AFTER A SECOND LISTEN AND READING SOME COMMENTS..I WOULD HAVE TO AGREE WITH DJ SLT UK......THE MUSIC IS GREAT ..GIVE IT A CHANCE TO BREATH....WHICH IN TURN WILL MAKE YOUR SAX HAVE BIGGER IMPACT.....I THINK THATS WHAT HE WAS SAYIN...HAHA...LOVELY WORK
YOU HAVE A PRODUCERS VISION .....AND YOU DELIVER THE GOODS....I LIKE THIS VERY MUCH...STARTING WITH CONCEPT...THEN THE VISION ..THEN TO PULL IT OFF....WISH I THOUGHT OF IT....CAN WE EXPAND THE IDEA....FUNNY ENOUGH I WAS RECORDING SOME OUT TAKES OF STAR TREK THE OTHER DAY ...SIRENS..DOORS CLOSING...U KNOW...FUN STUFF......MIX IT IN...SO WHEN I HEARD YOUR TRACK OFFLINE OTHER DAY...I WAS LIKE HEY....THIS IS GREAT...I KNOW WHERE YOUR COMIN FROM....HATS OFF
WELL DONE...ARE YOU PLAYIN SOME PARTS...IF NOT NO WORRIES..GREAT JOB PUTTING IT TOGETHER...IVE DONE THAT TIME TO TIME....YOUR VIDIOS ARE COOL... DO U DO THAT...SORRY I LOST MY QUESTION MARK
YES THATS WHAT I MEAN.....AS IN HE SAID B4 HE BECAME PREZ HE SAID OUR AIR FORCE PLANES COULDNT FLY.....WHEN YOU HAVE TRACK THAT IS GOOD N BITS OF HUMOR ITS A WIN WIN...
I worked a lot on the bass. Devin Hoffman, the lead composer of the original, is a very excellent bass player from what I've read. The bass pattern for the first couple of bars was pretty easy to reproduce, except for the slides that he used in his original. I don't know how to do that with my bass instrument plugin yet.
But, further on in the original track, the bass part got quite submerged in the mix, and it was hard to distinguish it. I EQ'd the original to try to isolate it, but that wasn't entirely successful. But, I think I got most of it.
I believe there are really only 3 or maybe 4 actual patterns in the entire song and the chord progression doesn't change at all, which was a surprise to me. The varied melody lines and instrumentation for each section make it seem like there's much more variation in the underlying chord progression than there really is.
on 04 The Star Mother ft Ashesndreams by Eighteen
CHEERS!!
~EIGHTEEN
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Either way. Thank you for listening and commenting.
Take care.
V.
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I worked a lot on the bass. Devin Hoffman, the lead composer of the original, is a very excellent bass player from what I've read. The bass pattern for the first couple of bars was pretty easy to reproduce, except for the slides that he used in his original. I don't know how to do that with my bass instrument plugin yet.
But, further on in the original track, the bass part got quite submerged in the mix, and it was hard to distinguish it. I EQ'd the original to try to isolate it, but that wasn't entirely successful. But, I think I got most of it.
I believe there are really only 3 or maybe 4 actual patterns in the entire song and the chord progression doesn't change at all, which was a surprise to me. The varied melody lines and instrumentation for each section make it seem like there's much more variation in the underlying chord progression than there really is.
A very good learning exercise for me!
Eric
on SHATTERPROOF by AAP FT LEO VALENTINE by djphildrummin
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on Keeping It Saxy - Ronabo2020 by ronabo
on 04 The Star Mother ft Ashesndreams by Eighteen
Thanks for the listen!
Cheers!
~Eighteen
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