T576

Thank you, Micky, for the positive comment. Coming from an artist on your song writing level, I feel as though I'm still on the right path to please the listener. Sorry for the delay reply, working on some what I feel are fire tracks to upload soon, so keep an ear out it won't be long. Thaks again. PEACE. T576 OUT.

Thank you, RJR, for stopping by. Always appreciated. I also have been finding some really creative sounds lately. Thanks again. PEACE. T576 OUT.

Thank you, CC, for the listen and comment.

Thank you, Zoot, for the two time listen, and comment. Always appreciate when you take the time to show some love for a track of mine. MT and I always go back and forth trading observations and sonic critiques. As for the vinyl effect, I made it very Suttle, almost subliminal to fill in a dimension of the music that you would have to listen to it with different intentions to even know its there. I call it surgical listening. Kind of like when you can identify what frequency a sound sits in. Valuable skill to have when you're mixing and mastering and even sound designing. Thanks again. PEACE. T576 OUT.

Thank you, Patrick, for the positive response. That sounds like the perfect scenario for the listening of this track. Thank you for stopping by. PEACE. T576 OUT.

Hey Manuela hope all is well. I knew it would be someone on your level that would check me about that amateur fade out. First, thank you for listing and being totally honest with your comment. I love the musical truth about my track. Truth is it was getting late when I was finally satisfied with the overall production and mix, and decided to use a audio software I normally don't use to do the fade out. It's a new tool I need to learn how to properly use. After getting frustrated about not properly knowing how to do a professional fade out, I took the amateur mentality telling myself that's good enough I'm tired I will fix it later. Every now and then I will suffer a armature moment please forgive me. Thanks again for the truth. PEACE. T576 OUT.

Thanks for the stop by d, I hope the combination of the Reefer and the smooth sounds takes you to a peaceful place. PEACE. T576 OUT.

Thank you, Danke, for the stop by. Sorry for the late reply, I haven't had the time to do a lot of commenting, but I appreciate your support and time. PEACE. T576 OUT.

Thank you Beat for the stop by. I can't help myself, I just love some smooth jazz. Thanks again for the time.

Thank you dime for the high compliments, but you're a one-of-a-kind artist here. Nobody here sounds like you or has your concept of writing. You have an identity sound. MT has some very keen ears. I haven't heard any other artists here work fusion like MT. it's always a pleasure when you stop by. PEACE. T576 OUT.

Thank you, d, for the time and comment. I try hard to satisfy the listener. I appreciate the stop by. PEACE. T576 OUT.

Yea BB I agree with you on the second comment. I don't have a problem with sample writers, I have studied music, I sight read as well as being trained in theory, yet all that has nothing to do with being able to compose a song and know what the drums should do or what the keys should do. It takes time and practice to achieve some form of success when coming up with original material, and I, like you, would rather do everything myself because I can. PEACE. T576 OUT.

What's going on BB? I appreciate the listen and the time. I haven't had a lot of time to do some listening, but you know you're on the list to check out soon. Yes, I do all the guitar work on my tracks. I rarely use samples in my productions, not that I'm prejudice against the artists that do, I have much respect for the artists that can sample write and make it sound as though they have some knowledge of music theory and understand chords and how they function. I'm Shure you understand when I say by playing a melodic instrument, we know what chord makes you feel a curtain way or put you in a particular mood. If I did use samples more often, I would just make up my own. LOL. Thanks again for the stop by and listen. PEACE. T576 OUT.

Mark first let me say thanks for the HOLLA today, that made my day player. Now for those ears of yours, by you picking out my snap crackle and pop it just confirms my comment on your last track I listen too. Your hearing is surgical. I have to admit only because you OUTED ME, that vinyl was mint to be as close to subliminal as possible, but since you got to tell on somebody, I'm good with-it LOL. I gave it the female vocal listen and I agree with you on that idea. That would take this track to another dimension of SMOOTH. Now in reference to what we disgust today, that comment about the female vocal in a split second caused my ears to consider what I would say is your creative contribution to this track, instead of subtracting some element from the track, and it makes since. A pleasure always MT. PEACE T576 OUT.

Micky get off those knees. It's guitar players like you who keep me grounded. Your guitar playing is excellent in my opinion. Not being modest, being truthful. You get your guitar story told in quite a professional way. We won't discuss that voice of yours, because the comment will be too big to fit on the page. LOL. In all seriousness though, it's always appreciated when you stop by and comment. PEACE. T576 OUT.

Well Micky we both can't be kneeling down, because that funk song of yours I commented on, I'm just now getting up, so don't think you the only one kneeling down. LOL. I'll make a deal with you. Let's both keep making some powerful productions to share here on the Loop.