Great ideas on the track. I like the guitar use. You may want to consider reducing the volume of the bass and snare, and then using compression to boost it back, something with a quick release time.
That way the bass will hit as hard without clipping.
Im still new to production so i appreciate the guidance. I definitely heard this in my truck today and it was way too loud i will try to compress it correctly for sure thank you.
Thank you BOD, but for a while, you are Bringer of Joy! I appreciate you taking the time to listen and comment, I shall check out the Balkan thing (I have spent time in Bulgaria funnily enough)! Thanks again :)
I like the drum n bass direction; it makes the songs sound like a remix of a previously popular song. I agree that a break down would be nice, but good track overall.
Nice, rich sound choices. The mix is very bright and clear. I like the LFO stuff going on in the background gluing it all together. Vocals is a nice touch.
I like the quasi dubstep at 2:00 and 5:00
I was expecting some pads or something to pop up in the background, but the high pitched blips did nicely.
I like the changes, this kind of music is easy to make too repetitive.
listened to this while getting ready for work, woke me right up, better than coffee :)
Thanks for the feedback. Yeah, I know what you mean about the repetitiveness of this type of music especially as this track is fairly long as well. Cheers.
Good ideas here.
Adding a hint of reverb/delay to each track would fill in some of the space (just enough to where it is audible when you select/deselect bypass).
Also, getting the volumes of each track to around -6 to -12 Db, and making sure the master does not red line will help with the volume. Lastly, you can add a hint of distortion, saturation to the tracks (even the vocals), to brighten them up and give the mix more presence.
I'm not expert, just food for though since you are fairly new :)
Nice mix. I like all the little drum breaks and subtle changes (like the one at 2:00).
An occasional vocal sweetener (maybe a little delay on a word or two with the highs filtered a little) would be an appropriate touch, but that's just a suggestion.
I would say Pop is what happens when you borrow from the "cool" (currently trap beats and EDM) after the techniques get luke-warm, palatable and relatable to the average listener (an opinion of course, and a very gray area).
I Don't think you did that here, more an interesting use of vocals with an ethereal backdrop. I've given up on classifications, but if I had to chose, I'll take SemiPsychodelicChillout any day :)
BTW, my work has slowed and I finally have time. I'm down for a jam, the funkier the better. I can put together something like Funky Giblets or you may already have something. Let me know, ttyl.
I thought I saw you the other day on LM.
I wasn't sure tho (I could have been trippin;).
It's great to see you back.
I recently heard some "Metal" that caught my ear (Julioooliveira & SuicideJ). I was actually working on a track that could possibly be considered "Metal Lite". Now that I see "Metal" is accepted, perhaps even encouraged. I want to go "Whole Hog" and make sh#t bleed...LOL
What do you think? Do I need therapy?
Or I'm down for a Funk track.
Thanks for your listen. Let me know how when and where and I'm on it.
Here you go, remixed with solo. Bass and kick were a little hard to differentiate in the original so I replaced them. I kept the key, tempo, and original motif... enjoy.
Nice high-hat choice, you managed to get the "cricket" sound out of the trap beat, which is a nice change. Nothing wrong with using a ride also, or in place of the high-hat, with a hint of distortion and a bit of wavy pitch shift.
Yeah, nice use of brass. I Like the wet surfer reverb on the rim click. Telephone was perfect randomly in the guitar solo, also liked the dark scale use around the same time.
Nice work, fun to listen to. Well mixed. Well done.
Well produced, maybe a little filter sweep on the descending keyboard part, to get some of the highs out of it. Definitely murder mystery montage. Nice work.
If you find an individual track or instrument that is not loud enough in the mix, even when you turn it up, try saturation (either a hint of distortion, loudness, or reverb, by order of impact of the effect). Just a dab will do.
You will find that the sound pops in the mix. Then you can keep the level between -6 and -12 DB (roughly) and still hear it, and your track will mix to -3 to 0 DB (roughly, depending on the number of individual tracks), which means it won't clip (give the wav a flat-top). Then you don't need compression on the master when rendering the final track.
