try at it again. I agree that our styles work well together, he definitely makes my kind of music! :)
Really nice! Could see this being a track being on the radio with the right melody on top. It's 80s without being too obnoxious about it as some people are doing lately, great work!
This is really, really cool. Manages to be forward-thinking and a little retro, I really dig it. Could definitely see this being the backdrop for a cool video project or something, but it works excellently on it's own. And more so than a lot of other work on here it really works a strictly instrumental piece and gets a really good balance of complexity without being overbearing.
Yes, I think it is quite forward-thinking and futuristic. I'm guessing that it's the drums that you found retro. Perhaps they're reminiscent of some 90s dance music. They're probably quite old drum loops so that makes sense.
"it works excellently on it's own"
That's always the aim. I'm sure my stuff could be great for soundtracking all sorts of visuals but the aim is for people to enjoy listening at home in an album kind of format. Some tracks might work on a dancefloor though I'm not really sure as I've rarely tried doing that.
"a really good balance of complexity without being overbearing."
Yes - I like to make stuff buys, complex and interesting but there comes a point when you realise that adding yet another layer of sound isn't going to help. Saying that, sometimes I've got a few cello parts going and think "That'll do" and then I, just out of curiosity, try playing something else over them. And then that new one locks in with the others and adds something worthwhile.
How many layers is too many? There's no real answer to that.
To stop things being overbearing I also usually try to have some lighter, more chilled out sections, to break up all the intensity.
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I wanted to try something different , and now im really amazed that people love it :)
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Brado
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That's so good to hear. Both of you are phenoms imho.
Thanks for your comment.
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Great to hear you found it so cool.
Yes, I think it is quite forward-thinking and futuristic. I'm guessing that it's the drums that you found retro. Perhaps they're reminiscent of some 90s dance music. They're probably quite old drum loops so that makes sense.
"it works excellently on it's own"
That's always the aim. I'm sure my stuff could be great for soundtracking all sorts of visuals but the aim is for people to enjoy listening at home in an album kind of format. Some tracks might work on a dancefloor though I'm not really sure as I've rarely tried doing that.
"a really good balance of complexity without being overbearing."
Yes - I like to make stuff buys, complex and interesting but there comes a point when you realise that adding yet another layer of sound isn't going to help. Saying that, sometimes I've got a few cello parts going and think "That'll do" and then I, just out of curiosity, try playing something else over them. And then that new one locks in with the others and adds something worthwhile.
How many layers is too many? There's no real answer to that.
To stop things being overbearing I also usually try to have some lighter, more chilled out sections, to break up all the intensity.
Thanks again.
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