thank you so much for the time you put to analyze the sound. It means a lot for me. but the way. lmao. i recorded the vox at first time just to not lose the vibe and the way i heard this kid at the back, i said: hell no, i m not gonna change it.
todd, i think you aced it! the instruments really gel with the vox, and the wordless singing/flute sections are standouts. the track has a gravity that i completely missed in the earlier version. you are an interesting guy to follow and learn from, my friend.
Phew! Thanks for coming back and checking it out, I appreciate it! I didn't wan to give up on it just yet, so figured a small tweak may have gone a long way, I hope at least. I don't know how much I have to teach, but can certainly offer opinions. I am grateful for some of the feedback I have gotten here on Looperman, it has been helpful and I appreciate the community. I try to give thoughtful comments on other people's tracks too, with full disclosure that I'm am (or feel) like a newb. :)
Hahaha, I guess that's what I'm hearing. It's not so much a particular "french" setting but like a small gypsy-esque like...thing. Thanks for the words!
you set yourself a challenge with this pella! since i’ve heard what you can do after getting some feedback, it’d be cool to hear what transposing the backing key would do. regardless, a solid and worthwhile effort — keep going, man!
Thanks for the feedback/encouragement. Do you mean trying to transpose the vocals? Wasn't sure what you meant by backing key exactly. But, I have gone back from where I was originally and transposed the instruments down another 3 semi-tones. Does this version seem like her vocals fit a little better with less dissonance? Thanks again!
Hello, thank you for your encouraging comment because I am new to musical composition. Your message also made me laugh, I hope you find your member; O)
hello arloph. i really admire the skills and sensibility you bring to the loop. like the art ensemble of chicago used ta say ‘great black music from the ancient to the future’
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