A mile of deep, submerged regreetings, ProCoRatBro.
"Wow, three yo's."
Yes, I am very generous with my yos and my yo-yos. Much more so than you with your cookies. I would have given the guy who managed to stick it out for 4 mins at least two. If he made it through one of my 17 min epics, I'd give him a year's supply. And probably throw in a couple of handjobs.
Anyway, I feel that your Sick Track Bro Assembly Skills are now very high and, in some ways, better than The Nomad's. Yes, I do use lots of sounds you don't and perhaps never will but you do a damn fine job with a more limited palette. It doesn't sound quite like a real band but it's not far off and all very fluently played.
I didn't quite realise the Irish vibe this one has until Cru pointed it out. Probably something to do with 3/4 but no doubt also some other scaly shit involved.
"maybe I'll bust out the lap steel and experiment"
Yes - do that rather than a cover. You made such a fine debut with it on Hypnoculars so must do more. Your music is developing even more vibes from other musical cultures and I'd really like to hear you incorporate more Arabic and Asian sounds. Some drones (eg tambura) or other Eastern strings could work really well.
"more tempted to completly remake an old track, rather than remix."
Sure, replay/record and old one if you think you can (I can rarely remember how) but I'm certain you can make big improvements just by remixing the whole track and redoing some drum parts. Try using Aerodrums.
Nomad news: A Different Kind Of Dangerous is very nearly finished though it is a bit messy. It features exactly one metric shit-ton of bass, despite there being no bass instruments involved. You'll like the dirty vibe.
Submerged Nomad, driving another nail down another needy hole
P.S. Don't segment my posts, bro. That ain't cool at all!
"I didn't quite realise the Irish vibe this one has...."
Nor did I, but that section does have a knee-slapping feel to it. Not intentional.
Lap steep is coming out. I don't know about Arabic or Asian, but it will be me. That's all I got.
"P.S. Don't segment my posts, bro. That ain't cool at all!"
Fuck your posts! I'll do with them as I please! I'll rub their intimate places in tiny circles and call them filthy posts that nobody else will ever want, and that they're lucky to be segmented by me. Others would do far worse. Worst part is, when I get to the end of each one, there is a period. Shame.
Love this one, Evisma. Your piano additions were lovely and really added a new element to this song and brought it to life. It sounded like the soundtrack from a Call of Duty game towards the second half, which is a big compliment as I love their music. The drums did seem slightly muddled and maybe not as present as they should be with this style, but they still did their job and filled in nicely. Maybe a stronger kick? Cheers, Brado
Good to hear from you! Glad you like this one! Piano was a joy to do, also the ending.
"...soundtrack from a Call of Duty game..."
I would have no idea. I spend about 2 hours a year playing video games. Something about it makes me feel like I'm throwing time down the toilet, or lighting money on fire. Seems a waste to me.
I'll do some EQing with the drums, maybe fix the muddling. Mostly, I'm after the cymbal in the middle section. I'll get that bastard! Interfering with the toms freq.
Exactly the opposite. Maybe you are right in that fact, most people wants to use minimal bass in the background, but they are got them on the site. But (at least some of) your bass loops works fine as lead too in the front, and with the high sound quality, it's really a valuable curiosum, at least to guys like me.
That Ibanez is a hell of a guitar too!
Very well created track. Love the piano part coming in after the intro. Very clear sound and a catchy melody. The guitar dropping in after that is a welcome surprise and gives some real pepper to the track. The break is ear candy and makes the guitar drop in even stronger. All in all a fun to listen to. Great stuff!
Very nice one! Im not an expert, but the little Squier sounds excellent i think. Wonder what you will do with your next guitar, hope you will upload some fine loops with it too. :)
Ah, yes. The Squier sounds pretty good. Strings were ancient when I got it. Amazing how many musicians don't replace strings often enough. Makes a huge difference.
Loops? Sure. My bass loops are not too useful, I guess. Most want minimal bass. Mine are pretty prominent. I'll make some for sure, though.
Instruments are hard to part with, even trading up is difficult. Instruments become like family, they are part of your life.
A full size acoustic will suit you well but pick one that feels and sounds right to you. I bought mine in a pawn shop in Mississippi and never knew what kind it was until just recently, almost 30 years. It just felt right when I played it.
It's a mid 80's Takamine F-349 with a Shadow bridge pickup installed on it that was only labeled with a "shadow bridge installed" on the headstock. Takamine was no where on it but I recently stumbled on a picture of one online and with some research I found out about it.
Takamine makes some nice guitars at a reasonable price and I've seen people like Jon Bon Jovi and his sidekick playing them. If you can go up in price I would recommend a Martin or Taylor, there are many models at a range of prices.($1000 and up) Then if you can go higher look into the Gibson Hummingbird and their other acoustics at about $3500 and up.(i wish)
Used is ALWAYS an option!! Have fun guitar shopping!
