Stereonomicon

Hello, Marco.
Wow, this is one of the best track in your arsenal mate.
This is a grand of track mate
Well done.
Maj

Hello Marco,
you know we're always on a space mission and this track could be the sound they dance to on some far away planet. Your music indeed evokes images of strange creatures in my mind and since I guess this is your intention I must say: mission accomplished, Signore!!!
Cheers,
Micky

hi! cool track! on the other hand "punk" like kind, i don't know! but good job bro!
Michel

Killer chops on this tune. takes this sound to a new darker and more intense level. Aces Mate!
Steven

an outstanding addition to your hlp-inspired canon! the Old Ones are grooving in the arena tonight! bravos, my friend.

Nice electro in the early days with a twist feel to this. Clean sound. Great work.

very interesting Marco...

back to the 80's when we saw so many youngsters with special peaked hair...and those colours...:-)
the groovy is irresistible, as the synth work too...
always good to hear stg new from you...so versatile you are...
standing ovation

Danke

Lovely production and psychedelic sounds

Thank you for explaining who HPL was. I googled it and i got the Houston Public Library, Hartford Public Library, high pressure laminate....he.

Great piece of music man! Mind bending, trippy stuff. Very creative. Sounds like it was made with all 60's and 70's loop machines like the ones Pink Floyd used and 70's synths like the Prophet or mini Moog.

Always a pleasure!

Wayne

As always Marco a journey. This has nome nice dissonant tones in it. I have been listening to Psybient music lately which is very cool and relaxing and this could fall under . Suduaya in particular is a favourite of mine. But the genre is very diverse. Stay Safe
Steven

Your tracks are always very unique. The watery/bird sound around 2:00 sounds awesome. I enjoy the progression in this track. Great track.

VERY COOL

good to see you back, my friend! i know i’ll always have an atmospheric and immersive listening experience, like shifting strata on this track. slippery and wicked grooves!

Out of curiousity, who is HPL? This is new to me. Unique and refeshing comes to mind. I don't listen to psychedelic much, however, this was definitely enjoyable. Good to see you back on the radar. Thank for sharing :)

Cara De Sol

Marco, hello. I hope all is well.

I'm going to take a guess and say that you are fan of Richard Wright. (I mean, really, who wouldn't be?) Every now and then, in all of your work, I can hear elements that really remind me of his mid 70s work. So I'm just assuming.

You have a knack for transitions. Your ability to change sequences, moods, and tempos have a seamless and fluid quality that a lot of people can't really grasp.

Overall, this does have an 80s sound. The main difference being the production quality. It's much clearer than that which I remember from then.

That switch at about 2:50 is very Pink Floyd sounding. So, naturally I love it.

The dynamics you have are very well used. Nothing is crowded, nothing steps on each other, the panning and movement along with the phasing give it a nice full of life sound.

Excellent work as always.
Take care.
Aaron.

I love the sophisticated ‘simplicity’ of your sound! Less is more!!

the suite form really suits you. this is very well developed as composition and performance. it’s very cool to hear the sequencer deployed in a fresh-sounding way. the drums are just tasty. this seems a bit of a departure from the other works i’ve heard, it’s cool to get a sense of your range. peace, marco.

Yes, the impression is very much in line with Lovecraft's story. Thank you, Marco.

Marco,

Pretty cool mix you have here. Actually what attracted me to check it out was the title. I first learned about Cthulhu playing D & D and reading H.P. Lovecraft back in the college days. I dig the track as I'm always hip to interesting and unique approaches to music and music interpretation. It very much reminds me of early Pink Floyd and how they used sound effects and soundscapes as integral components in their material. Props on the production here, it's very good, and I especially like your focus on movement. A lot of producers overlook this aspect of the recording or don't put enough emphasis on it. Another important component in this type of music is texture or how well the various layers of sound interact with each other. Things like melody, tempo, harmonics etc. and how well they are combined really define the overall quality of the mix. You pretty much nailed that too.

If I was to find anything negative or had to nitpick something, I would say that as I listened I was hoping it would actually develop into something. It doesn't strike a chord, contain a rhythm or fully develop into a beat. Instead, the rhythm is intuitive and free-flowing. So essentially its a soundscape and cant be categorized as music. That's not a bad thing by any means, I'm just stating that as a listener I was left wanting or waiting on the music. However, Since you stated in your description that this will be the opening piece of your album, I feel that this is intentional and is essentially a 5 minute buildup to the first track of the album. Which makes me all the more impressed with your genius cause now I have to buy your album to see where this leads !!!

Good stuff and nice marketing,

Neo

blue crewww

Loving this track it sounds really good on earphones very well done it is class.

great work. love the minimalist style.

Marco, hello.

I really enjoy your style. The depth of you comes out in your work. Much like the words you choose to communicate verbally, your music, even these experimental pieces, are very articulate and deliberate.
Much like my own work, (More so in my early works that aren't posted here anymore.), you have the ability to tell a story with sounds. It's a far cry from the standard formulas that most pop follows. Allowing freedom for creative expression.
I am impressed that this is all mostly from apps. It's interesting how far technology has come. And to think that we're still only at the surface.

This piece reminds me of early Pink Floyd. Obscured By Clouds era. Just...more cosmic. (Therefore, aptly titled, "Azathoth"). It's fluid soundscape is chaotic but still orchestrated under a grand plan.
The drums, while being exactly where they need to be, almost seem like they were an accident. Like they were floating by, and were pulled into the vortex by the gravity of oscillating energy.

Even if you were just playing around, this still paints a picture. Nice job, man.

Keep 'em coming.

Take care.
Aaron

Interesting intonations are heard on this track. I think we should add a melodic line in two voices here ...

Wow Marco,
This track is still Excellent,
Faves
Maj