iDude

I applied some EQing on a couple of the tracks. Something worth mentioning is that I treated the EQing more like a filter. Meaning I used EQ to remove undesired freq from the track. I recently learned this is a better way to EQ tracks. Basically if you use EQing to boost frequency, you end up breaking the natural harmonic balance of the instrumentation. Basically, you end up loosing a lot by using EQ to boost freq. So, with that said.. crank up the volume and cut back on the undesired freq of the individual tracks. Simply look at EQing like a filter instead of a Freq booster. Do modest or slight boosting when you do need to do it, but for fine tweaking of the EQ. This is a trick I picked up online from reading things. Seems to work so far. Did this with my City Line track as well. Actually makes EQing the individual tracks to one another a lot easier to pull off. Basically, I'm staying away from using EQing on the Master itself. Instead opting to burn unmaster tracks now. I'm just making things Master ready. I did a little research into what Mastering is actually all about. Made me stop and rethink things a little more. Some great tutorials about the whole Mastering Processs on YouTube.

This falls under Creative Commons non-commercial liscense agreement. So as long as I'm not charging anything for it.. It's good! It's a ccmixture.org thing.

I've worked on "Something More, Something Less" and uploaded a full version of it now. Let me know what you think.