The track is cool, I liked the piano in the first half. There is a calm before the storm so to speak. It reminded me of like a Celtic/Rock power ballad when it all kicked it.
How is it an island if it's a mile deep? That's deep man...
My friend, Jeff, has a Martin. Sounds fantastic. Evan will not be getting one. Evan's price range is around 500. Considering the one I'm losing runs about 130, I'm sure I'll like whatever I get. Looks don't matter. In the end, if it sounds good, the mic doesn't care what color it is. Let's hope I don't find a sweet sounding pink one!
Thanks for your time and consideration. I hope things are better compared to the last time we spoke.
Weird feeling I got just listening to the beginning. I felt as though it were a late summer evening, and I was sitting on a curb looking down from my hilltop at the street descending from the hilltop I was perched at. And then all Irish hell broke loose. like a gang of Unionists squared off against the loyalists. The sheer blast of emotion from your music Evan is amazing. I feel you have captured Na Trioblóidí with perfection, but you have meant the "Troubles" to belong to the states this election cycle. Amazing tune. Awesome!
Crutastic
That's all I want to do. Trying my best to translate a feeling I get into sound. I use the voice recorder on my phone a lot. The sound of a scenario, I guess is what I'm trying to do. Using no vocals helps in developing silent narration. Speaking through an instrument. I wish I could make the keys my bitch, like you do. Always good stuff.
I appreciate the listen, and the short story of the hill skirmish. Made my evening.
That's one street hello plus a small, string-based toy for you to play with. I'm a generous chap.
Would you believe I also listened to the whole thing? Took me, like, 4 minutes 6 seconds.
This is fuckin' awesome, right from that cystal clear, wide acoustic g intro. So wide it's going behind my ears.
Then some cool, ominous bass g and a subdued slightly crunchy beat.
0:53 piano is cool and nicely played. Also very wide. Everything great so far.
1:30 reverse cymbal is, believe it or not, good and tastefully done.
1:43 the inevitable heavy rise and it's very good. Great bouncy 3/4 leads and pounding drums. Tom-heavy, I believe. Lead just keeps going up and down - one of your best ever.
2:40 reverse is very cool and almost percussive the way it moves.
2:46 fuckin' cool fill.
Then drums go more badass, with a crunchy left-panned snare.
.
Lots of layered guitars and intertwined leads that never get boring or too messy
You're getting really excellent at this Nice Track Bro manufacturing game.
Good fadeout, something you've become better at.
Overall:'twas a great pleasure to listen to this latest piece of Bass Broery. More thoughts another time but no criticisms.
Nomad, more than just a little curious how you're planning to go about making your amends to the dead...
Wow, three yo's. You must have got paid today. Quite generous.
Thanks for hanging in there for the whole 4 minutes. Yeah, that cracked me up. Imagine the self-congratulations for taking in your 17 minute opus. I guess listening to a whole track is not the norm?
Glad you liked this one. Still have an issue with the toms interfering with the riding cymbal in the middle section. Sounds like there is some flanging effect going on. There is not. It's a competition for the same space. Buggin me,... gotta fix it.
Im pretty happy with the tones I got in the ending section. ProCo Rat and a digital chorus. Love it. Gonna use it again soon.
No clue what's coming next. Thoughts of a cover, or maybe I'll bust out the lap steel and experiment. Or revisit an old track. Im more tempted to completly remake an old track, rather than remix. Any suggestions?
Evan, sticking hands into shadows, pulling pieces from the sand.
Come to find out, all this time we thought it was Pontius Pilate who ordered the crucifixion. Well, they were mostly right, but Pontius Pilate is literally translated into English as Pudding Pop. The gospel according to Larry, who was a guy that stuck around after the crucifixion for the hot-wings and beer garden, states that afterwards, Pontius Pilate went back stage to change into his "fly street threads", later described in Larry 3:43, "And lo, Pontius did come forth into the beer garden draped in fresh fly threads. Knit sweaters of many colors which do not compliment each other. His kakhis were neatly pressed and fell slovenly upon loafers, in which he carried a coin in the tongue. A penny for each shoe. No doubt to display his might and wealth. Upon his tacky sweater, he wore a tag to identify himself among the noblemen and peasants alike. Scribed on the tag, it read, "Hello. My name is Bill" and in his hand, he did carry a tray of frozen fudge treats, and gave offering to his people as a show of good faith in their loyalty to "The Cos".
That's truth right there. It's in the book of Larry.
