Hello TheFrenZ, this is very good my friend, it has a strong beginning and never backs down....its a pretty powerful and progressive piece. I can only say very good work.
Thanks Kay, glad you like it. Tried something new in the intro, EQ on drum and bass (folder/bus) , use the low shelf freq in the automation, start high move to low slowly sliding in the low tones and jump to zero at the drop start releasing the full bass and kick.
I'm glad you enjoying in making music, bonus is when you making good music, which you are doing for sure. Like how ambiental it is.
I enjoyed my listen.
Good job!
Cheers!
Hello TheFrenz, I just finished listening to your track and really enjoyed it....bright melodies and nice spoken lyrics and just a pleasure to listen to.......very good work.
Love this! It's a great mixture of Electronic and weirdness! Which works really well. Love the bass and synths on this along with all the other weird bits that come in and out throughout the track, keeps things interesting. Overall, it has a bit of a sci fi feel to it. Great stuff, I really like it.
Thanks for the comment and glad you like it.
All synths handled by Vital.
3 bass tracks, "BS Chord Stack 1" by Woolf on PresetShare twice + "Fine Grain"by SNFK.
Hello TheFrenZ, sounds like a synth get-together....nice percussive effects keeping rhythm and blending quite nice with the party of sounds......good job.
Thanks, glad you like it. It's 15 Vital instances and Sitala for the drum FX-ed by Stochas, Echo Cycles, Lava Reverb and Raum. Echo Cycles takes care of the "dancing" of some percussion elements. Stochas creates random notes for the two "chatter" moments.
I like this composition :D
wall of sound
"To attain the Wall of Sound, [PHIL]Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble playing, such as electric and acoustic guitars), with multiple instruments doubling or tripling many of the parts to create a fuller, richer tone.[5] For example, Spector often duplicated a part played by an acoustic piano with an electric piano and a harpsichord.[6] Mixed well enough, the three instruments would then be indistinguishable to the listener.[6][7]"
Thanks, glad you like it.
Well I didn't use the Spector's technique :) Modern VST instruments blend multiple sound sources to achieve just that. In this track we have up to 5 synths playing different things at the same time and vocals (deformed or not) on top. Reverb effects assist creating the continuous flow of sound (the wall, but maybe I used this wording incorrectly).
on Enjoy your freedom by TheFrenZ
on Enjoy your freedom by TheFrenZ
on Enjoy your freedom by TheFrenZ
on Enjoy your freedom by TheFrenZ
on Enjoy your freedom by TheFrenZ
on Enjoy your freedom by TheFrenZ
I like it, it is really interesting.
Good job.
Cheers!
on LenF3 by TheFrenZ
on LenF3 by TheFrenZ
I enjoyed my listen.
Good job!
Cheers!
on LenF3 by TheFrenZ
on LenF3 by TheFrenZ
on Noa heem by TheFrenZ
on Noa heem by TheFrenZ
on Noa heem by TheFrenZ
on Noa heem by TheFrenZ
"man i enjoyed my listen :)" I hope I can repeat that many times in the future :)
on Noa heem by TheFrenZ
on Noa heem by TheFrenZ
on Noa heem by TheFrenZ
Super track you didd make here !!!
ich vinj 't good
Ut waor un plezeer um te make :-)
on Twists by TheFrenZ
on Twists by TheFrenZ
on Twists by TheFrenZ
on Twists by TheFrenZ
on Twists by TheFrenZ
on Twists by TheFrenZ
All synths handled by Vital.
3 bass tracks, "BS Chord Stack 1" by Woolf on PresetShare twice + "Fine Grain"by SNFK.
on Twists by TheFrenZ
on Up to the brim by TheFrenZ
wall of sound
"To attain the Wall of Sound, [PHIL]Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble playing, such as electric and acoustic guitars), with multiple instruments doubling or tripling many of the parts to create a fuller, richer tone.[5] For example, Spector often duplicated a part played by an acoustic piano with an electric piano and a harpsichord.[6] Mixed well enough, the three instruments would then be indistinguishable to the listener.[6][7]"
Well I didn't use the Spector's technique :) Modern VST instruments blend multiple sound sources to achieve just that. In this track we have up to 5 synths playing different things at the same time and vocals (deformed or not) on top. Reverb effects assist creating the continuous flow of sound (the wall, but maybe I used this wording incorrectly).