Thank you. I'm a big fan of both those bands and have seen both of them live multiple times back in the day. In The flatfield and Floodland are classics. So is Juju but I can't sing like Siouxsie Sioux. That's too bad.
Absolutely loved the hook, got the same vibes as other posters. Also heard a bit of Lou Reed and Rick Ocasek in your vocals and for some reason I kept wanting to shout the Runaways hook "Che-che-che-Cherry Bomb!" and howl like on Warren Zevon's "Werewolves of London". Great job. I'm faving this.
Hey I really like this! Don't be so hard on yourself, this came out good. Cool chord progression, and the vocal is cool. You don't need a lot of nice equipment to make good music, just artistry. You are showing it.
A-fuqin'-mazing! Played twice, fell in love with twice, wondered die killed by goth rock girl (that i know for real) twice, set as a fav tw.. er... once.
In the second listening i paid attention to technical stuff: i think that everything is at the right place. Only thing i argue is about vocals: in some parts seems to be not in tone (but at the same time, this make touchable the feelings of performer). Instrumental are stronger and intense (and is def fine) but vocals are a tad weak. Enhance the brilliance.
Yeah. There's definitely room for improvement on the vocals. I need a better microphone & plugin for that, & practice of course. Thanks for listening. I appreciate it.
My grandmother escaped hungary when they were invaded. Luckily they didn't find out she was jewish since her mother re-married a non-jewish man when she was young. She still practiced her religion at a young age, but was unable to do so for many years approaching her countries invasion.
She rarely spoke of it but my grandmother's stories of those times were unbelievable. What they had to go through just to get something as simple as a potato was insane. She said everyone knew about the existence of the camps & there was a constant fear of being sent to one. Even though she wasn't Jewish, she was a Slav & the Reich didn't think much of them either. Thank you for stopping by & listening to my track. I appreciate it.
i'm not surprised to read on the comment of TheNyctopianthe reference to Front242 and others bands from the nineties which made during this years the "war beat" genre (an extansion of the new beat).
this kind of sound deliver strong message with a lot of sensibility and i'm just a musician so i won't talk about anything else than musical creativity here :)
i like the dark approach, each sound until the drums create this atmosphere, the render is perfect and the purpose is nicely targeting!
It's been many years since I have listened to industrial (probably the 90's when I was heavily into Skinny Puppy, Front 242, Frontline Assembly, etc) and I must say this is a really nice throwback for me. Great job!
Amazing track. It really creates the dark atmosphere of what things were at that time. Your grandmother must have been a very courageous and amazing lady.
I like when it hits 2:05 and by "like" I mean it's pretty damn terrifying which I assume is what you're going for. If the subject matter wasn't so dark I would maybe say it sounds cool in a "Quake theme music" kind of way.
on GOTH ROCK GIRL by ClickbaitCabaret
on GOTH ROCK GIRL by ClickbaitCabaret
on GOTH ROCK GIRL by ClickbaitCabaret
on GOTH ROCK GIRL by ClickbaitCabaret
Absolutely loved the hook, got the same vibes as other posters. Also heard a bit of Lou Reed and Rick Ocasek in your vocals and for some reason I kept wanting to shout the Runaways hook "Che-che-che-Cherry Bomb!" and howl like on Warren Zevon's "Werewolves of London". Great job. I'm faving this.
on GOTH ROCK GIRL by ClickbaitCabaret
on GOTH ROCK GIRL by ClickbaitCabaret
on GOTH ROCK GIRL by ClickbaitCabaret
on GOTH ROCK GIRL by ClickbaitCabaret
on GOTH ROCK GIRL by ClickbaitCabaret
In the second listening i paid attention to technical stuff: i think that everything is at the right place. Only thing i argue is about vocals: in some parts seems to be not in tone (but at the same time, this make touchable the feelings of performer). Instrumental are stronger and intense (and is def fine) but vocals are a tad weak. Enhance the brilliance.
92 minutes bowed in front of his majesty.
on GOTH ROCK GIRL by ClickbaitCabaret
great work, handshake, Danke
on GOTH ROCK GIRL by ClickbaitCabaret
I like lo fi and this delivers.
Cru
on In Memory of the Holocaust by ClickbaitCabaret
on In Memory of the Holocaust by ClickbaitCabaret
on In Memory of the Holocaust by ClickbaitCabaret
on In Memory of the Holocaust by ClickbaitCabaret
Ronabo
on In Memory of the Holocaust by ClickbaitCabaret
i'm not surprised to read on the comment of TheNyctopianthe reference to Front242 and others bands from the nineties which made during this years the "war beat" genre (an extansion of the new beat).
this kind of sound deliver strong message with a lot of sensibility and i'm just a musician so i won't talk about anything else than musical creativity here :)
i like the dark approach, each sound until the drums create this atmosphere, the render is perfect and the purpose is nicely targeting!
congratulations for the performance
Bleep
on In Memory of the Holocaust by ClickbaitCabaret
on In Memory of the Holocaust by ClickbaitCabaret
This has a really cool, metallic, industrial sound. Nice thud from those lower drums too. Good synth lead. Warm but also cold, legato notes.
2:06 good breakdown and break from the main beat.
This is kind of eerie and unsettling and could be very useful soundtrack music.
Congratulations.
on In Memory of the Holocaust by ClickbaitCabaret
on In Memory of the Holocaust by ClickbaitCabaret