OK so Ed McMahon is being a total dillwad about putting the box there. He is saying something like " My Scrotum Sails need space" or some BS like that. Angela is no better she says her rectum is full of gas by now and there is no space in the inn. So I moseyed on over to the manger that lies adjacent to the Motel 6, moved the box of Myrrh and the Vial of Frankincense, and lo and behold I saw the most whacked out Meth lab. I cried out "Jesus" like 5 times and I swear I got a reply of yes? 5 times, each time growing deeper and deeper with anger with me. So Jesus (Heh-zeus) asked me (not so politely what I was doing here and why I was holding a box of developmentally challenged Aphids. I said to him I was trying to find a "special"place for them. So Jesus took his bottle of water and made a place for the mentally challenged aphids. and he passed me the bottle. But as I looked at the Bottle it had changed to a Box merlot, and couple of fish sticks and a pepperidge farm loaf of pumpernickel bread. Neat Trick I replied. Jesus looked at me puzzled as I was still holding the Kirkland brand bottle of water and said, get away from the Meth fumes ... there making you talk stoopid. So I took his advice and started walking..noo skipping down the street towards the nearest Tim Hortens. But I could find no Tim Hortens as I was in America. And so I became sad. And the sadness lingered causing me to emote dark songs that sloedirt would feed off of the dark energy to resurrect himself from the shadows of the looperman site. At this point I longed for my igloo and all of it's frigid warmth, but I was stuck in middle america. I clicked my snowshoes together and shouted, "there's no place like Ottawa, There's no place like Ottawa", and I was instantly transported back to Gatineau...Quebec is better ;-) ...... and that's how the Legend of the American Aphid is told every year by campfire in small towns in Canada ,always.
Cruilliad and the Crodyessy
Ahhh,... the old American Aphid legend. Yes, my Grandfather spoke of it. His eyes would get misty and stare far off into the distance, and he would always rub the scar on his arm from where he fought off a well trained and heavily armed aphid horde back in WWII, (you know, the big one.)
He says they came just before dawn, during shift-change. Twitchy Tony went first. Quarter-million aphids, right to the neck. Their sheer number muffled the sound of cracking vertibre. Second was Tuggs, (a name earned from chronic masturbatory issues). He was taking a leak over by the abatis, when a whole aphid platoon rode up his piss-stream, entering the body. They lost several more, till my Grandfather was alone, cornered, welding only a bayonet and a can of clam chowder. Seeing that the can could do the most harm, they lunged at the left arm first, causing serious damage and skidding the can across the floor. "So this is it", he said, knowing he was about to be nibbled down to nothing. With a bayonet raised and a primal scream, he charged,.... but was blown back by the wing-wind from a billion Ladybugs that inundated the encampment. The aphids were incredulous, and they died incredulous. "Fuck'em" he said, lighting a cigarette that came from nowhere, and walked in slo-mo to a waiting chopper, that also came out of nowhere.
Jesus H. on a popsicle stick, man! I don't remember you using your vocals in any of your previous tracks...You should do more.
Let's start with the production quality. Top notch, man. Everything sits exactly where it needs to, it's crystal clear, the highs aren't too bright, the lows aren't clipping, and the mids aren't muddy. Perfect. The panning on everything is nice and balanced. Kudos my friend.
I'm not sure what happened, man, but about 3 songs ago you kind of took off in leaps and bounds. Not only in the production quality, but composition, and creativity. Your songs, now, are so much fuller and complete.
I don't have any suggestions or critiques for this mean mofo. I think you've surpassed my abilities to do so.
Dude, this is seriously a bad mothefucker. Sorry I didn't get to it sooner.
Aaahhh,.... let's picture this, (because I believe you find a bit of humor in the story as well). Our main-man, Bejeezus, heading towards the hill for crucifixion, dragging over his shoulder a tiny popcycle-cross. Most of the onlookers and stone-hurlers don't even notice it. Don't even know about it, really, because Bejeezus brought it with him from home. Big cross is already on the hill, this little one is just for Bejeezus' own self-pity. Made it last night. Then !BAM! One of the hurled rocks connects just above the left eye! "Fuck!! That actually hurts!" Bejeezus drops his stupid, stupid little cross, looking wild-eyed at the laughing idiots who are trying to kill him, and realizes that he probably should have thought through all that shit that went down with Pilot. Seemed like he was offered an out several times.
No matter now, time to make history!
After about 40 more rocks he makes it to the hill and sure enough, the cross is made of a HUGE popcycle stick for the upright, and one of those tiny wooden ice-cream spoons as the cross-member. Bejeezus takes one look and says, "....... this is goddamn ridiculous!",...... so they just knife him in the ribs and walk off.
Thomas saw it, noted it, but nobody cared.
(Ok, I'm done.)
=========================================
" I don't remember you using your vocals in any of your previous tracks"
Tripwire Valley and Objective Focus. Very minimal. This is really more than I'm comfortable with.
"about 3 songs ago you kind of took off"
I was trying to pump out tracks. For me, coming into the music-room and picking up the guitar became something I NEEDED to do to keep up the workflow. Pride is parasitic. I was feeling I had to keep up the output or I was "declining" or something. Seemed a failure to not be thundering along, a track every week or two. So, I took the lid off of the pressure-cooker. I'm hangin on to stuff and adding bits when I feel right, and when those bits are reasonably thought out.