Once again, I am no expert. These are just things that I do in my mixes that I have learned from experience and tutorials.
on Not A Soul by Hoodestablished
That way the bass will hit as hard without clipping.
I'm no expert, just a thought.
on Mirjam Is Really Something by Orlando51
Cheers,
Leon
on Aquafina by Art0fficial
Great job.
on One Love One Heart by chesterfester
on Rest Easy Feat McArthur by Lek
on Farisha mood music by pcm2008
on Jai Guru Vaca Cega remix by AAP ft Leo Valentine by vacacegamusic
Nice work.
on West African Electrobeat by DanGoldstein
Nice work.
on All the Pretty Horses Micky Remix by spearcarrier
It's like dark disney.
Nice works, would be good in a Bond movie.
on Show Me Your Power by Lek
I was expecting some pads or something to pop up in the background, but the high pitched blips did nicely.
I like the changes, this kind of music is easy to make too repetitive.
listened to this while getting ready for work, woke me right up, better than coffee :)
on Aint Nobody Stoppin Me feat Mikamik by OrbittMadeIt
Adding a hint of reverb/delay to each track would fill in some of the space (just enough to where it is audible when you select/deselect bypass).
Also, getting the volumes of each track to around -6 to -12 Db, and making sure the master does not red line will help with the volume. Lastly, you can add a hint of distortion, saturation to the tracks (even the vocals), to brighten them up and give the mix more presence.
I'm not expert, just food for though since you are fairly new :)
on Yo Yo Prod By Legendary by IAmLegendary
on Freaky Remix by Lek
An occasional vocal sweetener (maybe a little delay on a word or two with the highs filtered a little) would be an appropriate touch, but that's just a suggestion.
Well done.
on enclosure by klmr29
on Maybe We CAN Fly by Jynxz
I Don't think you did that here, more an interesting use of vocals with an ethereal backdrop. I've given up on classifications, but if I had to chose, I'll take SemiPsychodelicChillout any day :)
BTW, my work has slowed and I finally have time. I'm down for a jam, the funkier the better. I can put together something like Funky Giblets or you may already have something. Let me know, ttyl.
I thought I saw you the other day on LM.
I wasn't sure tho (I could have been trippin;).
It's great to see you back.
I recently heard some "Metal" that caught my ear (Julioooliveira & SuicideJ). I was actually working on a track that could possibly be considered "Metal Lite". Now that I see "Metal" is accepted, perhaps even encouraged. I want to go "Whole Hog" and make sh#t bleed...LOL
What do you think? Do I need therapy?
Or I'm down for a Funk track.
Thanks for your listen. Let me know how when and where and I'm on it.
PEACE...
on Hope 2021 by orchardstudios
Sorry...got carried away there...
Thanks again for taking the time to listen and comment. Much appreciate.
Bill
on Equinox ft Grafezzy - Payment by AAP by 0Equinox0
on Cold Beer Blues by HamsterLewis
https://www.looperman.com/tracks/detail/225893
HL
on Cold Beer Blues by HamsterLewis
on Cold Beer Blues by HamsterLewis
HL
on Heaven Trap Instrumental by zipbass
Good track and production quality.
on TEMPLARS TOMB by Janusz1967
Nice work, keep it up.
on horse to water by Zootman
Nice work, fun to listen to. Well mixed. Well done.
on A Tunnel Of Drunken Imbeciles by ClickbaitCabaret
on Lime Green by Prodcde
You will find that the sound pops in the mix. Then you can keep the level between -6 and -12 DB (roughly) and still hear it, and your track will mix to -3 to 0 DB (roughly, depending on the number of individual tracks), which means it won't clip (give the wav a flat-top). Then you don't need compression on the master when rendering the final track.
Once again, I am no expert. These are just things that I do in my mixes that I have learned from experience and tutorials.