pseudoble

Thank you! Glad you liked it

Thanks Man....

Timeless

Thanks for the comments.

Bill

thanks a lot !

preciate that :)
-CAP

Please, Call me CAP
Much appreciated , your kind words

Much love, thanks a lot
Stay tuned, also , as of 30 minutes ago 7/7/21 , When Im Gone.
Go Check it out brotha
Thanks
-CAP

Thanks !! the track is sampled and but played the piano and vibraphone myself on my synth

Gracias amigo pseudoble, me alegra que te haya gustado, la verdad que es una pista un poco triste pero tenia que ser así, la próxima sera mas alegre te lo prometo, gracias nuevamente por escucharme y apoyarme, que tengas un buen día y suerte y salud para todos.

Thank you!

Thanks alot my friend...I really appreciate your atention !

All the best____Leon

Many thanks for listening and comment...ah, those damn transitions...tell you what...they're mostly deliberately made that way (non-smooth) to better fit the subject matter of the track...:)

With appreciation_____Leon

I own everything Bowie ever recorded so I'm familiar with the sound track you're referring to. I saw the film as well. THank you for the comparison. It's a high compliment to me. The Choir is a free VST called Virgin Choir. I ran it through a plugin called the orb to treat the vowel sound & reverb. THe vocal synth Exhale by Output is on this track as well. Exhale is an incredible tool if your work is atmospheric, ambient oriented or dark. The possibilities for that Synth are endless. THanks for listening. I appreciate it.

Hello pseudoble,

You're not the first to mention Zappa.
I guess all the Zappa I listened to in the 70's
is coming back to haunt me.

Thank you for your listen and comments; especially
the Zappa part, He's one of my all time faves.

thanks man, you still in lockdown i wonder.

Hello and thanks for checking out the sounds, first and foremost- I appreciate this feedback as well, because quite honestly, what youre hearing could very well be as you stated. I myself have sustained hearing damage (from the military) and that paired with not reading music, may be doing a number on my melodies lol. I do everything by ear in terms of notes, pitches etc. so i might be nose diving into stretches of flat and/or out of key measures. I will say though that part of my theory does experiment with melodic progressions that could be pinned for being out of tune, depending on the listener. I like to keep the progression at a broad spectrum, and then question what works and what doesnt after that. For this jam i took a sample, split it in half and into two different channels. Then i doubled or cut in half (because i did do both) the speeds of the samples against the original speed of the complimentary samples. Then i swapped the original speed channel to do the same with it. I think the sample slowed down also gives it an adjusted tone that pushes the envelope on being in tune. The raw samples by themselves i never in a million years would have thought to purposely match up btw- starkly different pieces of music in tone and emotion that just happened to please my ear when played together. I hope this makes sense, and thank you again for listening enough to help me better understand my style or lack thereof lmao

Appreciate it :D

Thank you for dropping by :)

Zipbass has my blessing to upload his/her version of the song, if he/she wishes to.

Cheers!

~Eighteen