Once I read the lyrics I had to laugh. This one rocks and i like music with an attitude. How are you processing your bass? The middle part is a little less rockin but it stays within the context of the song, badassery.
Mix sounds good, I can hear all the instruments separate in the mix. Rock on dude!!
Same as always. Line 6 pedal, it gets compression, very light chorus and a digital delay, then into the interface and DAW. The biggest thing is that I record EVERYTHING twice, getting each line right twice, then panning them. I never duplicate something and pan it, it's always a separately recorded line. That is what gives it such a full sound. I hear SO much bass guitar that sounds like it was a D.I. feed that just got dumped in the middle of the mix. Tool's "46 & 2" grabbed me by the chest when I first heard it. It really made me feel like the bass was the most powerful and colorful instrument.
The middle is a bit more calm, but I felt the bombastic flankings needed a separation.
Woooow....I was looking for the fav button before the 1st minute was up...having a big laugh at those lyrics...but what gets me is the job you done on the music..friggin awesome guitars///great drums...badass bass...its all good...whats to say...its the best rock track my old ears have heard in a very long time...Bravo....Ed
I deleted 10 or so vocal takes because I cracked up. I really don't take myself seriously when it comes to vocals, so it's a bit comical to me. Doubt I'll ever really sing.
Music was a joy to do. The main riff was the star of two weeks worth of whistling. Couldn't shake it.
Wife still has not heard this one. Having a bit of vocals in it, I probably won't ever let her hear it. She really doesn't care about my music so I'll probably start keeping it to myself. Maybe in the future I'll make stuff she likes.
Thanks for the very kind words. Makes me want to go warm up the amp!
Yes, I had some fun playing around with alliteration, partly because I know you enjoy it (I aim to please). My favourites are the Rachel, Steve and Jimbo ones. Maybe I should do more list-based track comments (and with no hello or goodbye).
I've only met your sister a couple of times and she didn't seem at all racist. Notice how I intentionally spelt that name the other way so you wouldn't think I was directing the racism at her (or her rollercoaster). Good to hear your childhood rollercoaster story.
I'm glad you liked my parody lyrics ("oil up some hefty hos" still cracks me up) and agree that your Stephen Hawking voice idea is a good one. I think I'll instead save those lyrics for when I assemble my one man Evanator tribute band. Gotta have a rabble rousing chorus live and this will be it (your only one). The tribute band will probably have more US No 1s than the original artist due to the generous sprinkling of Nomadgic on the original material.
""1:30 change is a bit of a surprise."
Good or bad?"
Still not sure the first 90 secs fit with the rest so it's not bad but maybe a slightly awkward change. I often find it hard to make big changes without the transition sounding awkward.
"I'm getting better with distorted guitars"
You very much are and I wonder what you have done recently. Probably not any different hardware or software. I also wonder how you've improved your drums.
Regarding your shame over your older tracks, you really should do what I've done a lot of recently - go back and improve them. As I'm getting serious now about releasing a whole load of albums (about 13) I went back and recently worked on all that material (about 70 tracks) in the space of about a month. I was able to make so many improvements, mostly through mixing and mastering. And that's even to some tracks that I'd already spent ages on, believing I'd got them as good as I possibly could.
You've improved so much in 2 years regarding production (much quicker than I did in my early days) that I know you can now make yourself much prouder of your older material.
Congrats on your lengthyish cigarette-free stint. My favourite cigarette joke is "Giving up smoking is easy: I've done it hundreds of times".
Tha Mothafuckin' Nomad, currently listening to his muscle memory.
"(guitars)....I wonder what you have done recently. Probably not any different hardware or software. I also wonder how you've improved your drums."
I've been getting better distorted guitar sounds by recording the line twice and panning, as always, but then recording it twice again with a different distortion that fills in where the first may have lacked. So each guitar line is four separate takes, panned and layered. Whichever distortion is the tinnyiest gets panned the hardest.
As for drums, I've been constructing them from nothing. Kick & snare, then hats, cymbals, toms and other percussion. Usually get a bus track for the reverb so it all sounds the same, and I've been adding a bit of delay here and there to thicken it up. Biggest thing is layering drums to fill in where others lack, like the distortions.
I'll look into some older tracks. I'm leery to because I lost a few projects going in and dicking with stuff. Lost a tracks drums that were painstakingly assembled. Gone. Bye-bye. Never to be heard again.
I've been more careful since then.
In the process of recording a new guitar line. 3/4 with the low E doing 8th notes. Wife says if kind of reminds her of 'Aerials' from System Of A Down, but it's just the 3/4 rhythm. Progression is nowhere near the same.
Evanator, who is quite hip to the bull, yet even more hip to the lies.
