as always , pushing play button beside your musiX means pleasure of listening to a considered & studied music . I enjoyed all elements,speciallY drum & BasS were instructive for me who is usually far from funk genre .
Badhuman I don't know U & having no guess if U have any album or noT , buT if U may have & have any link , I'll be glad to know that . respects & all the best.___Behnam
Wow that guitar ending is killer. I hear some EVH in there like Ice Man Killer dude, out standing playing from one guitar player to another, out totally standing. Totally blown away. I keep replaying the end over and over not that the first part of the song is not good it is outstanding also.
I'm not really sure why you've recounted that lengthy story about Mozart and Salieri. Presumably it's because I asked why you chose to do a particular thing with your track.
I was merely giving the honest feedback that I felt the drums I so liked were too quickly removed and then took too long to return. These are compliments and then just suggestions as to what I would do with the track if it were mine. But it's your track so do what you feel is best for it.
Really killer drums. For me, they really stand out. Is that a loop? Maybe not as it's also got some good fills.
Why did you take them out for so long ie between 0:30 and 1:20?
It feels like they should really come back in on 0:49. The perfect drop is there!
The last few seconds are pretty much the perfect ending for this sort of music. But I think you can improve this by lengthening it a bit and not having such a long section without those excellent drums.
I should add that I also liked all the other elements but I'm just focusing on the drums as they stood out to me and then you cruelly took them away!
Thanks for Listening and commenting. Not a loop. Why does anyone do anything.
EMPEROR: Well, Herr Mozart! A good effort. Decidedly that. An excellent effort! You've shown us something quite new today.
[Mozart bows frantically: he is over-excited.]
MOZART: It is new, it is, isn't it, Sire?
EMPEROR: Yes, indeed.
MOZART: So then you like it? You really like it, Your Majesty?
EMPEROR: Of course I do. It's very good. Of course now and then - just now and then - it gets a touch elaborate.
MOZART: What do you mean, Sire?
EMPEROR: Well, I mean occasionally it seems to have, how shall one say? [he stops in difficulty; turning to Orsini-Rosenberg] How shall one say, Director?
ORSINI-ROSENBERG: Too many notes, Your Majesty?
EMPEROR: Exactly. Very well put. Too many notes.
MOZART: I don't understand. There are just as many notes, Majesty, as are required. Neither more nor less.
EMPEROR: My dear fellow, there are in fact only so many notes the ear can hear in the course of an evening. I think I'm right in saying that, aren't I, Court Composer?
SALIERI: Yes! yes! er, on the whole, yes, Majesty.
MOZART: But this is absurd!
EMPEROR: My dear, young man, don't take it too hard. Your work is ingenious. It's quality work. And there are simply too many notes, that's all. Cut a few and it will be perfect.
This is fantastic! I don't see much funk tracks often on this site, but this really made my day. I greatly enjoyed the whole thing. This sounds like this is at a bpm around 120 - 125. This has me bumping from start to finish. Great work!
This is great man!
You have so many good elements here. Love the initial guitar riff (I would like to have it doubled by the bass in the break around 1:00 ...I can really hear it in my head).
The brasses are very well done. The rhythm guitar is a classic but you never go wrong with classic.
Really loved this small piece of music.
Ciao, Domenico
this is some great beat. i like. it might sound better if you extend your piano, or delay the entrance of the beat, right after the into, for the beat not get in so suddenly.
on You Speak To My Soul by Badhuman
on High Steppin by Badhuman
Badhuman I don't know U & having no guess if U have any album or noT , buT if U may have & have any link , I'll be glad to know that . respects & all the best.___Behnam
on Lester T Nightfly by Badhuman
I just can say that you are really perfect .
that's it .
on Step Off by Badhuman
on Step Off by Badhuman
on Step Off by Badhuman
The idea of the final "shower singing" is nice. It made me smile.
Ciao, Domenico
on Step Off by Badhuman
on Tighten Up by Badhuman
on Tighten Up by Badhuman
on Some Chunk Funk by Badhuman
I take a bow to you my friend.- Peace
on Tighten Up by Badhuman
on Tighten Up by Badhuman
I was merely giving the honest feedback that I felt the drums I so liked were too quickly removed and then took too long to return. These are compliments and then just suggestions as to what I would do with the track if it were mine. But it's your track so do what you feel is best for it.
on Tighten Up by Badhuman
Why did you take them out for so long ie between 0:30 and 1:20?
It feels like they should really come back in on 0:49. The perfect drop is there!
The last few seconds are pretty much the perfect ending for this sort of music. But I think you can improve this by lengthening it a bit and not having such a long section without those excellent drums.
I should add that I also liked all the other elements but I'm just focusing on the drums as they stood out to me and then you cruelly took them away!
EMPEROR: Well, Herr Mozart! A good effort. Decidedly that. An excellent effort! You've shown us something quite new today.
[Mozart bows frantically: he is over-excited.]
MOZART: It is new, it is, isn't it, Sire?
EMPEROR: Yes, indeed.
MOZART: So then you like it? You really like it, Your Majesty?
EMPEROR: Of course I do. It's very good. Of course now and then - just now and then - it gets a touch elaborate.
MOZART: What do you mean, Sire?
EMPEROR: Well, I mean occasionally it seems to have, how shall one say? [he stops in difficulty; turning to Orsini-Rosenberg] How shall one say, Director?
ORSINI-ROSENBERG: Too many notes, Your Majesty?
EMPEROR: Exactly. Very well put. Too many notes.
MOZART: I don't understand. There are just as many notes, Majesty, as are required. Neither more nor less.
EMPEROR: My dear fellow, there are in fact only so many notes the ear can hear in the course of an evening. I think I'm right in saying that, aren't I, Court Composer?
SALIERI: Yes! yes! er, on the whole, yes, Majesty.
MOZART: But this is absurd!
EMPEROR: My dear, young man, don't take it too hard. Your work is ingenious. It's quality work. And there are simply too many notes, that's all. Cut a few and it will be perfect.
MOZART: Which few did you have in mind, Majesty?
EMPEROR: Well. There it is.
on Tighten Up by Badhuman
on Tighten Up by Badhuman
on Tighten Up by Badhuman
on Tighten Up by Badhuman
on Tighten Up by Badhuman
Thanks for listening and leaving a comment.
on Tighten Up by Badhuman
~Ookami
on Tighten Up by Badhuman
on Tighten Up by Badhuman
on Tighten Up by Badhuman
You have so many good elements here. Love the initial guitar riff (I would like to have it doubled by the bass in the break around 1:00 ...I can really hear it in my head).
The brasses are very well done. The rhythm guitar is a classic but you never go wrong with classic.
Really loved this small piece of music.
Ciao, Domenico
on It Aint Over Prelude by Badhuman
Great beat.
on It Aint Over Prelude by Badhuman
Neezle
on Samedi matin by Badhuman