I generally will do all the vocal mixing, but this was actually mainly premixed vocals. I did some tweaks to the chorus, reverb, and the vocal cuts in the end of chorus, but Junior Paes did a great job premixing.
Thank you a million and more! I am very happy to know that it came out clean and mixed well. I am trying very hard to perfect my craft and it seems I'm moving in the right direction. I appreciate you!
Super gut! like Blancmange meets the future...freaking you, this is so new and retro but all your own style. I love this so much. Thank you for such a great piece of work. And thanks for making it available for download. fav“d
Cru
Thank you so much, I'd not heard of Blancmange until I'd read this comment and I stopped to listen to some of his work and I'm once again honored to be a callback to artists of this style. I thank you a million times over!
Thank you very much! When I was making music around this time I was heavily inspired by Lady Gaga and made some nods to her in my instrumental and background voice (I'm glad you noticed). I was also inspired by Buggles - Video Killed the Radio Star, but wanted something a little new feeling which is what the first part of the second verse describes.
I'm hearing a bit of the B-52's mixed with Peter Gabriel (Shock the Monkey). Def Devo and Gary Numan, as some others mentioned. This has a great 80s feel.
Now all you need is some Fitz and the Tantrums vocals to blend the old with the new: https://www.youtube.com/watch?v=Y2V6yjjPbX0
Thanks a lot! I really felt like that instrument deserved that echo and it was the first part that I made in this instrumental, everything else followed around it.
Sure, better than 1st version, but there are still some stuff to work on.
Vocals: as Alien rightly told, add a de-esser. Then apply a 4:1 compression (to make the waveform uniform, in this way it avoids that the lower parts are not intelligible and that the higher ones are too strong). Last but not least, add an eq and soften the low-mid frequencies of the voice tone, otherwise, as it is, it still buries parts of the instrumental. After doing all this, you can adjust the overall volume.
Acoustics: still too weak. Enhance their brilliance. A tad more stereo field needs too.
Drumstuff: all at the right place but the snare. Volume still too low. If you can't do better with the one you used, add a "80's" one (if you need some samples, i got something :) ) then wide his stereo field and add a longer reverb.
Looks like I had to work with another snare, cause the one I was using was at its max potential. I used the compression ratio you mentioned, but had to manually equalize parts of it due to the piano being recorded with the vocals. Added a bit more to fluff it up and further separated the pads. I'm learning a lot, thank you.
Enlightened strikes back! Lovely idea to dress Jenna's vocals on a late 80's/early 90's song... the music is very beautiful, but you seem to have forgotten some suggestions that I already gave you on the track with Farisha!
Listening in headphones, I have the impression that Jenna is singing in front of me, while all the music is behind me!
This happens because, probably, you have not entered the compressions in the various patterns. In particular, like in Zombie, the bass seem to be missing, Jenna's voice dominates all the instrumental and the sound, in general, thickens everything in the central part of the stereo field.
My tips: everything that works as a pad is assigned to a wide stereo field, so that it seems to "embrace" the whole song. The bass line must be in mono, all the drumlines must have a more limited stereo field (you can, eventually, add on them a very light reverb or, better, use the parallel compression)
On the snare, especially, which is the most beautiful drumline sound here, you could use a different compression, widening the stereo field a bit and adding a stronger reverb.
Decrease the volume of Jenna's voice, which is already very consistent, so as not to bury the music, you can also create a volume envelopment so you can optimize the mix with the instruments in real time.
Yeah I put her in the center with no competing element so I could have afforded to lessen the volume, I was afraid to block her out. I'll revise it and be posting it as soon as I've remastered it. Thanks for lookin out. :)
Oh yeeeesss, oh yeeeeessss, ooooooooooooh yeeeeeeeeeeeeeeessss! I'm so happy i help you to reach a better sound! More fatty bass, pads at the right moment, vocal treatment puts something more to this!!! Absolutely yesss!
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on TE1 feat Farisha - Zombie by TheEnlightenedOne
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Keep on good job mate !
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Cru
on TE1 ft Bosh - Into the Music by TheEnlightenedOne
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on TE1 - World Breaker by TheEnlightenedOne
I'm hearing a bit of the B-52's mixed with Peter Gabriel (Shock the Monkey). Def Devo and Gary Numan, as some others mentioned. This has a great 80s feel.
Now all you need is some Fitz and the Tantrums vocals to blend the old with the new:
https://www.youtube.com/watch?v=Y2V6yjjPbX0
I'm definitely marking this a fave!
on TE1 - World Breaker by TheEnlightenedOne
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on TE1 ft Jenna Evans - Make it Right by TheEnlightenedOne
on TE1 ft Jenna Evans - Make it Right by TheEnlightenedOne
Vocals: as Alien rightly told, add a de-esser. Then apply a 4:1 compression (to make the waveform uniform, in this way it avoids that the lower parts are not intelligible and that the higher ones are too strong). Last but not least, add an eq and soften the low-mid frequencies of the voice tone, otherwise, as it is, it still buries parts of the instrumental. After doing all this, you can adjust the overall volume.
Acoustics: still too weak. Enhance their brilliance. A tad more stereo field needs too.
Drumstuff: all at the right place but the snare. Volume still too low. If you can't do better with the one you used, add a "80's" one (if you need some samples, i got something :) ) then wide his stereo field and add a longer reverb.
on TE1 ft Jenna Evans - Make it Right by TheEnlightenedOne
Listening in headphones, I have the impression that Jenna is singing in front of me, while all the music is behind me!
This happens because, probably, you have not entered the compressions in the various patterns. In particular, like in Zombie, the bass seem to be missing, Jenna's voice dominates all the instrumental and the sound, in general, thickens everything in the central part of the stereo field.
My tips: everything that works as a pad is assigned to a wide stereo field, so that it seems to "embrace" the whole song. The bass line must be in mono, all the drumlines must have a more limited stereo field (you can, eventually, add on them a very light reverb or, better, use the parallel compression)
On the snare, especially, which is the most beautiful drumline sound here, you could use a different compression, widening the stereo field a bit and adding a stronger reverb.
Decrease the volume of Jenna's voice, which is already very consistent, so as not to bury the music, you can also create a volume envelopment so you can optimize the mix with the instruments in real time.
Try all this, then let me know!
on TE1 - Human Nature by TheEnlightenedOne
on TE1 feat Farisha - Zombie by TheEnlightenedOne