Where shall the violin solo go?
Well that's so easy, right next to the LCD Television right behind the love swing and the pantry filled with rhino phalluses. GAWD, it's like you have no sense of space sometimes. Just move the box of retarded aphids 3 milinches to the right and you will see what I am saying. Oh and be careful not to trip over the acid reflux calendar nailed to the Ottoman Empire which might be attacking the persian rug as we speak. Oh shit I forgot about the chandelier. Sia...SIA...SIA..come down from there..SIA!! ahh that stubborn Aussie. She never listens as well as that muted Major Tom urn filled with his ashes. Ashes that are starting to go funk to funky, if you know what I mean. I mean where should that go....ah next to the Violin solo...see it's that simple.
Crulithium
The box of retarded aphids CAN"T move 3 milinches, that's where the mosquito pubes are stashed! And you remember the kind of time I had harvesting those, don't you? Each plucked by mouth! Fattest lip I've ever had. The box of "aph-idiots" can go beneath the subway poster of Angela Lansbury, naked with a hose, siphoning gas from her own ass. You know, the one I got to replace the one I stained,.... of Ed Mcmahon brandishing two yards of scrotal skin like he's about to flip a wad of rubbery pizza dough into the air....... Let's put the box there.
The only time I use my phone speaker is never. when I'm truly listening, I always use the buds. I know your work sounds best through buds, or headphones. Mine is the same way. Very stereo oriented.
Damn it, man! I so badly wanted to listen to this one, but my jerk-ass phone isn't cooperating. I'll have to wait to get to this in the morning when I get home from work. So, since Arnold rode a mean motor scooter in T-2, I'll leave you with this overly clichéd, yet relevant catchphrase: "Ahll be bahk."
Hope you don't listen to my stuff through the phone's speaker. Headphones or buds are cool, but man,... when I play my stuff through the phones speaker(Galaxy S5), it sounds like total ass. My music relies too heavily on headphones or a good system. Curse-a-da-bass, mon.
I'm still listening to this, it's that good. I absolutely dig your guitar work. I feel like there could be a tad more bass to add a bit more punch to the overall energy of the song. At least, that's what my gut tells me.
on Mile-Deep Island by Evisma
"Wow, three yo's."
Yes, I am very generous with my yos and my yo-yos. Much more so than you with your cookies. I would have given the guy who managed to stick it out for 4 mins at least two. If he made it through one of my 17 min epics, I'd give him a year's supply. And probably throw in a couple of handjobs.
Anyway, I feel that your Sick Track Bro Assembly Skills are now very high and, in some ways, better than The Nomad's. Yes, I do use lots of sounds you don't and perhaps never will but you do a damn fine job with a more limited palette. It doesn't sound quite like a real band but it's not far off and all very fluently played.
I didn't quite realise the Irish vibe this one has until Cru pointed it out. Probably something to do with 3/4 but no doubt also some other scaly shit involved.
"maybe I'll bust out the lap steel and experiment"
Yes - do that rather than a cover. You made such a fine debut with it on Hypnoculars so must do more. Your music is developing even more vibes from other musical cultures and I'd really like to hear you incorporate more Arabic and Asian sounds. Some drones (eg tambura) or other Eastern strings could work really well.
"more tempted to completly remake an old track, rather than remix."
Sure, replay/record and old one if you think you can (I can rarely remember how) but I'm certain you can make big improvements just by remixing the whole track and redoing some drum parts. Try using Aerodrums.
Nomad news: A Different Kind Of Dangerous is very nearly finished though it is a bit messy. It features exactly one metric shit-ton of bass, despite there being no bass instruments involved. You'll like the dirty vibe.
Submerged Nomad, driving another nail down another needy hole
P.S. Don't segment my posts, bro. That ain't cool at all!
"I didn't quite realise the Irish vibe this one has...."
Nor did I, but that section does have a knee-slapping feel to it. Not intentional.
Lap steep is coming out. I don't know about Arabic or Asian, but it will be me. That's all I got.
"P.S. Don't segment my posts, bro. That ain't cool at all!"
Fuck your posts! I'll do with them as I please! I'll rub their intimate places in tiny circles and call them filthy posts that nobody else will ever want, and that they're lucky to be segmented by me. Others would do far worse. Worst part is, when I get to the end of each one, there is a period. Shame.
Evan, slipping into a dream within a dream.
on Mile-Deep Island by Evisma
Good to hear from you! Glad you like this one! Piano was a joy to do, also the ending.
"...soundtrack from a Call of Duty game..."
I would have no idea. I spend about 2 hours a year playing video games. Something about it makes me feel like I'm throwing time down the toilet, or lighting money on fire. Seems a waste to me.
I'll do some EQing with the drums, maybe fix the muddling. Mostly, I'm after the cymbal in the middle section. I'll get that bastard! Interfering with the toms freq.
