Here. Listen to what I did and see if it helps. Specifically FX and risers. Also, put a sidechained sine wave playing the base note of your scale at octave 3 or 4 in the background so that it's just barely audible. It'll make a slight ringing sound that will fill in any empty spaces, but be subtle enough to not draw attention to itself during the breaks and drops. I'm always looking for collaborations if your interested.
Hey, My style has much changed since I made this track. I still focus on the same genre but I think I am a lot better than I was (I hope! xD) and I don't have access to the fl studio file any more as I deleted them :/. Anyway I am definitely up for a collaboration if you are!
I don't listen to Big Room House, but I know how it should sounds. This is not bad, but in this genre is one rule: LOUDER - BETTER. You should use a lot of compression in reverb so that drums can really sound BIG.
At 0:30 a lot of BRH artists use gradually louder lead so you could do that too (just a suggestion). I like FXs at 1:00 which leads to break. You made nice melody there. It's better than a plenty of melodies from W&W, Martin Garrix and similars. If you are going to be a Big Room House producer, this is a good start.
on First Big House Track by kirk11111
on First Big House Track by kirk11111
At 0:30 a lot of BRH artists use gradually louder lead so you could do that too (just a suggestion). I like FXs at 1:00 which leads to break. You made nice melody there. It's better than a plenty of melodies from W&W, Martin Garrix and similars. If you are going to be a Big Room House producer, this is a good start.
Good job here!
on Using Big House Loop 1 by kirk11111