Wow, this sounds beautiful.. very relaxing, I love music like this and I love this track. :)
I wonder how it will sound with vocals. Anyway, keep it up!
Nicely done! :) Has an interesting atmosphere.. I can't really describe it but my mood just changed a lot during the song.
Definetely a thumbs up! Good job.
A very relaxing track. Nice work! I love the way it's build up without getting too exhausting, too dramatic. And the way the guitar harmonises with the strings.. it sounds lovely. :)
Good job! And while I was listening to this track, I found it thought-provoking and distracting at the same time.. I also like the soundscape, it sounds beautiful.
Never understood why jazz and metal "don't work together".
Ha! Yes, it sounds weird at some tiny little cute parts but I liked it. :) This definitely doesn't get boring. And aren't the dissonances the fun part anyway?
Hard exactly to say why jazz and metal are supposed not to work. Maybe because musicians from those worlds are seen as very different, though I guess long before you had metal, jazz was the scene in which to be somewhat outrageous and take lots of drugs and alcohol etc. Though not one in which you had an ugly, unartistic mess of tattoos (that seems to be pretty much every genre of music and area of society these days).
But it's very rare that you get a jazz instrument (other than drums or bass guitar, obviously) in a metal band. Here I've got distorted Rhodes in my metal as well as an evil synth horn. So, two jazz-related instruments mixed in with the metal. You don't really get much heavy, distorted guitar in a jazz setting. Or metal kits smashing cymbals and doing furious double kick work (also here). So, aside from jazz-metal being rare, it seems that you hardly ever get the different components entering each other's musical worlds. Though I do know of a proper metal band whose lead instrument really is piano (not distorted). A very good piano player too.
One exception would be some of the more avant garde modern noisy jazz bands in which they have atonal screeching sax playing and so on (not my kind of thing). But they rarely have any heavy guitar. It's more "freaky jazz" than jazz-metal but still heading towards the more extreme side of things.
Yes, the dissonances are kind of fun and there's a big emphasis in here on the tritone (or flattened fith), hence the title. I'm mostly about trying to find beautiful sets of notes as I try to keep everything melodic. But, when you get it right, there can be a certain beauty in dissonance and weirdness. I find it helps if you make it groovy.
Anyway, thanks for your thoughts and I'm glad the track never got boring.
on Work in Progress by jackstalter
on Breathe Instrumental by 15ludwicke
I wonder how it will sound with vocals. Anyway, keep it up!
on Haunted Sunshine by Evisma
Definetely a thumbs up! Good job.
Evan
on Labyrinth Of The Absurd by ValveDriver
Take care.
V.
on Close To Home by Heroiconthetrack
on Moment of courage by SoundbenchCreative
Thank you very much for your comment :) I'm glad you like it that much that you faved it :D
Greetings :)
on Vascular event by mpoppitt
on heavy duty me by ElenaSatine
And it just kept getting better and better.. nicely done! This rocks!
on -Vox Chop- old demo by Darklighter
I love the vocals!
on No Name by MorenoCostaMC
on Emperor Tritone by StaticNomad
Ha! Yes, it sounds weird at some tiny little cute parts but I liked it. :) This definitely doesn't get boring. And aren't the dissonances the fun part anyway?
Not seen your name before on here.
Hard exactly to say why jazz and metal are supposed not to work. Maybe because musicians from those worlds are seen as very different, though I guess long before you had metal, jazz was the scene in which to be somewhat outrageous and take lots of drugs and alcohol etc. Though not one in which you had an ugly, unartistic mess of tattoos (that seems to be pretty much every genre of music and area of society these days).
But it's very rare that you get a jazz instrument (other than drums or bass guitar, obviously) in a metal band. Here I've got distorted Rhodes in my metal as well as an evil synth horn. So, two jazz-related instruments mixed in with the metal. You don't really get much heavy, distorted guitar in a jazz setting. Or metal kits smashing cymbals and doing furious double kick work (also here). So, aside from jazz-metal being rare, it seems that you hardly ever get the different components entering each other's musical worlds. Though I do know of a proper metal band whose lead instrument really is piano (not distorted). A very good piano player too.
One exception would be some of the more avant garde modern noisy jazz bands in which they have atonal screeching sax playing and so on (not my kind of thing). But they rarely have any heavy guitar. It's more "freaky jazz" than jazz-metal but still heading towards the more extreme side of things.
Yes, the dissonances are kind of fun and there's a big emphasis in here on the tritone (or flattened fith), hence the title. I'm mostly about trying to find beautiful sets of notes as I try to keep everything melodic. But, when you get it right, there can be a certain beauty in dissonance and weirdness. I find it helps if you make it groovy.
Anyway, thanks for your thoughts and I'm glad the track never got boring.
I'd rather be bad than bland.
on BRICKAROO by Abilify
on Atlantic drifts by Danke
Keep up the good work. :)
Easy listening track...someone said below...believe it...:-)
Respect and handshake, Danke