I am putting together a radio stream in memory of my late son who died from cystic fibrosis and would very much like to use this track. He was into dub, house, reggae and many things electronic. The stream, sonnypieradio.com will be ad free, and will not pay royalties, however I am happy to give you a credit and links. Hoping for your permission. Thank you. Chris
This is a very interesting mix, I love the energy it brings, and the dynamics. As previously suggested, work on your ambient sounds (low velocity vox, and riffs to fill the track some more). Also play around with the levels quite a bit, save different variations and compare/contrast with what you have. You're in a good direction.
Nice work, only suggestion is to add some more sub sounds and work on mastering. I like this sound, a collab with CorruptionEDM (Looperman user and really good dubstep artist) would be cool to see. Cheers!
I have to ask... Does this have some sort of racial connotation? I only ask because of the old white boy use of the title, and since their is so much polarization on racial issues lately (with good reason). If it is, then I urge you to add some lyrical flair which reflects this. If not, then I urge you to research what is going on in society right not. I'm sure you're not blue, so dig in and see what color you represent. No it's not political, it is real. Keep making music!!
Hey man. I love this track. It's really good. The only thing I would say is that it is lacking some mastering. If you want I can master it for you if you want and send you the file to reupload. If not that's cool too. Just figured I would give it a shot.
Basically, it's a great concept. This is a type of song that once you take everyone's advice and apply it, it will be a hit. You did a good job.
I would recommend looking at your "Why" you produce. If your focus is making the best experience for your listener, then you'll automatically prioritize certain things, which in this case is the vocals always being heard easily.
Thanks so much dude!! I'm literally looking at all the comments and improving the track every day as much as possible. This is pretty much the reason why i love this community bc there are so many nice and helpful people everywhere!!
There is a lot of bass on this track. Considering that it is consuming the vocals and just about everything else, I would suggest pulling it back a bit so that the track can breathe more. Overall, a good remix. The vocal was a hair too quiet for me but that is only my preference.
This is pretty dope! One thing I would do is cut out everything right before the drop. I noticed that the melody kept going and the rise effects didn't stop until basically right before the drop. I would either cut out everything before the drop or just leave the piano melody sort of how the original is. Otherwise, how you have it now there's not a real difference between the build and drop and it makes the drop sound weaker because there's not much more energy than during the build. I would suggest maybe leaving the piano melody how it is but for the last two notes cut out everything else.
This is a pretty cool and unusual song... I can't say that I've heard the original, so I don't really know what you've done. It's got a good pop vibe to it. Someone said there is too much bass, and I find it funny. Funny because this "future bass" genre seems almost strictly devoid of real bass frequencies, including this track. Also funny because this track taken without genre reference has little movement in my sub. I'm not sure the disparity between my thoughts and the previous commenter, if it is personal preference or simply listening device. Who knows. Either way, it was a cool song!
I like the style you went with it! I could fully enjoy this and had to switch to full objective mode in order to give you proper feedback. Otherwise I just kept enjoying LOL
I agree with the gentlemen below. In addition:
- 0:50/2:10 The bass-drop effect into those parts is evenly loud while the acapella has a double layer at the 1:50 and is thereby louder/stronger. I would personalize the drop effect in volume and turn the first one a bit down.
- On the other hand. Hearing the break transitions at 0:30/1:50, they sound a bit nude. There seems to be a sweep far on the background. Maybe pulling it more to the front might already do the trick. Otherwise a tiny soft impact/sweep/fx might work.
on Donut by sunnydas01
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Peep the page for a sample of my material.
https://soundcloud.com/bryan-zamora-8/90s-flow-prelim
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Im so sorry for your loss man
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also nice idea !
this track sounded very good to me....
on Sunny Official - Sp00k by sunnydas01
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Nope no racial connotation at all. I just named this spook because i love halloween!
thanks!!
-Sunny
on Sunny Official - Sp00k by sunnydas01
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Keep up the good work!
on The Chainsmokers-Closer ft Halsey -Sunny Bootleg by sunnydas01
I would recommend looking at your "Why" you produce. If your focus is making the best experience for your listener, then you'll automatically prioritize certain things, which in this case is the vocals always being heard easily.
Keep grinding bro
-Sunny
on Sunny Official - Food Run by sunnydas01
on The Chainsmokers-Closer ft Halsey -Sunny Bootleg by sunnydas01
Brado
on The Chainsmokers-Closer ft Halsey -Sunny Bootleg by sunnydas01
on The Chainsmokers-Closer ft Halsey -Sunny Bootleg by sunnydas01
on The Chainsmokers-Closer ft Halsey -Sunny Bootleg by sunnydas01
I agree with the gentlemen below. In addition:
- 0:50/2:10 The bass-drop effect into those parts is evenly loud while the acapella has a double layer at the 1:50 and is thereby louder/stronger. I would personalize the drop effect in volume and turn the first one a bit down.
- On the other hand. Hearing the break transitions at 0:30/1:50, they sound a bit nude. There seems to be a sweep far on the background. Maybe pulling it more to the front might already do the trick. Otherwise a tiny soft impact/sweep/fx might work.
Very nice work man, faved! :D
- Wobbin
on The Chainsmokers-Closer ft Halsey -Sunny Bootleg by sunnydas01
synth stabs between 1:10 - 1:20 seem a little weak
the same synth stabs between 2:30 - 2:50 sound better
overall nice track. the only real flaw imo is the 10 second synth stab section 1:10 - 1:20
-Dan
on Donut by sunnydas01