Thanks again!
Evan
on Mile-Deep Island by Evisma
"My bass loops are not too useful, I guess."
Exactly the opposite. Maybe you are right in that fact, most people wants to use minimal bass in the background, but they are got them on the site. But (at least some of) your bass loops works fine as lead too in the front, and with the high sound quality, it's really a valuable curiosum, at least to guys like me.
That Ibanez is a hell of a guitar too!
regards, traz
I appreciate the loop love. I need to make some more soon. I've been in a bit of a slump, so that may be a future mission.
Take care.
Evan
on Mile-Deep Island by Evisma
Evan
on Mile-Deep Island by Evisma
regards, taz
Loops? Sure. My bass loops are not too useful, I guess. Most want minimal bass. Mine are pretty prominent. I'll make some for sure, though.
Hope all is well.
Evan
on Mile-Deep Island by Evisma
0:52 is my favorite part, lovely piano and totally unexpected as well, brilliant!
around 2:49 is also frickin awesome xd
the way it builds up in the beginning of that part is really nicely done.
cheers!
~Eighteen
on Mile-Deep Island by Evisma
A full size acoustic will suit you well but pick one that feels and sounds right to you. I bought mine in a pawn shop in Mississippi and never knew what kind it was until just recently, almost 30 years. It just felt right when I played it.
It's a mid 80's Takamine F-349 with a Shadow bridge pickup installed on it that was only labeled with a "shadow bridge installed" on the headstock. Takamine was no where on it but I recently stumbled on a picture of one online and with some research I found out about it.
Takamine makes some nice guitars at a reasonable price and I've seen people like Jon Bon Jovi and his sidekick playing them. If you can go up in price I would recommend a Martin or Taylor, there are many models at a range of prices.($1000 and up) Then if you can go higher look into the Gibson Hummingbird and their other acoustics at about $3500 and up.(i wish)
Used is ALWAYS an option!! Have fun guitar shopping!
The track is cool, I liked the piano in the first half. There is a calm before the storm so to speak. It reminded me of like a Celtic/Rock power ballad when it all kicked it.
How is it an island if it's a mile deep? That's deep man...
Wayne
Thanks for your time and consideration. I hope things are better compared to the last time we spoke.
Take care
Evan
on This Mean Motor Scooter by Evisma
on Mile-Deep Island by Evisma
on Mile-Deep Island by Evisma
Crutastic
"The sheer blast of emotion from your music..."
That's all I want to do. Trying my best to translate a feeling I get into sound. I use the voice recorder on my phone a lot. The sound of a scenario, I guess is what I'm trying to do. Using no vocals helps in developing silent narration. Speaking through an instrument. I wish I could make the keys my bitch, like you do. Always good stuff.
I appreciate the listen, and the short story of the hill skirmish. Made my evening.
Take care.
Evan
on Mile-Deep Island by Evisma
That's one street hello plus a small, string-based toy for you to play with. I'm a generous chap.
Would you believe I also listened to the whole thing? Took me, like, 4 minutes 6 seconds.
This is fuckin' awesome, right from that cystal clear, wide acoustic g intro. So wide it's going behind my ears.
Then some cool, ominous bass g and a subdued slightly crunchy beat.
0:53 piano is cool and nicely played. Also very wide. Everything great so far.
1:30 reverse cymbal is, believe it or not, good and tastefully done.
1:43 the inevitable heavy rise and it's very good. Great bouncy 3/4 leads and pounding drums. Tom-heavy, I believe. Lead just keeps going up and down - one of your best ever.
2:40 reverse is very cool and almost percussive the way it moves.
2:46 fuckin' cool fill.
Then drums go more badass, with a crunchy left-panned snare.
.
Lots of layered guitars and intertwined leads that never get boring or too messy
You're getting really excellent at this Nice Track Bro manufacturing game.
Good fadeout, something you've become better at.
Overall:'twas a great pleasure to listen to this latest piece of Bass Broery. More thoughts another time but no criticisms.
Nomad, more than just a little curious how you're planning to go about making your amends to the dead...
Thanks for hanging in there for the whole 4 minutes. Yeah, that cracked me up. Imagine the self-congratulations for taking in your 17 minute opus. I guess listening to a whole track is not the norm?
Glad you liked this one. Still have an issue with the toms interfering with the riding cymbal in the middle section. Sounds like there is some flanging effect going on. There is not. It's a competition for the same space. Buggin me,... gotta fix it.
Im pretty happy with the tones I got in the ending section. ProCo Rat and a digital chorus. Love it. Gonna use it again soon.
No clue what's coming next. Thoughts of a cover, or maybe I'll bust out the lap steel and experiment. Or revisit an old track. Im more tempted to completly remake an old track, rather than remix. Any suggestions?
Evan, sticking hands into shadows, pulling pieces from the sand.
on Mile-Deep Island by Evisma
I listened to the whole thing.
