Not only you, but me too! Until 0:43 it sounds wonderfully harmonious with the piano slightly in front of the background accompaniment (the children's voices also fit beautifully into the background, even if I wouldn't want them throughout, but sporadically a little more audible; but of course that's a balancing act, you can also quickly bring it out of balance).
To my ears, the piano and background then swap positions from about 0:43 to 1:05. Overall, it gets louder and the original background accompaniment now sits in front of the piano, which gives up a bit of the lead as a result. To me, it's not quite as balanced as before.
From approx. 01:05 to approx. 01:19 you then take the piece back a bit overall - in my view correctly, in order to prevent monotony - which fits well in terms of timing.
Afterwards, the piano unfortunately retains its place in the background; as I said, in my opinion the piano should have the "say" overall, which by no means excludes taking the background sound temporarily to the front, but only for a short time.
Overall, I like your track very much, because you have designed it really nice harmonic flow, great!
Hey Seelengold, just saw your reply thank you so much for your kind words. you also gave a very good explanation of whats happening in the song! i will definitely use those ''tips'' for future songs :D
on All of the Stars by Owenwho
on All of the Stars by Owenwho
on All of the Stars by Owenwho
on Owen Who - Swirl by Owenwho
on Last Summer by Owenwho
on Bloom by Owenwho
aha, you like it...
Not only you, but me too! Until 0:43 it sounds wonderfully harmonious with the piano slightly in front of the background accompaniment (the children's voices also fit beautifully into the background, even if I wouldn't want them throughout, but sporadically a little more audible; but of course that's a balancing act, you can also quickly bring it out of balance).
To my ears, the piano and background then swap positions from about 0:43 to 1:05. Overall, it gets louder and the original background accompaniment now sits in front of the piano, which gives up a bit of the lead as a result. To me, it's not quite as balanced as before.
From approx. 01:05 to approx. 01:19 you then take the piece back a bit overall - in my view correctly, in order to prevent monotony - which fits well in terms of timing.
Afterwards, the piano unfortunately retains its place in the background; as I said, in my opinion the piano should have the "say" overall, which by no means excludes taking the background sound temporarily to the front, but only for a short time.
Overall, I like your track very much, because you have designed it really nice harmonic flow, great!
Kind regards
Seelengold