Hello Henry Pascal.
Really nothing bad to say here :)
All sounds good and in the right place. Her voice is really special and i like the vibrato a lot. So i think you done a good job on what you wanted to do.
But in a way i believe that a much darker and a more wave oriented version would have been better. But that is just my opinion and is not any kind of critic at all.
A really nice one to listen to.
Much respect for both of you!
No problem with criticism, if constructive as your is.
Just i don't understand what you mean with "wave oriented".
Sure, to be a seventies theme, is maybe a tad brilliant, and this don't help to give that flavours.
It could be one of the fixing i can do, so... tell me! aahahh
Hey Lefty!!! That intro was amazing. The music is amazing. Vapourware all the way! The vocals need some chorus effect to quash the off key vibrato. and I agree with everyone else it becomes buried. all easily fixed. The music is freking outstanding though.
Cheers mate.
Cru
Listening to this is like, "Just give me some red Bull with vodka & I'm ready to GOP to the club" kinda thing. It's really professional sounding too. Great job.
Maybe the limiter did his job, 'cause it was one of the spots where there was a bit of distortion... if i create an automation on volume, distortion cames back, so that's the best i can do with the means i have available!
good 70 vibe...the kick is very snappy..
some part the vocals get buried..i got a solution my friend.sidechian the whole track but the high mid...like 1k-5k with vocals
I was sure you notice about voice buring, but... that's not!
This is my magic trick:
If you pay attention, voice begin to fade since 2:00, because i played with the "wet" and "dry" knobs on reverb! Dry turns almost off, wet turns to 50%, to "phantomize" the vocals, that, in it's repetition, was a bit boring! Then, the vice-versa, to get back at circa 3:05
I listened to this from the first to the last note and I really enjoyed it. It's a great arrangement, a wonderful beat and it sounds just great. Listening to your works it gets clearer to me I have to get deeper into the function of compression, equalizing etc.
And thanks again for your helpful advice ...
Best regards,
Michael
I'm glad I helped you, I too was in a hurry to let my songs be listened without taking care of the technical part. Even if I haven't learned many things yet, the results are already visible. I am sure that you too will improve a lot on this aspect from now on.
Solid track for the dance floor. I'm not into electronic music much but this has all the basic sensibilities of a decent track. The vox are great. To me the kick lacks a bit of low end or boom, plenty of mids in it though. All round cool track man!
believe it or not, this track wasn't born to be danced in a disco haha. If you listen to it well, you will find that the track starts as a mix between Offspring (bass line), Planet Funk (drums) and Muse (electronic support elements). Slowly, in the course, the more "dance" elements came in, up to the central part, with the saw resting on real drums, as if to remember "Myxomatosis" by Radiohead. The kick is deliberately "choked", so it represents a halfway between a real drum kick and an electronic one of dance music. Let's say I had a lot of fun mixing things that would hardly be together on a commercial track!
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
Really nothing bad to say here :)
All sounds good and in the right place. Her voice is really special and i like the vibrato a lot. So i think you done a good job on what you wanted to do.
But in a way i believe that a much darker and a more wave oriented version would have been better. But that is just my opinion and is not any kind of critic at all.
A really nice one to listen to.
Much respect for both of you!
stay tuned
joe
Just i don't understand what you mean with "wave oriented".
Sure, to be a seventies theme, is maybe a tad brilliant, and this don't help to give that flavours.
It could be one of the fixing i can do, so... tell me! aahahh
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
Cheers mate.
Cru
My ears are tired now ahahahahha
Thank you my friend!
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
Pm coming soon.
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
Thanks!
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
The point at 2:00ish is brilliant that the vocals fade away, I wasn't referring to that.
At 3:00 I noticed the vocals come back, but that's where it is getting overwhelmed/buried by the instruments, is what I meant :)
Maybe the limiter did his job, 'cause it was one of the spots where there was a bit of distortion... if i create an automation on volume, distortion cames back, so that's the best i can do with the means i have available!
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
some part the vocals get buried..i got a solution my friend.sidechian the whole track but the high mid...like 1k-5k with vocals
Read my reply to Eighteen comment to discover my "magic trick"
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
I understand what you meant now with lack of audio quality.
This kick I can feel in my head, feels really good.
At around 3:00ish the vocals get buried abit with the louder music.
But other then that you promised me I wouldn't be dissapointed and you were right!
Fantastic work man, I absolutely love it!
+1Fav
Cheers!
~Eighteen
I was sure you notice about voice buring, but... that's not!
This is my magic trick:
If you pay attention, voice begin to fade since 2:00, because i played with the "wet" and "dry" knobs on reverb! Dry turns almost off, wet turns to 50%, to "phantomize" the vocals, that, in it's repetition, was a bit boring! Then, the vice-versa, to get back at circa 3:05
You didn't expect this, be true!
on 18 feat LeoVal - Youll be alive RetroFuture Vision by HenryPascal
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
on Henry Pascal - Enjoy the madness by HenryPascal
It's kind of trippy, flippy, nippy, riffy (ok, not riffy, hehe).
Fun! :-)
Yes,this was a 2004 medieva-software-made track... but the resulting mess is not so crappy ahahah
Waiting for your comment on my tracks with Junior Paes and 18 feat. LeoVal ahahah
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
New release soon, stay tuned.
on Looking for love by HenryPascal
Beginning is chill, and at 1:19 my eyes went O_O
:) damn nice 80s sound, that bass loop is amazing!
Then that panning effect, perfect! (the voice kinda startled me for a second, thought someone was behind me lol)
Cheers!
~Eighteen
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
Sometimes I can, sometimes totally not :(
~Eighteen
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
How exactly did you learn to do this? :)
Perfection, no other words!
Love the vocals as well!
Cheers!
~Eighteen
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
on Henry Pascal feat Stepa K - Nothing Left by HenryPascal
Thank you!
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
And thanks again for your helpful advice ...
Best regards,
Michael
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
on Henry Pascal - Enjoy the madness by HenryPascal
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
Done now.
on Henry Pascal feat Junior Paes - I dont need you by HenryPascal
Wayne
believe it or not, this track wasn't born to be danced in a disco haha. If you listen to it well, you will find that the track starts as a mix between Offspring (bass line), Planet Funk (drums) and Muse (electronic support elements). Slowly, in the course, the more "dance" elements came in, up to the central part, with the saw resting on real drums, as if to remember "Myxomatosis" by Radiohead. The kick is deliberately "choked", so it represents a halfway between a real drum kick and an electronic one of dance music. Let's say I had a lot of fun mixing things that would hardly be together on a commercial track!
on Rossella by HenryPascal
This track spoke to me I love it.
PEACE...
Jynxz