It was just a fast 16th-note set of arpeggios that I had sequenced in with Step record, so they were absolutely perfect-- and hence, quite unnatural, not like what a real guitarist would play. I'm sure one could analyze the implied harmonies made by the arpeggios, but at this point, after the addition of comb filtering, it's really just a wild mishmosh of notes.. designed to create a weird feeling, hence the title I gave it (a surreal 1962 movie).
on Carnival of Souls by Rasputin