I got some good nfo from BofD (pro straight beat) and Mark (pro oddball beat) I hadn't really given much thought to time signatures but after my conversations with them I started paying more attention to it. It seems it's something you can't un-see once you start seeing/hearing it.
I appreciate your listen and encouraging comments.
still good dude! such a great composition! I like when the battery hits and I'm served! What can I say, great job as usual! I would like to see a Chester on vocals!
Michael
I would also like to hear Chester on this track, but it is a pity that this is not possible. In any case, I'm sure there will be something cool soon!
And thank you very much for your words of support, It means everything to me!
Hi Michael,
I am very happy that you like the song.
Yes, I noticed that about Fleetwood Mac in the chorus part, but it wasn't really intentional. First Robbie sent me the keyboard parts and suggested I try to make something out of them. Then I decided that this particular part should be the chorus part and then I wrote lyrics. In fact, Fleetwood Mac's DREAMS is one of my all-time favorites ... ingeniously simple in structure, super reduced instrumentation and absolutely to the point. A prime example of the excellent pop song ... if you accept pop as a category or discipline, which I do. I don't have much to say on the substance...rather simple truths or even less...but I see these songs as exercises in a certain discipline in which one can do well or not so well. I used to pay more attention to virtuoso instrumental qualities, but that's changed now...probably since I started trying to sing myself.
Incidentally, there are other deeply vile thefts in the song: a hummed part from Dr. John's ZOU ZOU MAMOU and a tiny bit of text from Japan's GHOSTS ... I hope Mr. Rebbennack and Mr. Sylvian will be so lenient ...
on High Again by clxarity
Michael
on EndLessLoop by Jynxz
Michael
I got some good nfo from BofD (pro straight beat) and Mark (pro oddball beat) I hadn't really given much thought to time signatures but after my conversations with them I started paying more attention to it. It seems it's something you can't un-see once you start seeing/hearing it.
I appreciate your listen and encouraging comments.
PEACE...
on CLW 80 demo 4 by akda10
Michael
on WrongSignal - 1985 by AnalogDisc
Michael
on ECCEDENTESIAST by SANDYMBEATS
Michael
on Hades Instrumental partial by Yourmuse
Michael
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Michael
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Michael
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Michael
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Michael
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Michael
on Millenium by Danke
Michael
We appreciate your kind comment!
Fistbump, Danke and the band
on Dark Matter by nyd868
Michael
on Jynx- feat Joey Bonez Striking Daggers by Jynxz
Michael
It's super encouraging to hear you call this track a
"success" I appreciate you stopping by and giving the track a listen and supportive comments.
PEACE...
on Walk Away by nyd868
Michael
on Deep breath by FatalDecline
Michael
on Walking In The Woods by DsideK
Michael
on Evolution by nyd868
Michael
on Tears by Lonelyawxy
Michael
And thank you very much for your words of support, It means everything to me!
Lonelyawxy.
on Track 1-800 im broke rn by TheBride
Michel
on Be Myself by Lonelyawxy
Michael
on Dubjoka when your with me by dubjoka
Michael
on Just When You Think by Micky
Michael
I am very happy that you like the song.
Yes, I noticed that about Fleetwood Mac in the chorus part, but it wasn't really intentional. First Robbie sent me the keyboard parts and suggested I try to make something out of them. Then I decided that this particular part should be the chorus part and then I wrote lyrics. In fact, Fleetwood Mac's DREAMS is one of my all-time favorites ... ingeniously simple in structure, super reduced instrumentation and absolutely to the point. A prime example of the excellent pop song ... if you accept pop as a category or discipline, which I do. I don't have much to say on the substance...rather simple truths or even less...but I see these songs as exercises in a certain discipline in which one can do well or not so well. I used to pay more attention to virtuoso instrumental qualities, but that's changed now...probably since I started trying to sing myself.
Incidentally, there are other deeply vile thefts in the song: a hummed part from Dr. John's ZOU ZOU MAMOU and a tiny bit of text from Japan's GHOSTS ... I hope Mr. Rebbennack and Mr. Sylvian will be so lenient ...
Thanks for listening and commenting,
Cheers,
Micky
on Atmos by Cyrus0547
Michael
on Twilight by Zootman
Michael