Description : pure Deephouse music track,fresh and new from the album Future of the talented music Producer Deepsound .enjoy and any feedback will be appreciated .
LOOKING FOR VOCALS FOR THE TRACK.
Description : New track from me, only realised this morning it sounds a hella lot like another track so i may either re do the chords to switch it up a little or failing that just give it away for free.
Have a listen guys let me know whats good and whats bad, all critique welcome here :)
Description : New track from me and my first track on the loop for a long while now.
Its the full length club mix so loads of drums at the beginning and end.
Description : 'Grinnin' In Your Face' is my second track featuring the voice of Son House (1902-1988). Just as 'John The Revelator' this re-mix was inspired by watching the rockumentary 'It Might Get Loud' with Jimmy Page, The Edge and Jack White. The pivotal moment comes when Jack White plays his favorite a capella track by Son House (www.youtube.com/watch?v=qTlSka5iqPY). This made a big impression on me. I wondered how House's incredible voice would sound when transposed to a housebeat. Thus unusual combo of two genres (blues/gospel and house) worked out fine, I think, in 'John The Revelator'. For the new track I sought a hard edge approach. Instead of the lyrical sax by STAX, I used electric guitars for solo and rythmic elements, going for the very rough sound Jack White demonstrates in the rockumentary by playing, slightly out of key, one-string slide-guitar. 'Grinnin' In Your Face' is part of a Son House Project I'm working on, paying hommage to the old blues in a new musical environment.
Description : The idea to do something with the powerful voice of Delta blues musician Son House (1902-1988) came after I watched the documentary ‘It Might Get Loud’. Jack White (The White Stripes) played a record called ‘People grinning in your face’ by Son House. An a cappella song with handclapping; ’one man against the world’. You can find this magnificent fragment of the documentary on YouTube. Please watch it. Be awed. After that I listened to a lot of a cappella by Son House and was overwhelmed by ‘John the Revelator’. Even if you are not religious (like me) or familiar with the Bible (I am), this traditional gospel blues in a call and response-style is everything the blues is about. I realised it was almost ‘sacrilegious’ to put a drumbeat under this vocal track, but it gave me goosebumps the first time I tried it. So I composed a dramatic housetrack together with STAX (Hans Clevers) on sax. I took almost a month or two to split the original voicetrack in enough pieces to re-align them with the basic beat without losing the original feel. Where possible, I eliminated the handclapping because it was mostly out of sync. After I got the basetrack right, STAX played his solo. Afterward the grand piano, choirs and strings where added plus the noise-percussion. The project and mixing took approx. five months.
‘John The Revelator’ (this is from Wikipedia) has been called ‘one of the most powerful songs in all of pre-war acoustic music ... [which] has been hugely influential to blues performers’. The song's title refers to the Apostle John as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events. In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals. Son House recorded several a cappella versions of this song in the 1960s. His lyrics for a 1965 recording explicitly reference three theologically important events: the Fall Of Man, The Passion of the Christ and Resurrection. This is the version used here.
Description : I couldn't sleep in the night so i decide 4 o'clock in morning produce some tech house.So i did it kind of deep house track.its not finish yet, but hope will finish soon.
Description : This is a deep house/techno track I made with AmbientNation's "You Clung to my Skin" acapella. I mostly used the acapella for background sounds (honestly, I'm still not sure if I should include it at all). I used the minimoog V and FM8 vsts for all of the synth patches, and the drums come from a number of sources. This is a work in progress so any critiques will be much appreciated.
Description : I heard janis71's "Miss You" acapella and liked it, so I made a song with it. I also used her "Haaaaaaa" acapella for some background vocals. For the synth sounds I used the minimoog V and Phoscyon vsts, and for the drums I used 505 and 909 samples. This is still a work in progress, so any advice would be very helpful and much appreciated.
Description : Deep & minimal House track. 123 BPM and just over 6 minutes long. Title comes from the bad weather we have had in the UK in the last month. Making the track listening to the rain & wind at the same time kinda inspired me lol.
Downloadable should you wish. If you do use it elsewhere just give me a mention please.
Hope you enjoy & thanx for taking time to listen. Peace, Love, Justice & Respect.
Vis . . . .
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