TheFrenZ

Good to read, download and stash it in your uplifting playlist as it will be gone in about a year, I create about 50 songs a year, so...

Bedankt

Thanks, I'm glad you like it.

Thanks, glad you like it.

Thanks, glad you like it. Genre, yes your right, it doesn't really matter :)

Thanks, glad you like it. The bass is "Yutani Mono Mass Synth" by Saike using preset "nice hollow bounce". It's a free JSFX plugin (when you're DAW supports it)

Thanks, glad you like it. Was I keeping you busy?

Thanks, glad you like it.

Thanks, glad you like it. And thanks for the loop pack, sounded just right in this song. I'm not a regular sample user, generally build everything in MIDI, but when I ever have an idea, i will contact you :)

Thanks, glad you like it.

Thanks, glad you like it. I tried to do my best on the audio experience, getting better on it but far from good :)

Thanks, glad you like it. My nephew came up with the idea of using Charlie Chaplin's "The Final Speech" in "The Great Dictator", and it turned out great. I asked for permission; it was too expensive :( Hence the Bart De Wever speech.

Thank you, I'm glad you like it.
.
The SFX used to create the sounds:
- Bass:Podolski:FU Rearpted
- Key:Numa:Piano D 1983
- Lead:Podolski:HS Assign
- Lead:Analog Lab V:Lucky Man
- Pad:Podolski:HS Flow Boat
- Arp:Podolski:FU Silly Arp
- Arp:Podolski:HS Edgebastion

The 3 tone repetition: Recorded piano notes with a lot of reverb, reversed

The first time I heard that sound was in "Lucky Man" by "Emmerson, Lake & Palmer" where Emmerson created this sound on a Moog. Then this year I started to play with Analog Lab V play (Arturia) and found this sound in one of the presets I got a hold of. Besides the great sound, the glide made it work for this track, but had to force it a bit. The glide depends on the previous tone, so I play a C2 followed by a C5, the C2 is muted by volume automation that fades in during the glide hence the great start of the synth sound. I feed the audio of that synth into a second track that contains Raum for the reverb but again muted by volume automation, at the end of the play the synth is faded out but the reverb is faded in to create the feeling that the sound is moving away from the audience.

Great to read, that's why we share here, isn't it? Get inspired by creations here on LM, and hope one can give back to the community.

Thanks Dan, glad you like it.

Thanks, glad you like it. Longer? Possible, but would you like to extend it with your creativity? Link to stems in PM.

Thank you, I'm overwhelmed by all the praise. But I also want to express my deepest gratitude for the way you describe this, something I, as a Dutch person, just can't seem to manage. I've also adjusted the settings. I initially disabled the download because of Bart De Wever's speech, but he made it public himself, and I assume that won't be a problem, so the download is now enabled.

Thanks, and glad you like it.

Thank you

Thanks, it was fun to create vocals on top of Robins great track.

Thank you for that, it's an honor.

Thanks, glad you like it