You deserve a cookie!
on This Mean Motor Scooter by Evisma
That's truth right there. It's in the book of Larry.
Couple fellas waiting to hear from you.
Hope all is well.
Evan
on This Mean Motor Scooter by Evisma
http://i.dailymail.co.uk/i/pix/2007/07_01/LadybirdAphidsREX_468x314.jpg
we just thought he was Insane.
now I know why.
now I know why!
Cruaphidocaust
on This Mean Motor Scooter by Evisma
I really like this one.
Hopefully you will keep up this stlye, and releasing more tracks :)
- karl.
Glad you liked it!
"Hopefully you will keep up this stlye, and releasing more tracks"
I only have about 50 on here, so there's a few to choose from.
Take care.
Evan
on This Mean Motor Scooter by Evisma
Cruilliad and the Crodyessy
He says they came just before dawn, during shift-change. Twitchy Tony went first. Quarter-million aphids, right to the neck. Their sheer number muffled the sound of cracking vertibre. Second was Tuggs, (a name earned from chronic masturbatory issues). He was taking a leak over by the abatis, when a whole aphid platoon rode up his piss-stream, entering the body. They lost several more, till my Grandfather was alone, cornered, welding only a bayonet and a can of clam chowder. Seeing that the can could do the most harm, they lunged at the left arm first, causing serious damage and skidding the can across the floor. "So this is it", he said, knowing he was about to be nibbled down to nothing. With a bayonet raised and a primal scream, he charged,.... but was blown back by the wing-wind from a billion Ladybugs that inundated the encampment. The aphids were incredulous, and they died incredulous. "Fuck'em" he said, lighting a cigarette that came from nowhere, and walked in slo-mo to a waiting chopper, that also came out of nowhere.
War is hell.
on This Mean Motor Scooter by Evisma
Jesus H. on a popsicle stick, man! I don't remember you using your vocals in any of your previous tracks...You should do more.
Let's start with the production quality. Top notch, man. Everything sits exactly where it needs to, it's crystal clear, the highs aren't too bright, the lows aren't clipping, and the mids aren't muddy. Perfect. The panning on everything is nice and balanced. Kudos my friend.
I'm not sure what happened, man, but about 3 songs ago you kind of took off in leaps and bounds. Not only in the production quality, but composition, and creativity. Your songs, now, are so much fuller and complete.
I don't have any suggestions or critiques for this mean mofo. I think you've surpassed my abilities to do so.
Dude, this is seriously a bad mothefucker. Sorry I didn't get to it sooner.
Take care, mister.
Aaron.
"Jesus H. on a popsicle stick"
Aaahhh,.... let's picture this, (because I believe you find a bit of humor in the story as well). Our main-man, Bejeezus, heading towards the hill for crucifixion, dragging over his shoulder a tiny popcycle-cross. Most of the onlookers and stone-hurlers don't even notice it. Don't even know about it, really, because Bejeezus brought it with him from home. Big cross is already on the hill, this little one is just for Bejeezus' own self-pity. Made it last night. Then !BAM! One of the hurled rocks connects just above the left eye! "Fuck!! That actually hurts!" Bejeezus drops his stupid, stupid little cross, looking wild-eyed at the laughing idiots who are trying to kill him, and realizes that he probably should have thought through all that shit that went down with Pilot. Seemed like he was offered an out several times.
No matter now, time to make history!
After about 40 more rocks he makes it to the hill and sure enough, the cross is made of a HUGE popcycle stick for the upright, and one of those tiny wooden ice-cream spoons as the cross-member. Bejeezus takes one look and says, "....... this is goddamn ridiculous!",...... so they just knife him in the ribs and walk off.
Thomas saw it, noted it, but nobody cared.
(Ok, I'm done.)
=========================================
" I don't remember you using your vocals in any of your previous tracks"
Tripwire Valley and Objective Focus. Very minimal. This is really more than I'm comfortable with.
"about 3 songs ago you kind of took off"
I was trying to pump out tracks. For me, coming into the music-room and picking up the guitar became something I NEEDED to do to keep up the workflow. Pride is parasitic. I was feeling I had to keep up the output or I was "declining" or something. Seemed a failure to not be thundering along, a track every week or two. So, I took the lid off of the pressure-cooker. I'm hangin on to stuff and adding bits when I feel right, and when those bits are reasonably thought out.
I hope all is well with you.
Audi!
Evan
on This Mean Motor Scooter by Evisma
Ciao,
M.
Evan
on This Mean Motor Scooter by Evisma
Mix sounds good, I can hear all the instruments separate in the mix. Rock on dude!!
Wayne
"How are you processing your bass?"
