You know, in this case, the loop is pretty straightforward; I recorded 5 tracks of my own voice singing (each harmonic line).
I then manually do a DC OFFSET command on each line, so the tracks don't create any harsh clicks or pops between them.
Then I apply very delicate amounts of Autotune to each vocal line... just to correct my worst vocal-pitch errors; I don't want to set it to "stun" for a Drake stair-step effect... No, I try to keep the Autotune absolutely natural-sounding.
In this loop, I applied mild compression to each track with the Softube FET COMPRESSOR, which is my everyday, all-around compressor of choice for routine tasks.
I then panned my 5 tracks across the pan field, to make it sound like 5 different guys were singing onstage, you know. Then I used Melda AUTO-ALIGN to align the phase of all the tracks together. It's a subtle effect, but it gets your tracks in crystal-clean alignment, with no nasty artifacts (phase cancellations) at all.
I then bumped-down all the tracks to one stereo track.
Lastly, I applied some reverb judiciously using my favorite reverb unit: the Melda Multiband Convolution Reverb. It allows you to divide a track into several frequency bands, then apply as much reverb as you like to each individual band. What I like to do is, add very very little reverb to the innermost frequency bands, but add much more to the Highest band... and to the Lowest band. That way, your reverb will never sound "soupy" or get in the way of the midrange band, where you need your musical ideas to be quite clear.
And that's it.
Wishie, I am so taken by the Melda line of plugins. They are the absolute S**T !!!
It was absolutely fun to work with this Choir Sample. Thanks for sharing that! :)
Like your other Samples, too!
I made an Oldschool Type Hip Hop Beat with it, maybe you'll take a listen :) https://soundcloud.com/phevo/hip-hop-choir-instrumental
you upload the most amazing loops...I've been trying to recreate the piano rift from "Africa" by D'Angelo...I would love it if you were able to create it. I believe the song is in E major and the BPM is 96.
You're another one of the talented musicians I've been wanting to comment on. I really like your work. Usually the pro's and music theory minded people put the key in the tag!
I love your r&b stuff! I literally came up with a verse and a hook after the first listen. Let me know if you want to do some full songs. I have another one of your loops that is literally a whole song!
on Oldschool Male Soul Oohs by Rasputin
on Fast Arpeg Fingered Guitar by Rasputin
on Fembot by Rasputin
You can take a listen to it here if you'd like:
https://www.youtube.com/watch?v=dZWpB0jyah8
I couldn't find your get ready to rock sample, it's on there as well
on Angels Over Africa by Rasputin
on Angels Over Africa by Rasputin
I always loved that intro.
Thanks for the trip down memory lane.
on 60s Doo-Wop Boyz 2 by Rasputin
You know, in this case, the loop is pretty straightforward; I recorded 5 tracks of my own voice singing (each harmonic line).
I then manually do a DC OFFSET command on each line, so the tracks don't create any harsh clicks or pops between them.
Then I apply very delicate amounts of Autotune to each vocal line... just to correct my worst vocal-pitch errors; I don't want to set it to "stun" for a Drake stair-step effect... No, I try to keep the Autotune absolutely natural-sounding.
In this loop, I applied mild compression to each track with the Softube FET COMPRESSOR, which is my everyday, all-around compressor of choice for routine tasks.
I then panned my 5 tracks across the pan field, to make it sound like 5 different guys were singing onstage, you know. Then I used Melda AUTO-ALIGN to align the phase of all the tracks together. It's a subtle effect, but it gets your tracks in crystal-clean alignment, with no nasty artifacts (phase cancellations) at all.
I then bumped-down all the tracks to one stereo track.
Lastly, I applied some reverb judiciously using my favorite reverb unit: the Melda Multiband Convolution Reverb. It allows you to divide a track into several frequency bands, then apply as much reverb as you like to each individual band. What I like to do is, add very very little reverb to the innermost frequency bands, but add much more to the Highest band... and to the Lowest band. That way, your reverb will never sound "soupy" or get in the way of the midrange band, where you need your musical ideas to be quite clear.
And that's it.
Wishie, I am so taken by the Melda line of plugins. They are the absolute S**T !!!
Best, ras
on Fender-Rhodes Meditation by Rasputin
on M-F Ooh Choir by Rasputin
Like your other Samples, too!
I made an Oldschool Type Hip Hop Beat with it, maybe you'll take a listen :)
https://soundcloud.com/phevo/hip-hop-choir-instrumental
on 60s Pop Chicks 2 by Rasputin
It's featured on my latest track with Metaled
You can take a listen here if you like:
https://www.youtube.com/watch?v=IIFDV-wVxoI
I gave you credit, it's the right thing to do
on Angels Over Africa by Rasputin
on Angels Over Africa by Rasputin
on Castle On The Cliff by Rasputin
on 1970s Disco Beat 2 by Rasputin
on Bubbling Water by Rasputin
on Techno Synth Groove by Rasputin
on High Up by Rasputin
on 60s RnB Boogie Piano Riff by Rasputin
on 1950s rock n roll piano riff by Rasputin
on RnB Piano Chords by Rasputin
on Fender-Rhodes Meditation by Rasputin
on Jazzys Summer Groove by Rasputin
on Tender Guitar Melody by Rasputin
on 60s Soul Girls 5 by Rasputin
Thanks,
Jix
on 60s Soul Girls 5 -- tight mono version by Rasputin
on RnB Piano Chords by Rasputin
Thanks, Jix