Same as always. Line 6 pedal, it gets compression, very light chorus and a digital delay, then into the interface and DAW. The biggest thing is that I record EVERYTHING twice, getting each line right twice, then panning them. I never duplicate something and pan it, it's always a separately recorded line. That is what gives it such a full sound. I hear SO much bass guitar that sounds like it was a D.I. feed that just got dumped in the middle of the mix. Tool's "46 & 2" grabbed me by the chest when I first heard it. It really made me feel like the bass was the most powerful and colorful instrument.
The middle is a bit more calm, but I felt the bombastic flankings needed a separation.
Thanks for droppin in!
Evan
on This Mean Motor Scooter by Evisma
Music was a joy to do. The main riff was the star of two weeks worth of whistling. Couldn't shake it.
Wife still has not heard this one. Having a bit of vocals in it, I probably won't ever let her hear it. She really doesn't care about my music so I'll probably start keeping it to myself. Maybe in the future I'll make stuff she likes.
Thanks for the very kind words. Makes me want to go warm up the amp!
Evan
on This Mean Motor Scooter by Evisma
Yes, I had some fun playing around with alliteration, partly because I know you enjoy it (I aim to please). My favourites are the Rachel, Steve and Jimbo ones. Maybe I should do more list-based track comments (and with no hello or goodbye).
I've only met your sister a couple of times and she didn't seem at all racist. Notice how I intentionally spelt that name the other way so you wouldn't think I was directing the racism at her (or her rollercoaster). Good to hear your childhood rollercoaster story.
I'm glad you liked my parody lyrics ("oil up some hefty hos" still cracks me up) and agree that your Stephen Hawking voice idea is a good one. I think I'll instead save those lyrics for when I assemble my one man Evanator tribute band. Gotta have a rabble rousing chorus live and this will be it (your only one). The tribute band will probably have more US No 1s than the original artist due to the generous sprinkling of Nomadgic on the original material.
""1:30 change is a bit of a surprise."
Good or bad?"
Still not sure the first 90 secs fit with the rest so it's not bad but maybe a slightly awkward change. I often find it hard to make big changes without the transition sounding awkward.
"I'm getting better with distorted guitars"
You very much are and I wonder what you have done recently. Probably not any different hardware or software. I also wonder how you've improved your drums.
Regarding your shame over your older tracks, you really should do what I've done a lot of recently - go back and improve them. As I'm getting serious now about releasing a whole load of albums (about 13) I went back and recently worked on all that material (about 70 tracks) in the space of about a month. I was able to make so many improvements, mostly through mixing and mastering. And that's even to some tracks that I'd already spent ages on, believing I'd got them as good as I possibly could.
You've improved so much in 2 years regarding production (much quicker than I did in my early days) that I know you can now make yourself much prouder of your older material.
Congrats on your lengthyish cigarette-free stint. My favourite cigarette joke is "Giving up smoking is easy: I've done it hundreds of times".
Tha Mothafuckin' Nomad, currently listening to his muscle memory.
I've been getting better distorted guitar sounds by recording the line twice and panning, as always, but then recording it twice again with a different distortion that fills in where the first may have lacked. So each guitar line is four separate takes, panned and layered. Whichever distortion is the tinnyiest gets panned the hardest.
As for drums, I've been constructing them from nothing. Kick & snare, then hats, cymbals, toms and other percussion. Usually get a bus track for the reverb so it all sounds the same, and I've been adding a bit of delay here and there to thicken it up. Biggest thing is layering drums to fill in where others lack, like the distortions.
I'll look into some older tracks. I'm leery to because I lost a few projects going in and dicking with stuff. Lost a tracks drums that were painstakingly assembled. Gone. Bye-bye. Never to be heard again.
I've been more careful since then.
In the process of recording a new guitar line. 3/4 with the low E doing 8th notes. Wife says if kind of reminds her of 'Aerials' from System Of A Down, but it's just the 3/4 rhythm. Progression is nowhere near the same.
Evanator, who is quite hip to the bull, yet even more hip to the lies.
on This Mean Motor Scooter by Evisma
Well that's so easy, right next to the LCD Television right behind the love swing and the pantry filled with rhino phalluses. GAWD, it's like you have no sense of space sometimes. Just move the box of retarded aphids 3 milinches to the right and you will see what I am saying. Oh and be careful not to trip over the acid reflux calendar nailed to the Ottoman Empire which might be attacking the persian rug as we speak. Oh shit I forgot about the chandelier. Sia...SIA...SIA..come down from there..SIA!! ahh that stubborn Aussie. She never listens as well as that muted Major Tom urn filled with his ashes. Ashes that are starting to go funk to funky, if you know what I mean. I mean where should that go....ah next to the Violin solo...see it's that simple.
Crulithium
on This Mean Motor Scooter by Evisma
on This Mean Motor Scooter by Evisma
Good to hear from you.
on This Mean Motor Scooter by Evisma
Brado
I'm it's Fluffer.
I'll give it more bass. I've never been able to argue with that suggestion.